The Devil's bed

There was no moon. Where the streetlamps threw light, Nocturne ran quickly from shadow to shadow-a trash can, a bench, a maple tree-until he reached the side of the building. The bottom of the drainpipe was lost among bushes, and Nocturne merged with the dark there. His heart pounded wildly. He was so scared he thought he might wet his pants. He reached for the drainpipe. The metal was cold, but it was ridged and easy to grasp. Nocturne looked up. The third floor seemed impossibly far away.

Climbing proved easier than he’d imagined. Hand over hand, he pulled himself up the pipe, using the indentations between the stone blocks for toeholds. Concentrating on his task, he forgot his fear, and when he reached the place where the drainpipe ran beside the third-floor windowsill, he looked around him. He was higher than anything else in the town except the water tower. He felt as if he could reach out and grab a handful of stars.

The headlights on the truck flashed once, reminding Nocturne of his task. Holding to the drainpipe with his right arm, he reached back with his other and drew out the length of one-inch black steel pipe to break the window. The pane shattered with a crash that seemed to break the night itself. Nocturne pressed against the cold stone and waited for something terrible to happen. Nothing did. Sharp, jagged shards were left framing the window. He used the pipe to tap them out, then he eased himself through. Inside, he found the bank of filing cabinets, and he put the device in front of them. He set the timer, then left the way he’d come.

When he reached the truck, the old man asked, “It’s done?”

Nocturne nodded.

The old man drove out of the alley, down the street between the closed shops, past the dark houses, out where the farmland began. He pulled into a lane between fields of harvested corn and turned off the engine. He drew a pocket watch from his overalls and checked the time.

Nocturne sat as silent as his grandfather, looking toward town. He wasn’t worried. He knew the device he’d built would work. He’d done just as his grandfather asked. It was now only a matter of waiting, and that was something he was very good at.

After a few minutes, Nocturne felt the old man stiffen. “It should have gone off by now.” His grandfather’s fierce eyes settled on him with a look that froze the boy’s heart.

“Your watch,” Nocturne offered timidly. “I think it’s fast.”

At that moment, the sound of a muffled explosion rolled across the open field. The old man’s head jerked around, and he watched as an orange glow slowly bloomed in the dark among the buildings and the trees of the town. Without a word, without a sign that he was pleased with the boy’s accomplishment, he started the truck and drove home.

Nocturne’s mother waited at the back door. He could see that she’d been crying, but she didn’t speak as he entered with his grandfather. The old man hung his coat on a peg near the door. He looked at the boy.

“Tomorrow, we’ll move you to a room upstairs.”

“I like the basement,” Nocturne said.

The old man shrugged and started from the kitchen. He turned back before he left and said to his daughter, “Don’t lock the basement door no more.”

For an hour, Nightmare watched the monitor and listened as Kathleen Jorgenson Dixon sat with her communications director, Nicole Greene, in the office of the main house and discussed the commitments that had to be rescheduled due to her extended stay at Wildwood. She outlined correspondences to be written on her behalf, giving the other woman specific instructions regarding content and tone. She spent an hour on the telephone-briefly with her husband, then for a longer time with her daughter, then with the White House chief of staff, with a reporter for theLos Angeles Times, with her lawyer, and finally with the president of Harvard University, who was obviously a good friend. Except for her daughter, to whom she spoke gently and lovingly, she communicated in a manner that conveyed power. Nightmare liked that. Bringing down powerful people had always made his work more satisfying. Before he himself had been betrayed and left for dead, he’d been assigned to kill for many reasons, and sometimes for no reason that he could see. He never wondered about a sanction he carried out against someone in a powerful position. Power was itself reason enough to draw a sanction. It was when he was told to kill someone who was no one that he wondered. Why end a life that was no life at all?