The Corrections

Why did wives choose night to cry in? Crying at night was all very well if you didn’t have to catch a train to work in four hours and if you hadn’t, moments ago, committed a defilement in pursuit of a satisfaction whose importance now entirely escaped you.

Maybe it took all this—ten nights of wakefulness in bad motels followed by an evening on the emotional roller coaster and finally the run-outside-and-put-a-bullet-through-the-roof-of-your-mouth sucking and mewling noises of a wife trying to cry herself to sleep at two in the goddamned morning—to open his eyes to the fact that (a) sleep was a woman and (b) hers were comforts that he was under no obligation to refuse.

For a man who all his life had fought off extracurricular napping like any other unwholesome delight, the discovery was life-altering—no less momentous in its way than his discovery, hours earlier, of electrical anisotropism in a gel of networked ferroacetates. More than thirty years would pass before the discovery in the basement bore financial fruit; the discovery in the bedroom made existence chez Lambert more bearable immediately.

A Pax Somnis is descended on the household. Alfred’s new lover soothed whatever beast was left in him. How much easier than raging or sulking he found it to simply close his eyes. Soon everybody understood that he had an invisible mistress whom he entertained in the family room on Saturday afternoon when his work week at the Midpac ended, a mistress he took along with him on every business trip and fell into the arms of in beds that no longer seemed uncomfortable in motel rooms that no longer seemed so noisy, a mistress he never failed to visit in the course of an evening’s paperwork, a mistress with whom he shared a travel pillow after lunch on family summer trips while Enid lurchingly piloted the car and the kids in the back seat hushed. Sleep was the ideally work-compatible girl he ought to have married in the first place. Perfectly submissive, infinitely forgiving, and so respectable you could take her to church and the symphony and the St. Jude Repertory Theater. She never kept him awake with her tears. She demanded nothing and in return for nothing gave him everything he needed to do a long day’s work. There was no mess in their affair, no romantic osculation, no leakages or secretions, no shame. He could cheat on Enid in Enid’s own bed without giving her a shred of legally admissible proof, and as long as he kept the affair private to the extent of not dozing at dinner parties Enid tolerated it, as sensible wives had always done, and so it was an infidelity for which as the decades passed there never seemed to come a reckoning. . .

“Psst! Asshole!”

With a jolt Alfred awakened to the tremor and slow pitching of the Gunnar Myrdal. Someone else was in the stateroom?

“Asshole!”

“Who’s there?” he asked half in challenge, half in fear.

Thin Scandinavian blankets fell away as he sat up and peered into the semidarkness, straining to hear past the boundaries of his self. The partially deaf know like cellmates the frequencies at which their heads ring. His oldest companion was a contralto like a pipe organ’s middle A, a clarion blare vaguely localized in his left ear. He’d known this tone, at growing volumes, for thirty years; it was such a fixture that it seemed it should outlive him. It had the pristine meaninglessness of eternal or infinite things. Was as real as a heartbeat but corresponded to no real thing outside him. Was a sound that nothing made.

Underneath it the fainter and more fugitive tones were active. Cirrus-like clusterings of very high frequencies off in deep stratosphere behind his ears. Meandering notes of almost ghostly faintness, as from a remote calliope. A jangly set of mid-range tones that waxed and waned like crickets in the center of his skull. A low, almost rumbling drone like a dilution of a diesel engine’s blanket alldeafeningness, a sound he’d never quite believed was real—i. e., unreal—until he’d retired from the Midpac and lost touch with locomotives. These were the sounds his brain both created and listened to, was friendly with.

Outside of himself he could hear the psh, psh of two hands gently swinging on their hinges in the sheets.

And the mysterious rush of water all around him, in the Gunnar Myrdal’s secret capillaries.

And someone snickering down in the dubious space below the horizon of the bedding.