Читаем The Accidental Tourist полностью

He hailed a cab, slid across the worn, slippery seat, and gave the address of his hotel. The driver started talking at once about his daughter. "I mean she's thirteen years old," he said, nosing out into traffic, "and got three sets of holes in her ears and an earring in each hole, and now she wants to get another set punched up toward the top.

Thirteen years old!" He either had or had not heard the address. At any rate, he was driving along. "I wasn't even in favor of the first set of holes," he said. "I told her, 'What; you don't read Ann Landers?' Ann Landers says piercing your ears is mutilating your body. Was it Ann Landers? I think it was Ann Landers. You might as well wear a ring through your nose like the Africans, right? I told my daughter that. She says, 'So? What's wrong with a ring through my nose? Maybe that's what I'll get next.' I wouldn't put it past her, either. I would not put it past her. Now this fourth set goes through cartilage and most of these ear-piercing places won't do that; so you see how crazy it is.

Cartilage is a whole different ball game. It's not like your earlobe, all spongy."

Macon had the feeling he wasn't fully visible. He was listening to a man who was talking to himself, who may have been talking before he got in and might possibly go on talking after he got out. Or was he present in this cab at all? Such thoughts often attacked while he was traveling. In desperation, he said, "Um-"

The driver stopped speaking, surprisingly enough. The back of his neck took on an alert look. Macon had to continue. He said, "Tell her something scary."

"Like what?"

"Like . . . tell her you know a girl whose ears dropped off."

"She'd never go for that."

"Make it scientific. Say if you puncture cartilage, it will wither right away." v

"Hmm," the driver said. He honked his horn at a produce truck.

" 'Imagine how you'd feel,' tell her, 'having to wear the same hairstyle forever. Covering up your withered ears.' "

"Think she'd believe me?"

"Why not?" Macon asked. And then, after a pause, "In fact, it may be true. Do you suppose I could have read it someplace?"

"Well, now, maybe you did," the driver said. "There's this sort of familiar ring to it."

"I might even have seen a photograph," Macon said. "Somebody's ears, shriveled. All shrunken."

"Wrinkly, like," the driver agreed.

Macon said, "Like two dried apricots."

"Christ! I'll tell her/The taxi stopped in front of Macon's hotel. Macon paid the fare and said, as he slid out, "I hope it works."

"Sure it will," the driver said, "till next time. Till she wants a nose ring or something."

"Noses are cartilage too, remember! Noses can wither too!"

The driver waved and pulled into traffic again.

After Macon had claimed his room, he took a subway to the Buford Hotel.

An electronics salesman had written to suggest it; the Buford rented small apartments, by the day or the week, to businessmen. The manager, a Mr. Aggers, turned out to be a short, round man who walked with a limp exactly like Macon's. Macon thought they must look very odd together, crossing the lobby to the elevators. "Most of our apartments are owned by corporations," Mr. Aggers said. He pressed the "Up" button. "Companies who send their men to the city regularly will often find it cheaper to buy their own places. Then those weeks the apartments are empty, they look to me to find other tenants, help defray the costs."

Macon made a note of this in the margin of his guidebook. Using an infinitesimal script, he also noted the decor of the lobby, which reminded him of some old-fashioned men's club. On the massive, claw-footed table between the two elevators stood a yard-high naked lady in brass, trailing brass draperies and standing on brass clouds, holding aloft a small, dusty light bulb with a frayed electric cord dangling from it. The elevator, when it arrived, had dim floral carpeting and paneled walls.

"May I ask," Mr. Aggers said, "whether you personally write the Accidental Tourist series?"

"Yes, I do," Macon told him.

"Well!" Mr. Aggers said. "This is a real honor, then. We keep your books in the lobby for our guests. But I don't know, I somehow pictured you looking a little different."

"How did you think I would look?" Macon asked.

"Well, maybe not quite so tall. Maybe a bit, well, heavier. More . . . upholstered."

"I see," Macon said.

The elevator had stopped by now but it took its time sliding open. Then Mr. Aggers led Macon down a hall. A woman with a laundry cart stood aside to let them pass. "Here we are," Mr. Aggers said. He unlocked a door and turned on a light.

Перейти на страницу:

Похожие книги

Точка опоры
Точка опоры

В книгу включены четвертая часть известной тетралогия М. С. Шагинян «Семья Ульяновых» — «Четыре урока у Ленина» и роман в двух книгах А. Л. Коптелова «Точка опоры» — выдающиеся произведения советской литературы, посвященные жизни и деятельности В. И. Ленина.Два наших современника, два советских писателя - Мариэтта Шагинян и Афанасий Коптелов,- выходцы из разных слоев общества, люди с различным трудовым и житейским опытом, пройдя большой и сложный путь идейно-эстетических исканий, обратились, каждый по-своему, к ленинской теме, посвятив ей свои основные книги. Эта тема, говорила М.Шагинян, "для того, кто однажды прикоснулся к ней, уже не уходит из нашей творческой работы, она становится как бы темой жизни". Замысел создания произведений о Ленине был продиктован для обоих художников самой действительностью. Вокруг шли уже невиданно новые, невиданно сложные социальные процессы. И на решающих рубежах истории открывалась современникам сила, ясность революционной мысли В.И.Ленина, энергия его созидательной деятельности.Афанасий Коптелов - автор нескольких романов, посвященных жизни и деятельности В.И.Ленина. Пафос романа "Точка опоры" - в изображении страстной, непримиримой борьбы Владимира Ильича Ленина за создание марксистской партии в России. Писатель с подлинно исследовательской глубиной изучил события, факты, письма, документы, связанные с биографией В.И.Ленина, его революционной деятельностью, и создал яркий образ великого вождя революции, продолжателя учения К.Маркса в новых исторических условиях. В романе убедительно и ярко показаны не только организующая роль В.И.Ленина в подготовке издания "Искры", не только его неустанные заботы о связи редакции с русским рабочим движением, но и работа Владимира Ильича над статьями для "Искры", над проектом Программы партии, над книгой "Что делать?".

Афанасий Лазаревич Коптелов , Виль Владимирович Липатов , Дмитрий Громов , Иван Чебан , Кэти Тайерс , Рустам Карапетьян

Фантастика / Современная русская и зарубежная проза / Современная проза / Cтихи, поэзия / Проза / Советская классическая проза
Салихат
Салихат

Салихат живет в дагестанском селе, затерянном среди гор. Как и все молодые девушки, она мечтает о счастливом браке, основанном на взаимной любви и уважении. Но отец все решает за нее. Салихат против воли выдают замуж за вдовца Джамалутдина. Девушка попадает в незнакомый дом, где ее ждет новая жизнь со своими порядками и обязанностями. Ей предстоит угождать не только мужу, но и остальным домочадцам: требовательной тетке мужа, старшему пасынку и его капризной жене. Но больше всего Салихат пугает таинственное исчезновение первой жены Джамалутдина, красавицы Зехры… Новая жизнь представляется ей настоящим кошмаром, но что готовит ей будущее – еще предстоит узнать.«Это сага, написанная простым и наивным языком шестнадцатилетней девушки. Сага о том, что испокон веков объединяет всех женщин независимо от национальности, вероисповедания и возраста: о любви, семье и детях. А еще – об ожидании счастья, которое непременно придет. Нужно только верить, надеяться и ждать».Финалист национальной литературной премии «Рукопись года».

Наталья Владимировна Елецкая

Современная русская и зарубежная проза