It had been like this for days. You'd think they'd run out of air. But the higher they went, the more they argued.
'This is what we get for pandering to civilians,' Kora muttered to Ike. Civilians was her catch-all: eco-tourists, pantheist charlatans, trust funders, the overeducated. She was a street girl at heart.
'They're not so bad,' he said. 'They're just looking for a way into Oz, same as us.'
'Civilians.'
Ike sighed. At times like this, he questioned his self-imposed exile. Living apart from the world was not easy. There was a price to be paid for choosing the less-traveled road. Little things, bigger ones. He was no longer that rosy-cheeked lad
who had come with the Peace Corps. He still had the cheekbones and cowled brow and careless mane. But a dermatologist on one of his treks had advised him to stay out of the high-altitude sun before his face turned to boot leather. Ike had never considered himself God's gift to women, but he saw no reason to trash what looks he still had. He'd lost two of his back molars to Nepal's dearth of dentists, and another tooth to a falling rock on the backside of Everest. And not so long ago, in his Johnnie Walker Black and Camels days, he'd taken to serious self-abuse, even flirting with the lethal west face of Makalu. He'd quit the smoke and booze cold when some British nurse told him his voice sounded like a Rudyard Kipling punchline. Makalu still needed slaying, of course. Though many mornings he even wondered about that.
Exile went deeper than the cosmetics or even prime health, of course. Self-doubt came with the territory, a wondering about what might have been, had he stayed the course back in Jackson. Rig work. Stone masonry. Maybe mountain guiding in the Tetons, or outfitting for hunters. No telling. He'd spent the last eight years in Nepal and Tibet watching himself slowly devolve from the Golden Boy of the Himalayas into one more forgotten surrogate of the American empire. He'd grown old inside. Even now there were days when Ike felt eighty. Next week was his thirty-first birthday.
'Would you look at this?' rose a cry. 'What kind of mandala is that? The lines are all twisty.'
Ike looked at the circle. It was hanging on the wall like a luminous moon. Mandalas were meditation aids, blueprints for divinity's palaces. Normally they consisted of circles within circles containing squared lines. By visualizing it just so, a 3-D architecture was supposed to appear above the mandala's flat surface. This one, though, looked like scrambled snakes.
Ike turned on his light. End of mystery, he congratulated himself. Even he was stunned by the sight.
'My God,' said Kora.
Where, a moment before, the fluorescent words had hung in magical suspense, a nude corpse stood rigidly propped upon a stone shelf along the back wall. The words weren't written on stone. They were written on him. The mandala was separate, painted on the wall to his right side.
A set of rocks formed a crude stairway up to his stage, and various passersby had attached katas – long white prayer scarves – to cracks in the stone ceiling. The katas sucked back and forth in the draft like gently disturbed ghosts.
The man's grimace was slightly bucktoothed from mummification, and his eyes were calcified to chalky blue marbles. Otherwise the extreme cold and high altitude had left him perfectly preserved. Under the harsh beam of Ike's headlamp, the lettering was faint and red upon his emaciated limbs and belly and chest.
That he was a traveler was self-evident. In these regions, everyone was a pilgrim or a nomad or a salt trader or a refugee. But, judging from his scars and unhealed wounds and a metal collar around his neck and a warped, badly mended broken left arm, this particular Marco Polo had endured a journey beyond imagination. If flesh is memory, his body cried out a whole history of abuse and enslavement.
They stood beneath the shelf and goggled at the suffering. Three of the women – and Owen – began weeping. Ike alone approached. Probing here and there with his light beam, he reached out to touch one shin with his ice ax: hard as fossil wood.