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Night fell in a second. Yellow strip lights replaced the sun, the birds stopped chattering, then resumed their conversations at a more acceptable level. She was seated at a long table and Judith was sitting three down from her with her arm round an anthropologist from Stockholm, and Ghita was thinking that she hadn't felt like this since she was a new girl at convent school, except that at convent school you didn't drink beer or have half a dozen personable young men of all the world's nations at your table, and half a dozen pairs of male eyes assessing your sexual weight and availability. She was listening to tales of places she had never heard of, and exploits so hair-raising she was convinced she would never qualify to share them, and she was doing her best to appear knowledgeable and only distantly impressed. The spokesman of the moment was a surefire Yankee from New Jersey whose name was Hank the Hawk. According to Judith, he was a onetime boxer and loan shark who had embraced aid work as an alternative to a life of crime. He was holding forth about the warring factions of the Nile area: how the SPLE had temporarily kissed the asses of the SPLM; how the SSIM were beating the shit out of another set of letters, butchering their menfolk, stealing their women and cattle and generally making their contribution to the couple of million dead already notched up by Sudan's brainless civil wars. And Ghita was sipping her beer and doing her best to smile along with Hank the Hawk because his monologue seemed to be addressed exclusively at her as the newcomer and his next conquest. She was therefore grateful when a plump African woman of indeterminate age wearing shorts and sneakers and a London costermonger's peaked cap appeared out of the darkness, clapped her on the shoulder and yelled, "I'm Sudan Sarah, honey, so you got to be Ghita. Nobody told me you were so pretty. Come and have a cup of tea, dear." And without further ceremony marched her through a maze of offices to a tukul like a beach hut on stilts, with a single bed, a refrigerator and a bookcase filled with matching volumes of classical English literature from Chaucer to James Joyce.

And outside, a tiny veranda with two chairs for sitting under the stars and fighting off the bugs once the kettle boils.

* * *

"I hear they're going to arrest Arnold now," Sudan Sarah said comfortably when they had duly lamented Tessa's death. "Well, they should do that. If you've set your mind on hiding the truth, then the first thing you've got to do is give people a different truth to keep them quiet. Otherwise they'll start to wonder whether the real truth isn't out there hidden somewhere, and that will never do."

A schoolmistress, Ghita decided. Or a governess. Used to spreading out her thoughts and repeating them to inattentive children.

"And after the murder comes the cover-up," Sarah continued in the same benign cadences. "And we should never forget that a good cover-up is a lot harder to achieve than a bad murder. A crime, you can maybe always get away with a crime. But a cover-up is going to land you in jail every time." She was indicating the problem with her big hands. "You cover this bit up, then out pops another bit. So you cover that bit up. Then you turn round and that first bit's showing again. And you turn round again and there's a third bit, just sticking its toe out of the sand over there, sure as Cain ever killed Abel. So what should I be telling you, dear? I'm getting a feeling we're not talking about the things you wish to talk about."

Ghita began cunningly. Justin, she said, was trying to piece together a picture of Tessa's final days. He would like to be assured that her last visit to Loki had been happy and productive. In what way exactly had Tessa contributed to the gender awareness seminar, could Sarah say? Had Tessa delivered a paper perhaps, drawing on her legal knowledge or her experiences with women in Kenya? Was there a particular episode or happy moment that Sarah recalled and Justin would like to hear about?

Sarah heard her out contentedly, eyes twinkling under the brim of her costermonger's hat while she pecked at her tea and flapped a big loose hand at the mosquitoes, never ceasing to smile at passersby or call to them — "Hi there, Jeannie sweet, you bad girl! What you doing with that layabout Santo? You going write to Justin all about this, dear?"

The question unsettled Ghita. Was it good or bad that she should be proposing to write to Justin? Was there innuendo in all? In the High Commission Justin was an unperson. Was he one here as well?

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