Snopes: The Hamlet, The Town, The Mansion

On the second afternoon when he waked a little boy was sitting on the front steps—the round-headed periwinkle-eyed son of his kinsman who operated Varner’s blacksmith shop—though at the first sound of his feet on the floor the boy moved, so that when he reached the porch the boy was already on the ground beyond it and several feet away, looking back at him. “Uncle Lump says for you to come to the store,” the boy said. “He says it’s important.” He didn’t answer. He stood there with last night’s mud now dried on the shoes and overalls and (so still had been his sleep) this morning’s meal grains still clinging in the stubble around his mouth, until the boy turned and began to walk away and then began to run, looking back for an instant from the edge of the woods, then running n, vanishing. Still he didn’t move and still there was nothing in his face. If it had been money, he could have brought it, he thought. Because it aint money. Not from them. And on the third morning he knew suddenly that someone was standing in the door watching him. He knew, even in the midst of the unreality which was not dream but a barren place where his mind, his will, stood like an unresting invincible ungrazing horse while the puny body which rode it renewed its strength, that it was not the boy now and that it was still morning, that he had not been asleep that long. They were hid here, watching me when I come up out of the bottom, he thought, trying to speak aloud to wake himself as he might have knelt to shake his own shoulder: Wake up. Wake up: until he waked, knowing at once that it was too late, not even needing the position of the window’s shadow on the floor to tell him it was that same automatic hour of afternoon. He did not hurry. He started the fire and set the pot on to heat and scooped a handfull of meal scrapings from the barrel and ate it, chewing the splinters out of it, spitting them, rubbing them from his lips with his hand. In doing so, he discovered the meal already clinging in his beard and he ate that too, wiping the grains from either side with his fingers across his chewing mouth. Then he drank the cup of sweetened water and went out into the yard. The tracks were there. He knew the sheriff’s—the heavy, deep, deliberate prints, even in the rainless summer’s parched earth, of those two hundred and forty pounds of flesh which wore the metal shield smaller than a playing card, on which he had gambled not only his freedom but perhaps his obliteration too, followed by those of its satellites. He saw the prints of the hands and the crawling knees where one of them had searched back and forth beneath the floor while he was sleeping on top of it; he found leaning against the wall inside the stable his own shovel with which they had cleared away the year’s accumulation of mule-droppings to examine the earth beneath, and he found among the trees above the cabin the place where the surrey had stood. And still there was nothing in his face—no alarm, no terror, no dread; not even contempt or amusement—-only the cold and incorrigible, the almost peaceful, intractability.

He returned to the house and took the shotgun from its corner. It was covered now almost completely over with a thin, snuff-colored frost of rust, as though the very tedious care of that first night’s wiping had overreached itself, had transferred the water from the gun to the shirt then back from the shirt to the gun again. And it did not breech, break, but opened slowly to steady force, exposing the thick, chocolate-colored soap-like mass of congealed animal fat, so that at last he dismantled it and boiled water in the coffee pot and scalded the grease away and laid the dismembered sections along the edge of the back porch where the sun fell on them as long as there was sun. Then he reassembled it and loaded it with two of the three remaining shells and leaned it against the wall beside the chair, and again he watched the night emerge from the bottom and mount through the bitten corn, taking corn, taking the house itself at last and, still rising, become as two up-opening palms releasing the westward-flying ultimate bird of evening. Below him, beyond the corn, the fireflies winked and drifted against the breast of darkness; beyond, within, it the steady booming of the frogs was the steady pulse and beat of the dark heart of night, so that at last when the unvarying moment came—that moment as unvarying from one dusk to the next as the afternoon’s instant when he would awake—the beat of that heart seemed to fall still too, emptying silence for the first deep cry of strong and invincible grief. He reached his hand backward and took up the gun.