The Father Hunt

"Then expect him around ten o'clock. He will want to see the box and its contents, and the letter, and he will want all the information you can give him. What you told him yesterday is a mere prologue." He turned. "Archie. Give her a receipt for this money. Not as a retainer; that can wait until you have seen the box and the letter, and you will verify the handwriting of the letter. Just a receipt for the amount, her property, entrusted to me for safekeeping."

I turned my chair, pulled the typewriter around, and opened a drawer for paper and carbon.

3

I was interested, naturally, in Elinor Denovo's apartment. We were probably going to need to know everything about her that was knowable, and a woman's home can have a hundred hints, two or three of which you may get if you have any savvy at all and are lucky. So before settling down with Amy and my notebook in the living room I took a tour, with Amy along. There were a small foyer, a medium-sized living room, two bedrooms, a bathroom, and a small kitchen. If the foyer or kitchen or bathroom had any hints they weren't for me; for instance, there was nothing in the bathroom to indicate that it had ever been used by a man, but of course Elinor hadn't been there for nearly three months.

I gave Amy's bedroom just a glance; for her I had a better source of hints, herself. She said she hadn't changed anything in her mother's bedroom. It might have told a woman, especially a Lily Rowan, a lot, but all I got was that she had liked pale green for drapes and the bed cover, she used three different scents, all expensive, and she didn't mind if the rug had a big spot near the bathroom door. The living room did have a few hints which might help or might not. There were five pictures on the walls, and they were all color reproductions of paintings by Georgia O'Keeffe-data supplied by Amy. I would have to check on O'Keeffe. The only piece of furniture that was upholstered was the couch, and there were only two cushions on it. I have seen couches with a dozen. The four chairs didn't match one another, and none of them matched the couch. The books, seven whole shelves

of them, were such a mixture, all kinds, fiction and non-fiction, that after I had looked at twenty or thirty titles I quit.