The Complete Short Stories

Like the other rooms, this was bare and unfurnished, except for a wooden chair and a large black safe that stood with its back to one wall. The other distinctive feature was a single light bulb of considerable power suspended on an intricate pulley system from the centre of the ceiling.

Buttoning his jacket, Mr Goddard went over to the safe. Massive and ancient, it was approximately three feet wide and deep. Once it had been painted a dark bottle green, but by now most of the paint had peeled, revealing a dull black steel. A huge door, the full width and depth of the safe, was recessed into its face.

Beside the safe was the chair, a celluloid visor slung over its back. Mr Goddard pulled this on, giving himself the look of a refined elderly counterfeiter about to settle down to a hard evening’s work. From his key chain he selected a small silver key, and fitted it into the lock. Turning the handle full circle, he drew the caissons back into the door, then pulled steadily with both hands and swung it open.

The safe was without shelves, a single continuous vault. Occupying the entire cavity, separated from the three-inch-thick walls by a narrow interval, was a large black tin document box.

Pausing to regain his breath, Mr Goddard heard a dull rumble of thunder sound through the darkness beyond the shuttered windows. Frowning involuntarily, he suddenly noticed a feathery thudding noise coming from inside the safe. He bent down and was just in time to see a large white moth emerge from the space above the document box, ricocheting erratically off the roof, at each impact sending a dull echo reverberating through the tin walls.

Mr Goddard smiled broadly to himself, as if divining something that had puzzled him all day. Leaning on the safe, he watched the moth circle the light, frantically shaking to pieces its damaged wings. Finally it plunged into one of the walls and fell stunned to the floor. Mr Goddard went over and swept it through the door with his foot, then returned to the safe. Reaching inside, with great care he lifted the document box out by the handles fastened to the centre of the lid.

The box was heavy. It required all Mr Goddard’s efforts to steer it out without banging it against the safe, but with long practice he withdrew it in a single motion. He placed it gently on the floor, pulled up the chair and lowered the light until it was a few inches above his head. Releasing a catch below the lid, he tilted it back on its hinges.

Below him, brightly reflected in the light, was what appeared to be an elaborate doll’s house. In fact, however, it was a whole complex of miniature buildings, perfectly constructed models with carefully detailed roof-tops and cornices, walls and brickwork so exactly duplicating the original that but for the penumbral figure of Mr Goddard looming out of the darkness they might have passed for real buildings and houses. The doors and windows were exquisitely worked, fitted with minute lattices and panes, each the size of a soap flake. The paving stones, the street furniture, the camber of the roadways, were perfect scale reductions.

The tallest building in the box was about fourteen inches high, containing six storeys. It stood at one corner of a crossroads that traversed the centre of the box, and was obviously a replica of the department store at which Mr Goddard worked. Its interior had been furnished and decorated with as much care as its external faade; through the windows could be seen the successive floors laid out with their miniature merchandise, rolls of carpet on the first, lingerie and women’s fashions on the second, furniture on the third. The roof-top cafeteria had been equipped with small metal chairs and tables, set with plates, cutlery and bowls of tiny flowers.

On the corners to the left and right of the store were the bank and supermarket, with the town hall diagonally opposite. Again, these were perfect replicas of their originals: in the drawers behind the counters in the bank were bundles of minuscule banknotes, a glitter of coins like heaps of silver dust. The interior of the supermarket was an exercise in a thousand virtuosities. The stalls were stacked with pyramids of tins and coloured packets almost too small for the eye to distinguish.

Beyond the buildings dominating the crossroads were the lesser shops and premises lining the side-streets — the drapers, a public house, shoeshops and tobacconists. Looking around, the entire town seemed to stretch away into the distance. The walls of the box had been painted so skilfully, with such clever control of perspective, that it was almost impossible to tell where the models ended and the walls intervened. The micro-cosmic world was so perfect in its own right, the illusion of reality so absolute that it appeared to be the town itself, its very dimensions those of reality.