The ferry’s engines growl, and cut out. Passengers gather their belongings, unplug earphones, and look for children. Holly’s phone goes and she checks it: “It’s my friend, the one who’s picking us up. Just a mo.” While she takes the call, I check my own phone for messages. Nothing since the picture of Juno’s birthday party earlier. Our international marriage was once a walk-in closet of discoveries and curiosities, but international divorce is not for the fainthearted. Through the spray-dashed window I watch lithe young Aussies leap from prow to quayside, tying ropes around painted steel cleats.
“Our friend’s picking us up from the terminal building.” Holly puts her phone away. “She’s got space for you too, Crispin, if you’d like a lift back to the hotel.”
I’ve got no energy to go exploring Perth. “Please.”
We walk down the gangway onto the concrete pier, where my legs struggle to adjust to terra firma. Aoife waves to a woman waving back, but I don’t zone in on Holly’s friend until I’m a few feet away.
“Hello, Crispin,” the woman says, as if she knows me.
“Of course,” remembers Holly. “You two met in Colombia!”
“I may,” the woman smiles, “have slipped Crispin’s mind.”
“Not at all, Carmen Salvat,” I tell her. “How are you?”
August 20, 2018
LEAVING THE AIR-CONDITIONED FOYER of the Shanghai Mandarin we plunge into a wall of stewy heat and adoration from a flash mob—I’ve never seen anything like this level of fandom for a literary writer. More’s the pity that writer isn’t me—as they recognize him, the cry goes up,
Well? I’m asking you a question.
MISS LI LEADS me into the heart of the Shanghai Book Fair complex, where a large auditorium awaits keynote speakers—the true Big Beasts of International Publishing. I can imagine Chairman Mao issuing his jolly-well-thought-out economic diktats in this very space in the 1950s; for all I know, he did. This afternoon the stage is dominated by a jungle of orchids and a ten-meter-high blowup of Nick Greek’s blond American head and torso. Miss Li leads me out through the other side of the large auditorium and on to my own venue, although she has to ask several people for directions. Eventually she locates it on the basement level. It appears to be a row of knocked-through broom cupboards. There are thirty chairs in the venue, though only seven are occupied, not counting myself. To wit: my smiling interviewer, an unsmiling female translator, a nervous Miss Li, my friendly Editor Fang, in his Black Sabbath T-shirt, two youths with Shanghai Book Fair ID tags still round their necks, and a girl of what used to be known as Eurasian extraction. She’s short, boyish, and sports a nerdy pair of glasses and a shaven head: electrotherapy chic. A droning fan stirs the heat above us, a striplight flickers a little, and the walls are blotched and streaked, like the inside of a never-cleaned oven. I am tempted to walk out—I really am—but handling the fallout would be worse than putting a brave face on the afternoon. I’m sure the British Council keeps a blacklist of badly behaved authors.