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On the other hand the more ancient account only speaks of three hundred horsemen in the whole of Romulus’ three centuriæ of knights. They are the three centuriæ, the equites of the Ramnes, Tities, and Luceres. It is evident that these three hundred knights (centuriæ equitum) could not have existed before the recognition of the three tribes. If, therefore, the third tribe was only added after Romulus (about the time of the Albans),[4] there could only have been one centuria equitum (Luceres) from that time. The oldest name for these horsemen, or knights, was celeres. When Livy and Plutarch take the celeres for the bodyguard of the king, and distinguish these three hundred celeres or bodyguards from the three hundred horsemen, it is doubtless an error according to the etymological meaning of the name, as, according to better-informed authorities, the three hundred celeres and the three centuriæ equitum of Romulus are one and the same. The story of the bodyguard of Romulus rests partly upon the misconception of the archaic word “celeres,” and partly on the tradition that Romulus became a despot in the latter years of his reign, and was therefore obliged to have a bodyguard like the Greek tyrants. The leader of the three hundred celeres was called a tribunus celerum.

It is a fiction of later historians to credit Romulus with certain statutes of civil and sacred law, as, for example, those pertaining to the family and to marriage, as well as with the political and military system.

All these so-called Romulean laws are nothing more than ancient laws of custom which were not specified in writing or defined by legal acts. They may have existed in the Papirian collection, although of this we can only be absolutely certain in the case of one Romulean law; whilst the comparatively late origin of this collection itself can be proved to demonstration. The Tabula Marliani cannot be thought worthy of serious consideration at the present day.

The wars conducted by Romulus are purely fictitious, like so many supposititious accounts of the monarchy; they are a garbling of events of the historical period. The campaign against Fidenæ is evidently an imitation of the successful campaign of the year 328, in which a cleverly managed ambuscade was the decisive factor, and Fidenæ was likewise conquered by the Romans entering the gates on the heels of the fleeing foe. The fall and conquest of Fidenæ is an event which so constantly recurs in history that we cannot avoid the suspicion that the annalists purposely multiplied it to swell the empty chronicles of the years of the monarchy. The tale that Veii was called to arms by the fall of Fidenæ is also borrowed from later history, in which Veii appears more than once in league with Fidenæ.

The traditional story of Romulus’ campaign against Veii is moreover quite devoid of colour and character. The hundred years’ truce is mentioned at random. Dionysius makes the condition of it the surrender of the Septem Pagi[5] and Salt plains, another incident borrowed from subsequent history. And yet these two short and uneventful campaigns are supposed to have occupied the long reign of a monarch so warlike, restless, and active, a monarch of whom it was said that he barbarised the Roman nation by his incessant wars. Not only is it clear that there exists no authentic account of these wars, but no mention is made of them in ancient tradition, which only records the entrance of Romulus into the world and his exit from it. The interregnum is occupied for the most part by literary inventions made to fill up the gaps in tradition and to present a complete historical account.

The method of Romulus’ departure from the world is the natural consequence of his earthly existence. He who had come into the world by a miracle could only leave it by a miracle. To accentuate the singularity of both events an eclipse celebrates both his arrival and his departure. Hercules is a parallel instance in Greek mythology. A thundercloud transports him to heaven, where he is reconciled to his enemy Hera, whose daughter Hebe he takes to wife.

Either this or a cognate myth in Greek mythology was in the mind of the Roman poets, because the conception of such an apotheosis was as foreign to the Italian religions as was the idea of sexual intercourse between gods and men, and the conception of men by gods. Both ideas are creations of Greek mythology. It was doubtless Ennius, learned in Greek lore, who first cast into poetic shape the apotheosis of Romulus and introduced the idea of it to Rome.

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