(HarperCollins), provided the basis for my own Shroud chapter. 'Egil's Bones,' by Jesse L. Byock (Scientific American, January 1995), provided me a disease to go with my masks. Unveiled: Nuns Talking, by Mary Loudon (Templegate Publishers), gave me a peek behind the veil. Stephen S. Hall's Mapping the Next Millennium (Vintage) opened my mind to the world of cartography. Peter Sloss, of the Marine Geology and Geophysics Computer Graphics at the National Oceanic and Atmospheric Administration, generously displayed his state-of-the-art mapmaking. Philip Lieberman's The Biology and Evolution of Language (Harvard) helped me backward
into the origins of speech, as did Dr Rende, a speech language pathologist at the University of Colorado. Michael D. Coe's Breaking the Maya Code (Thames and Hudson), David Roberts's 'The Decipherment of Ancient Maya' (Atlantic Monthly, September 1991), Colin Renfrew's 'The Origins of Indo-European Languages' ( Scientific American, October 1989), and especially Robert Wright's 'The Quest for the Mother Tongue' (Atlantic Monthly, April 1991) gave me a window on linguistic discovery. 'Unusual Unity' by Stephen Jay Gould (Natural History, April 1997) and
'The African Emergence and Early Asian Dispersals of the Genus Homo' by Roy Larick and Russell L. Ciochon (American Scientist , November-December 1996) got my wheels seriously spinning and led me to further readings. Cliff Watts, yet another climber and friend, guided me to an internet article on prions, by Stanley B. Prusiner, and gave medical advice about everything from altitude to vision. Another climber, Jim Gleason, tried his damnedest to keep my junk science to a minimum, all in vain I'm afraid he'll feel. I only hope that my plundering and mangling of fact may pave some amused diversion.
Early on, Graham Henderson, a fellow Tibet traveler, gave my journey direction with his observations about The Inferno. Throughout, Steve Long helped map the journey, both on paper and in countless conversations. Pam Novotny loaned me her Zen-like patience and calm, in addition to editorial assistance. Angela Thieman, Melissa Ward, and Margo Timmins provided constant inspiration. I am grateful to Elizabeth Crook, Craig Blockwick, Arthur Lindquist-Kliessler, and Cindy Butler for their crucial reminders of a light at the end of the tunnel.
BOOK ONE
DISCOVERY
It is easy to go down into Hell...; but to climb back again, to retrace one's steps to the upper air – there's the rub....
– VIRGIL, Aeneid
1
IKE
The Himalayas,
Tibet Autonomous Region
1988
In the beginning was the word. Or words.
Whatever these were.
They kept their lights turned off. The exhausted trekkers huddled in the dark cave and faced the peculiar writing. Scrawled with a twig, possibly, dipped in liquid radium or some other radioactive paint, the fluorescent pictographs floated in the black recesses. Ike let them savor the distraction. None of them seemed quite ready to focus on the storm beating against the mountainside outside.
With night descending and the trail erased by snow and wind and their yak herders in mutinous flight with most of the gear and food, Ike was relieved to have shelter of any kind. He was still pretending for them that this was part of their trip. In fact they were off the map. He'd never heard of this hole-in-the-wall hideout. Nor seen glow-in-the-dark caveman graffiti.
'Runes,' gushed a knowing female voice. 'Sacred runes left by a wandering monk.' The alien calligraphy glowed with soft violet light in the cave's cold bowels. The luminous hieroglyphics reminded Ike of his old dorm wall with its black-light posters. All he needed was a lash of Hendrix plundering Dylan's anthem, say, and a whiff of plump Hawaiian red sinsemilla. Anything to vanquish the howl of awful wind. Outside in the cold distance, a wildcat did growl...
'Those are no runes,' said a man. 'It's Bonpo.' A Brooklyn beat, the accent meant Owen. Ike had nine clients here, only two of them male. They were easy to keep straight.