Читаем The Historians' History of the World 06 полностью

[278-281 A.D.]

After the conquest of the Germans the emperor led his troops into Rætia and Illyricum, where the terror of his name and his arms daunted the Goths and Sarmatians, and gave security to the provinces. He then (279) passed over to Asia, subdued the brigands of Isauria, expelled them from their fastnesses in the mountains, in which he settled some of his veterans, under the condition that they should send their sons when eighteen years of age to the army, in order that they might not be induced by the natural advantages of the country to take to a life of freebooting, and prove as dangerous as their predecessors. Proceeding through Syria he entered Egypt and reduced the people named Blemyes,[51] who had taken the cities of Coptos and Ptolemais. He concluded a peace with the king of Persia, and on his return through Thrace he bestowed lands on a body of two hundred thousand Bastarnæ, and on some of the Gepidæ, Vandals, and other tribes. He triumphed for the Germans and Blemyes on his return to Rome.

A prince so just and upright, and at the same time so warlike as Probus, might have been expected to have no competitors for empire; yet even he had to take the field against rival emperors. The first of these was Saturninus, whom he himself had made general of the East, a man of both talent and virtue, and for whom he had a most cordial esteem. But the light-minded and turbulent people of Alexandria, on occasion of his entry into their city, saluted him augustus; and though he rejected the title and retired to Palestine, he yet, not reflecting on the generous nature of Probus, deemed that he could no longer live in a private station. He therefore assumed the purple, saying with tears to his friends that the republic had lost a useful man, and that his own ruin and that of many others was inevitable. Probus tried in vain to induce him to trust to his clemency. A part of his troops joined those sent against him by the emperor; he was besieged in the castle of Apamea, and taken and slain.

After the defeat of Saturninus, two officers, named Proculus and Bonosus, assumed the purple in Germany. They were both men of ability, and the emperor found it necessary to take the field against them in person. Proculus being defeated fled for succour to the Franks, by whom he was betrayed, and he fell in battle against the imperial troops. Bonosus held out for some time, but having received a decisive overthrow, he hanged himself. As he had been remarkable for his drinking powers, one who saw him hanging cried, “There hangs a jar, not a man.” Probus treated the families of both with great humanity.c


THE ISAURIAN ROBBERS

[278-283 A.D.]

In the year 278 the Isaurian marauders were reduced to submission. Zosimus gives us an account of the incident that led up to the capture of their city of Crymna. “There was an Isaurian named Lydius,” he says, “who had been a robber from his youth, and with a gang like himself had committed depredations throughout Pamphylia and Lycia. This gang being attacked by the soldiers, Lydius, not being able to oppose the whole Roman army, retreated to a place in Lycia called Crymna, which stands on a precipice and is secured on one side by large and deep ditches. Finding many who had fled there for refuge, and observing that the Romans were very intent on the siege and that they bore the fatigue of it with great resolution, he pulled down the houses, and making the ground fit for tillage, sowed corn for the maintenance of those that were in the town. But the number being so great that they were in need of much more provisions, he turned out of the place all that were of no service, both male and female.

Перейти на страницу:

Похожие книги

MMIX - Год Быка
MMIX - Год Быка

Новое историко-психологическое и литературно-философское исследование символики главной книги Михаила Афанасьевича Булгакова позволило выявить, как минимум, пять сквозных слоев скрытого подтекста, не считая оригинальной историософской модели и девяти ключей-методов, зашифрованных Автором в Романе «Мастер и Маргарита».Выявленная взаимосвязь образов, сюжета, символики и идей Романа с книгами Нового Завета и историей рождения христианства настолько глубоки и масштабны, что речь фактически идёт о новом открытии Романа не только для литературоведения, но и для современной философии.Впервые исследование было опубликовано как электронная рукопись в блоге, «живом журнале»: http://oohoo.livejournal.com/, что определило особенности стиля книги.(с) Р.Романов, 2008-2009

Роман Романов , Роман Романович Романов

История / Литературоведение / Политика / Философия / Прочая научная литература / Психология
100 величайших соборов Европы
100 величайших соборов Европы

Очерки о 100 соборах Европы, разделенные по регионам: Франция, Германия, Австрия и Швейцария, Великобритания, Италия и Мальта, Россия и Восточная Европа, Скандинавские страны и Нидерланды, Испания и Португалия. Известный британский автор Саймон Дженкинс рассказывает о значении того или иного собора, об истории строительства и перестроек, о важных деталях интерьера и фасада, об элементах декора, дает представление об историческом контексте и биографии архитекторов. В предисловии приводится краткая, но исчерпывающая характеристика романской, готической архитектуры и построек Нового времени. Книга превосходно иллюстрирована, в нее включена карта Европы с соборами, о которых идет речь.«Соборы Европы — это величайшие произведения искусства. Они свидетельствуют о христианской вере, но также и о достижениях архитектуры, строительства и ремесел. Прошло уже восемь веков с того времени, как возвели большинство из них, но нигде в Европе — от Кельна до Палермо, от Москвы до Барселоны — они не потеряли значения. Ничто не может сравниться с их великолепием. В Европе сотни соборов, и я выбрал те, которые считаю самыми красивыми. Большинство соборов величественны. Никакие другие места христианского поклонения не могут сравниться с ними размерами. И если они впечатляют сегодня, то трудно даже вообразить, как эти возносящиеся к небу сооружения должны были воздействовать на людей Средневековья… Это чудеса света, созданные из кирпича, камня, дерева и стекла, окутанные ореолом таинств». (Саймон Дженкинс)

Саймон Дженкинс

История / Прочее / Культура и искусство