I close the windows that face the street, and then step with relief into the open bedrooms above the garden. The walls form sections of huge box-antennae tuned to the light. I think of the concrete inclines of the old racing track at Brooklands, and the giant chambers excavated from the bauxite cliffs at Les Baux, where Margaret first began to distance herself from me.
Of course a break-in has occurred, of a very special kind.
A month has passed, a period of many advances and a few setbacks. Resting in the kitchen beside the empty refrigerator, I eat the last of the anchovies and take stock of myself. I have embarked on a long internal migration, following a route partly inscribed within my head and partly within this house, which is a far more complex structure than I realised. I have a sense that there are more rooms than there appear to be at first sight. There is a richness of interior space of which I was totally unaware during the seven years I spent here with Margaret. Light floods everything, expanding the dimensions of walls and ceiling. These quiet streets were built on the site of the old Croydon aerodrome, and it is almost as if the perspectives of the former grass runways have returned to haunt these neat suburban lawns and the minds of those who tend them.
All this excitement has led me to neglect my rationing system. Scarcely anything is left in the pantry — a box of sugar cubes, a tube of tomato paste, and a few shrivelled asparagus tips. I lick my fingers and run them round the bottom of the empty bread bin. Already I find myself wishing that I had fully provisioned myself before embarking on this expedition. But everything I have achieved, the huge sense of freedom, of opened doors and of other doors yet to be opened, were contingent on my acting upon that decision of a moment.
Even so, I have to be careful not to give the game away. I maintain a reasonably kempt appearance, wave from the upstairs windows at Mrs Johnson and gesture apologetically at the overgrown lawn. She understands — I have been abandoned by my wife, condemned to the despair of a womanless world. I am hungry all the time, kept going by not much more than cups of sweetened tea. My weight has plunged; I have lost some fifteen pounds and feel permanently lightheaded.
Meanwhile, the outside world continues to bombard me with its irrelevant messages — junk mail, give-away newspapers, and a barrage of letters from Dr Barnes and the personnel department at the bank. They burn with heavy, solemn flames, and I assume that I have been sacked. Brenda called to see me three days ago, still puzzled by my cheerful demeanour. She told me that she had been reassigned, and that my office has been cleared of its files and furniture.
The letter-slot rattles. From the doormat I pick up two leaflets and a plastic envelope, a free sample of a new brand of chocolate. I rip it from the packing, and sink my teeth into the rubbery core, unable to control the saliva that swamps my mouth. I am so overwhelmed by the taste of food that I fail to hear the door-bell chiming. When I open the door I find a smartly dressed woman in tweed suit and hat, presumably some solicitor’s wife working as a volunteer almoner for the local hospital.
‘Yes? Can I -?’ With an effort I recognise her, as I lick the last of the chocolate from my teeth. ‘Margaret…?’
‘Of course.’ She shakes her head, as if this trivial social gaffe explains everything about me. ‘Who on earth did you think I was? Are you all right, Geoffrey?’
‘Yes, I’m fine. I’ve been very busy. What are you looking for?’ A frightening prospect crosses my mind. ‘You don’t want to come back…?’
‘Good heavens, no. Dr Barnes telephoned me. He said that you’d resigned. I’m surprised.’
‘No, I decided to leave. I’m working on a private project. It’s what I’ve always wanted to do.’
‘I know.’ Her eyes search the hall and kitchen, convinced that something has changed. ‘By the way, I’ve paid the electricity bill, but this is the last time.’
‘Fair enough. Well, I must get back to work.’
‘Good.’ She is clearly surprised by my self-sufficiency. ‘You’ve lost weight. It suits you.’
The house relaxes its protective hold on me. When Margaret has gone I reflect on how quickly I have forgotten her. There are no tugs of old affection. I have changed, my senses tuned to all the wave-lengths of the invisible. Margaret has remained in a more limited world, one of a huge cast of repertory players in that everlasting provincial melodrama called ordinary life.