The Dark Tower

Aye, so it has, but he already has a story to work on, and he likes it fine. Going back to the tale of the Tower means swimming in deep water. Maybe drowning there. Yet he suddenly realizes, standing here at this crossroads, that if he goes back early he will begin. He won’t be able to help himself. He’ll have to listen to what he sometimes thinks of as Ves’-Ka Gan, the Song of the Turtle (and sometimes as Susannah’s Song). He’ll junk the current story, turn his back on the safety of the land, and swim out into that dark water once again. He’s done it four times before, but this time he’ll have to swim all the way to the other side.

Swim or drown.

“No,” he says. He speaks aloud, and why not? There’s no one to hear him out here. He perceives, faintly, the attenuate sound of an approaching vehicle — or is it two? one on Route 7 and one on Warrington’s Road? — but that’s all.

“No,” he says again. “I’m gonna walk, and then I’m gonna party. No more writing today. Especially not that.”

And so, leaving the intersection behind, he begins making his way up the steep hill with its short sightline. He begins to walk toward the sound of the oncoming Dodge Caravan, which is also the sound of his oncoming death. The ka of the rational world wants him dead; that of the Prim wants him alive, and singing his song. So it is that on this sunny afternoon in western Maine, the irresistible force rushes toward the immovable object, and for the first time since the Prim receded, all worlds and all existence turn toward the Dark Tower which stands at the far end of Can’-Ka No Rey, which is to say the Red Fields of None. Even the Crimson King ceases his angry screaming. For it is the Dark Tower that will decide.

“Resolution demands a sacrifice,” King says, and although no one hears but the birds and he has no idea what this means, he is not disturbed. He’s always muttering to himself; it’s as though there is a Cave of Voices in his head, one full of brilliant — but not necessarily intelligent—mimics.

He walks, swinging his arms beside his bluejeaned thighs, unaware that his heart is

(isn’t)

finishing its last few beats, that his mind is

(isn’t)

thinking its last few thoughts, that his voices are

(aren’t)

making their last Delphic pronouncements.