Читаем The Hound of the Baskervilles полностью

And then at last I heard him. Far away came the sharp clink of a boot striking upon a stone. Then another and yet another, coming nearer and nearer. I shrank back into the darkest corner and cocked the pistol in my pocket, determined not to discover myself until I had an opportunity of seeing something of the stranger. There was a long pause which showed that he had stopped. Then once more the footsteps approached and a shadow fell across the opening of the hut.

"It is a lovely evening, my dear Watson," said a well-known voice. "I really think that you will be more comfortable outside than in."

<p><strong>Chapter 12 – Death on the Moor</strong></p><empty-line></empty-line>

For a moment or two I sat breathless, hardly able to believe my ears. Then my senses and my voice came back to me, while a crushing weight of responsibility seemed in an instant to be lifted from my soul. That cold, incisive, ironical voice could belong to but one man in all the world.

"Holmes!" I cried – "Holmes!"

"Come out," said he, "and please be careful with the revolver."

I stooped under the rude lintel, and there he sat upon a stone outside, his gray eyes dancing with amusement as they fell upon my astonished features. He was thin and worn, but clear and alert, his keen face bronzed by the sun and roughened by the wind. In his tweed suit and cloth cap he looked like any other tourist upon the moor, and he had contrived, with that catlike love of personal cleanliness which was one of his characteristics, that his chin should be as smooth and his linen as perfect as if he were in Baker Street.

"I never was more glad to see anyone in my life," said I as I wrung him by the hand.

"Or more astonished, eh?"

"Well, I must confess to it."

"The surprise was not all on one side, I assure you. I had no idea that you had found my occasional retreat, still less that you were inside it, until I was within twenty paces of the door."

"My footprint, I presume?"

"No, Watson, I fear that I could not undertake to recognize your footprint amid all the footprints of the world. If you seriously desire to deceive me you must change your tobacconist; for when I see the stub of a cigarette marked Bradley, Oxford Street, I know that my friend Watson is in the neighbourhood. You will see it there beside the path. You threw it down, no doubt, at that supreme moment when you charged into the empty hut."

"Exactly."

"I thought as much – and knowing your admirable tenacity I was convinced that you were sitting in ambush, a weapon within reach, waiting for the tenant to return. So you actually thought that I was the criminal?"

"I did not know who you were, but I was determined to find out."

"Excellent, Watson! And how did you localize me? You saw me, perhaps, on the night of the convict hunt, when I was so imprudent as to allow the moon to rise behind me?"

"Yes, I saw you then."

"And have no doubt searched all the huts until you came to this one?"

"No, your boy had been observed, and that gave me a guide where to look."

"The old gentleman with the telescope, no doubt. I could not make it out when first I saw the light flashing upon the lens." He rose and peeped into the hut. "Ha, I see that Cartwright has brought up some supplies. What's this paper? So you have been to Coombe Tracey, have you?"

"Yes."

"To see Mrs. Laura Lyons?"

"Exactly."

"Well done! Our researches have evidently been running on parallel lines, and when we unite our results I expect we shall have a fairly full knowledge of the case."

"Well, I am glad from my heart that you are here, for indeed the responsibility and the mystery were both becoming too much for my nerves. But how in the name of wonder did you come here, and what have you been doing? I thought that you were in Baker Street working out that case of blackmailing."

"That was what I wished you to think."

"Then you use me, and yet do not trust me!" I cried with some bitterness. "I think that I have deserved better at your hands, Holmes."

"My dear fellow, you have been invaluable to me in this as in many other cases, and I beg that you will forgive me if I have seemed to play a trick upon you. In truth, it was partly for your own sake that I did it, and it was my appreciation of the danger which you ran which led me to come down and examine the matter for myself. Had I been with Sir Henry and you it is confident that my point of view would have been the same as yours, and my presence would have warned our very formidable opponents to be on their guard. As it is, I have been able to get about as I could not possibly have done had I been living in the Hall, and I remain an unknown factor in the business, ready to throw in all my weight at a critical moment."

"But why keep me in the dark?"

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Рекс Стаут, создатель знаменитого цикла детективных произведений о Ниро Вулфе, большом гурмане, страстном любителе орхидей и одном из самых великих сыщиков, описанных когда-либо в литературе, на этот раз поручает расследование запутанных преступлений частному детективу Текумсе Фоксу, округ Уэстчестер, штат Нью-Йорк.В уединенном лесном коттедже найдено тело Ридли Торпа, финансиста с незапятнанной репутацией. Энди Грант, накануне убийства посетивший поместье Торпа и первым обнаруживший труп, обвиняется в совершении преступления. Нэнси Грант, сестра Энди, обращается к Текумсе Фоксу, чтобы тот снял с ее брата обвинение в несовершённом убийстве. Фокс принимается за расследование («Смерть дублера»).Очень плохо для бизнеса, когда в банки с качественным продуктом кто-то неизвестный добавляет хинин. Частный детектив Эми Дункан берется за это дело, но вскоре ее отстраняют от расследования. Перед этим машина Эми случайно сталкивается с машиной Фокса – к счастью, без серьезных последствий, – и девушка делится с сыщиком своими подозрениями относительно того, кто виноват в порче продуктов. Виновником Эми считает хозяев фирмы, конкурирующей с компанией ее дяди, Артура Тингли. Девушка отправляется навестить дядю и находит его мертвым в собственном офисе… («Плохо для бизнеса»)Все началось со скрипки. Друг Текумсе Фокса, бывший скрипач, уговаривает частного детектива поучаствовать в благотворительной акции по покупке ценного инструмента для молодого скрипача-виртуоза Яна Тусара. Фокс не поклонник музыки, но вместе с другом он приходит в Карнеги-холл, чтобы послушать выступление Яна. Концерт проходит как назло неудачно, и, похоже, всему виной скрипка. Когда после концерта Фокс с товарищем спешат за кулисы, чтобы утешить Яна, они обнаруживают скрипача мертвым – он застрелился на глазах у свидетелей, а скрипка в суматохе пропала («Разбитая ваза»).

Рекс Тодхантер Стаут

Классический детектив