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I understood at once that I had been assigned a post with this ailing old man solely in order to “amuse” him, and that the whole job lay in that. Naturally, that humiliated me, and I was going to take measures at once; but soon afterwards the old eccentric produced a sort of unexpected impression in me, something like pity, and by the end of the month I grew somehow strangely attached to him, or at least I dropped my intention to be rude. He was, incidentally, no more than sixty. Here a whole story came out. A year and a half earlier he had suddenly had a fit; he had gone somewhere and had lost his mind on the way, so that something like a scandal had occurred, which was talked about in Petersburg. As is proper in such cases, he was immediately taken abroad, but about five months later he suddenly reappeared, and in perfect health, though he did leave government service. Versilov maintained seriously (and with notable warmth) that there was no insanity involved, but merely some sort of nervous fit. I immediately noticed this warmth of Versilov’s. However, I will note that I myself all but shared his opinion. The old man just seemed awfully light-minded at times, which didn’t go with his years, and they said he hadn’t been that way at all before. They said that before he had been some sort of adviser somewhere and had once somehow distinguished himself greatly in some mission he had been charged with. Having known him for a whole month, I would never have supposed any special ability in him for being an adviser. They noticed (though I did not) that after his fit a sort of special inclination developed in him to get married quickly, and that he supposedly set about this idea more than once in that year and a half. This was supposedly known in society, and was of interest to the right people. But since this impulse was far too discordant with the interests of certain persons around the prince, the old man was watched on all sides. His own family was small; he had been a widower for twenty years and had only one daughter, the general’s widow, who was now expected any day from Moscow, a young person whose character he unquestionably feared. But he had no end of various distant relations, mostly on his deceased wife’s side, who were all but destitute; besides, there was a multitude of various wards, male and female, who received his benefactions, and who all expected a share of his inheritance, and so they all assisted the general’s widow in supervising the old man. On top of that, ever since he was a young man, he had had a certain quirk—only I don’t know whether it was ridiculous or not—of marrying off impoverished girls. He had been marrying them off for twentyfive years on end—distant relations, or stepdaughters of his wife’s cousins, or his goddaughters; he even married off his doorkeeper’s daughter. He started by taking them into his house while they were still little girls, brought them up with governesses and French-women, then educated them in the best schools, and in the end gave them away with a dowry. All this constantly crowded around him. The wards, naturally, once they married, would produce more girls, all the girls thus produced also aimed at becoming wards, he had to go everywhere to baptisms, all this showed up with congratulations on his birthdays, and he found it all extremely agreeable.

On entering his service, I noticed at once that a certain painful conviction had nested in the old man’s mind—and it was quite impossible not to notice it—that everyone in society had supposedly begun to look at him strangely, that everyone had supposedly begun to treat him differently than before, when he had been in good health; this impression did not leave him even in the merriest social gatherings. The old man became insecure, began noticing something in everyone’s eyes. The thought that he was still suspected of insanity obviously tormented him; even me he sometimes studied with mistrust. And if he had learned that someone was spreading or maintaining this rumor about him, I believe this gentlest of men would have become his eternal enemy. It is this circumstance that I ask you to take note of. I will add that this also decided me from the first day not to be rude to him; I was even glad if I sometimes had the chance to cheer him up or divert him; I don’t think this confession can cast a shadow on my dignity.

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Лейкин, Николай Александрович — русский писатель и журналист. Родился в купеческой семье. Учился в Петербургском немецком реформатском училище. Печататься начал в 1860 году. Сотрудничал в журналах «Библиотека для чтения», «Современник», «Отечественные записки», «Искра».Большое влияние на творчество Л. оказали братья В.С. и Н.С.Курочкины. С начала 70-х годов Л. - сотрудник «Петербургской газеты». С 1882 по 1905 годы — редактор-издатель юмористического журнала «Осколки», к участию в котором привлек многих бывших сотрудников «Искры» — В.В.Билибина (И.Грек), Л.И.Пальмина, Л.Н.Трефолева и др.Фабульным источником многочисленных произведений Л. - юмористических рассказов («Наши забавники», «Шуты гороховые»), романов («Стукин и Хрустальников», «Сатир и нимфа», «Наши за границей») — являлись нравы купечества Гостиного и Апраксинского дворов 70-80-х годов. Некультурный купеческий быт Л. изображал с точки зрения либерального буржуа, пользуясь неиссякаемым запасом смехотворных положений. Но его количественно богатая продукция поражает однообразием тематики, примитивизмом художественного метода. Купеческий быт Л. изображал, пользуясь приемами внешнего бытописательства, без показа каких-либо сложных общественных или психологических конфликтов. Л. часто прибегал к шаржу, карикатуре, стремился рассмешить читателя даже коверканием его героями иностранных слов. Изображение крестин, свадеб, масляницы, заграничных путешествий его смехотворных героев — вот тот узкий круг, в к-ром вращалось творчество Л. Он удовлетворял спросу на легкое развлекательное чтение, к-рый предъявляла к лит-ре мещанско-обывательская масса читателей политически застойной эпохи 80-х гг. Наряду с ней Л. угождал и вкусам части буржуазной интеллигенции, с удовлетворением читавшей о похождениях купцов с Апраксинского двора, считая, что она уже «культурна» и высоко поднялась над темнотой лейкинских героев.Л. привлек в «Осколки» А.П.Чехова, который под псевдонимом «Антоша Чехонте» в течение 5 лет (1882–1887) опубликовал здесь более двухсот рассказов. «Осколки» были для Чехова, по его выражению, литературной «купелью», а Л. - его «крестным батькой» (см. Письмо Чехова к Л. от 27 декабря 1887 года), по совету которого он начал писать «коротенькие рассказы-сценки».

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