Snopes: The Hamlet, The Town, The Mansion

So he rose and gathered up the books and papers which, with the clock, he carried to his barren room each afternoon and fetched back the next morning, and put them into the desk drawer and closed it and with his handkerchief he wiped off the desk top, moving without haste yet steadily, his face calm, and wound the clock and set it back on the desk. The overcoat which the football coach had given him six years ago hung on its nail. He looked at it for a moment, though presently he went and got it and even put it on and left the room, the now deserted room in which there were still and forever would be too many people; in which, from that first day when her brother had brought her into it, there had been too many people, who would make one too many forever after in any room she ever entered and remained in long enough to expel breath.

As soon as he emerged, he saw the roan horse tied to the post before the store. Of course, he thought quietly. Naturally he would not carry a pistol around with him, and it would not do him any good hidden under a pillow at home. Of course. That’s it. That’s where the pistol will be; telling himself that perhaps the brother even wanted witnesses, as he himself wanted them, his face tragic and calm now, walking on down the road toward the store. That will be proof, he cried silently. Proof in the eyes and beliefs of living men that that happened which did not. Which will be better than nothing, even though I am not here to know men believe it. Which will be fixed in the beliefs of living men forever and ever ineradicable, since one of the two alone who know different will be dead.

It was a gray day, of the color and texture of iron, one of those windless days of a plastic rigidity too dead to make or release snow even, in which even light did not alter but seemed to appear complete out of nothing at dawn and would expire into darkness without gradation. The village was lifeless—the shuttered and silent gin and blacksmith shop, the weathered store; the motionless horse alone postulating life and that not because it moved but because it resembled something known to be alive. But they would be inside the store. He could see them—the heavy shoes and boots, the overalls and jumper coats bulging over the massed indiscriminate garments beneath—planted about the box of pocked sand in which the stove, squatting, radiated the strong good heat which had an actual smell, masculine, almost monastic—a winter’s concentration of unwomaned and deliberate tobacco-spittle annealing into the iron flanks. The good heat: he would enter it, not out of the bleak barren cold but out of life, mounting steps and walking through a door and out of living. The horse raised its head and looked at him as he passed it. But not you, he said to it. You’ve got to stand outside, stand here and remain intact for the blood to contrive to run through. I dont. He mounted the steps, crossing the heel-gnawed planks of the gallery. On the closed door was tacked a paper placard advertising a patent medicine, half defaced—the reproduction of a portrait, smug, bearded, successful, living far away and married, with children, in a rich house and beyond the reach of passion and blood’s betrayal and not even needing to be dead to be embalmed with spaced tacks, ubiquitous and immortal in ten thousand fading and tattered effigies on ten thousand weathered and paintless doors and walls and fences in all the weathers of rain and ice and summer’s harsh heat, about the land.