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The End Is Now

Famine. Death. War. Pestilence. These are the harbingers of the biblical apocalypse, of the End of the World. In science fiction, the end is triggered by less figurative means: nuclear holocaust, biological warfare/pandemic, ecological disaster, or cosmological cataclysm. But before any catastrophe, there are people who see it coming. During, there are heroes who fight against it. And after, there are the survivors who persevere and try to rebuild. THE APOCALYPSE TRIPTYCH will tell their stories. Edited by acclaimed anthologist John Joseph Adams and bestselling author Hugh Howey, The Apocalypse Triptych is a series of three anthologies of apocalyptic fiction. THE END IS NIGH focuses on life before the apocalypse. THE END IS NOW turns its attention to life during the apocalypse. And THE END HAS COME explores life after the apocalypse. THE END IS NIGH is about the match. THE END HAS COME is about what will rise from the ashes. THE END IS NOW is about the conflagration.

Annie Bellet , Desirina Boskovich , Jamie Ford , Scott Sigler , Will McIntosh

Научная Фантастика / Постапокалипсис18+
<p>The End Is Now</p>The Apocalypse TriptychEdited by John Joseph Adams and Hugh Howey

Cover Art by Julian Aguilar Faylona

Cover Design by Jason Gurley

<p>INTRODUCTION</p><p>John Joseph Adams</p>This is the way the world endsThis is the way the world endsThis is the way the world endsNot with a bang but a whimper.—T.S. Eliot

The Apocalypse Triptych was conceived as a series of three anthologies, each one covering a different facet of the end of times. Volume one, The End is Nigh, contains stories that take place just before the apocalypse. This volume, The End is Now, focuses on stories that take place during the apocalypse. And, naturally, volume three, The End Has Come, will feature stories that explore life after the apocalypse.

But we were not content to merely assemble a triptych of anthologies; we also wanted story triptychs as well. So when we recruited authors for this project, we encouraged them to consider writing not just one story for us, but one story for each volume, and connecting them so that the reader gets a series of mini-triptychs within The Apocalypse Triptych. So several of the stories contained in this anthology—seventeen of the twenty tales—have related stories in The End is Nigh, and many will continue on in The End Has Come as well.

If you’re one of the readers who read and enjoyed volume one: Thank you! We’re glad to see you returning for volume two. You made the first volume a resounding success, and we couldn’t be more thrilled with both how well the book’s done in the marketplace—it got all the way up to #11 on the Amazon bestseller list—and with how well it’s been received by readers and critics.

If you’re a reader who has not read The End is Nigh: Welcome! And fear not: You needn’t have read the first volume in order to enjoy the stories in this one. Although several of the stories in The End is Now are continuations of storylines that began in The End is Nigh, we’re confident that the authors have provided sufficient context that you can jump into these stories without any prior knowledge.

* * *

The viruses have become pandemics. The aliens have invaded. The zombies have risen. The asteroids have collided. The revolutions have been televised.

This is the end.

It is happening now.

Cataclysm.

Apocalypse.

The end of the world as we know it.

Armageddon, the end of everything.

As civilization falls apart.

As the world burns.

Now behold the conflagration.

<p>HERD IMMUNITY</p><p>Tananarive Due</p>

A man was far ahead of her on the road. Walking and breathing. So far, so good.

That he was a man, Nayima was certain. His silhouette against the horizon of the rising roadway showed his masculine height and the shadow of an unkempt beard. He pulled his belongings behind him in an overnight suitcase like a business traveler. Maybe she trusted him on sight because of the unmistakable shape of a guitar case slung across his back. She’d always had a thing for musicians.

Hey!” she screamed, startling herself with her bald desperation.

He paused, his steady legs falling still. He might have turned around. She couldn’t quite make out his movements in the quarter-mile or more that separated them. The two of them, alone, were surrounded on either side by the golden ocean of central California farmland, unharvested and unplowed, no trees or shade in sight as the road snaked up the hillside.

His attention gave her pause. She hadn’t seen anyone walking in so long that she’d forgotten the plan that had kept her alive the past nine months: Hide. Observe. Assess.

But fuck it.

She waved and called again, so he would be certain she wasn’t a mirage in the heat.

“Hey!” she screamed, more hoarsely. She tried to run toward him, but her legs only lurched a stagger on the sharp grade. She was dizzy from heat and modulated hunger. The sky dimmed above her, so she stopped her pathetic chase and braced her palms against her knees to calm the cannon bursts from her heart. The world grew bright again.

He walked on. She watched him shrink until the horizon swallowed him. She remembered a time when terrifying loneliness would have made her cry. Instead, she began following him at the pace her body had grown accustomed to. He didn’t seem afraid of her; that was something. He hadn’t quickened. He was tired and slow, like her. If she was patient, she would catch up to him.

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