It was becoming a parlor game. Their fear was shifting to morbid delight. Forensics as recreation.
'Who is this guy?' one woman asked.
'A slave?'
'An escaped prisoner?'
Ike said nothing. He went nose-to-nose with the gaunt face, hunting for clues. Tell your journey, he thought. Speak your escape. Who shackled you with gold? Nothing. The marble eyes ignored their curiosity. The grimace enjoyed its voiceless riddles. Owen had joined them on the shelf, reading from the opposite shoulder. 'RAF.'
Sure enough, the left deltoid bore a tattoo with the letters RAF beneath an eagle. It was right side up and of commercial quality. Ike grasped the cold arm.
'Royal Air Force,' he translated.
The puzzle assembled. It even half-explained the Shakespeare, if not the chosen lines.
'He was a pilot?' asked the Paris bob. She seemed charmed.
'Pilot. Navigator. Bombardier.' Ike shrugged. 'Who knows?'
Like a cryptographer, he bent to inspect the words and numbers twining the flesh. Line after line, he traced each clue to its dead end. Here and there he punctuated complete thoughts with a jab of his fingertip. The trekkers backed away, letting him work through the cyphers. He seemed to know what he was doing.
Ike circled back and tried a string in reverse. It made sense this time. Yet it made no sense. He got out his topographical map of the Himalayan chain and found the longitude and latitude, but snorted at their nexus. No way, he thought, and lifted his gaze across the wreckage of a human body. He looked back at the map. Could it be?
'Have some.' The smell of French-pressed gourmet coffee made him blink. A plastic mug slid into view. Ike glanced up. Kora's blue eyes were forgiving. That warmed him more than the coffee. He took the cup with murmured thanks and realized he had a terrific headache. Hours had passed. Shadows lay pooled in the deeper cave like wet sewage.
Ike saw a small group squatting Neanderthal-style around a small Bluet gas stove, melting snow and brewing joe. The clearest proof of their miracle was that Owen had broken down and was actually sharing his private stock of coffee. There was one hand-grinding the beans in a plastic machine, another squeezing the filter press, yet another grating a bit of cinnamon on top of each cupful. They were actually cooperating. For the first time in a month, Ike almost liked them.
'You okay?' Kora asked.
'Me?' It sounded strange, someone asking after his well-being. Especially her.
As if he needed any more to ponder, Ike suspected Kora was going to leave him. Before setting off from Kathmandu, she'd announced this was her final trek for the company. And since Himalayan High Journeys was nothing more than her and him, it implied a larger dissatisfaction. He would have minded less if her reason was another man, another country, better profits, or higher risks. But her reason was him. Ike had broken her heart because he was Ike, full of dreams and childlike naïveté. A drifter on life's stream. What had attracted her to him in the first place now disturbed her, his lone wolf/high mountains way. She thought he knew nothing about the way people
really worked, like this notion of a lawsuit, and maybe there was some truth to that. He'd been hoping the trek would somehow bridge their gap, that it would draw her back to the magic that drew him. Over the past two years she'd grown weary, though. Storms and bankruptcy no longer spelled magic for her.
'I've been studying this mandala,' she said, indicating the painted circle filled with squirming lines. In the darkness, its colors had been brilliant and alive. In their light, the drawing was bland. 'I've seen hundreds of mandalas, but I can't make heads or tails out of this one. It looks like chaos, all those lines and squiggles. It does seem to have a center, though.' She glanced up at the mummy, then at Ike's notes. 'How about you? Getting anywhere?'
He'd drawn the oddest sketch, pinning words and text in cartoon balloons to different positions on the body and linking them with a mess of arrows and lines.
Ike sipped at the coffee. Where to begin? The flesh declared a maze, both in the way it told the story and in the story it told. The man had written his evidence as it occurred to him, apparently, adding and revising and contradicting himself, wandering with his truths. He was like a shipwrecked diarist who had suddenly found a pen and couldn't quit filling in old details.
'First of all,' he began, 'his name was Isaac.'