The Corrections

The Generator opened on May 23, exactly a year after Brian began paying Denise her inflated salary. The opening was delayed a final week so that Brian and Jerry Schwartz could attend the festival at Cannes. Every night, while he was away, Denise repaid his generosity and his faith in her by going to Panama Street and sleeping with his wife. Her brain might feel like the brain of a questionable calf’s head at a Ninth Street “discount” butcher, but she was never as tired as she initially believed. One kiss, one hand on the knee, awakened her body to itself. She felt haunted, animated, revved, by the ghost of every coital encounter she’d ever nixed in her marriage. She shut her eyes against Robin’s back and pillowed her cheek between her shoulder blades, her hands supporting Robin’s breasts, which were round and flat and strangely light; she felt like a kitten with two powder puffs. She dozed for a couple of hours and then scraped herself out of the sheets, opened the door that Robin had locked against surprise visits from Erin or Sinéad, and crept down and out into the damp Philly dawn and shivered violently.

Brian had placed strong cryptic ads for the Generator in the local weeklies and monthlies and had put the buzz out through his network, but 26 covers on the first day of lunch and 45 that night did not exactly tax Denise’s kitchen. The glassed-in dining room, suspended in a blue Cherenkov glow, sat 140; she was ready for 300-cover evenings. Brian and Robin and the girls came to dinner on a Saturday and stopped briefly in the kitchen. Denise did a good impression of being at ease with the girls, and Robin, looking great in red lipstick and a little black dress, did a good impression of being Brian’s wife.

Denise fixed things as well as she could with the authorities in her head. She reminded herself that Brian had dropped to his knees in Paris; that she was doing nothing worse than playing by his rules; that she’d waited for Robin to make the first move. But moral hair-splitting could not explain her complete, dead absence of remorse. In conversation with Brian she was distracted and thick-headed. She caught the meaning of his words at the last moment, as if he were speaking French. She had reason to seem strung out, of course—she routinely slept four hours a night, and before long the kitchen was running at full throttle—and Brian, distracted by his film projects, was every bit as easy to deceive as she’d anticipated. But “deceive” wasn’t even the word. “Dissociate” was more like it. Her affair was like a dream life unfolding in that locked and soundproofed chamber of her brain where, growing up in St. Jude, she’d learned to hide desires.

Reviewers descended on the Generator in late June and came away happy. The Inquirer invoked matrimony: the “wedding” of a “completely unique” setting with “serious and seriously delicious food” from the “perfectionist” Denise Lambert for a “must-have” experience that “single-handedly” put Philadelphia on the “map of cool.” Brian was ecstatic but Denise was not. She thought the language made the place sound crappy and middlebrow. She counted four paragraphs about architecture and decor, three paragraphs about nothing, two about service, one about wine, two about desserts, and only seven about her food.

“They didn’t mention my sauerkraut,” she said, angry nearly to the point of tears.