"I will get him," said Lady Rustonbury. "Leave it to me." And being a woman of decision, she straightway ordered out the Hispano Suiza. Ten minutes later, M. Edouard Bréon's country retreat was invaded by an agitated countess. Lady Rustonbury, once she had made her mind up, was a very determined woman, and doubtless M. Bréon realized that there was nothing for it but to submit. Also, it must be confessed, he had a weakness for countesses. Himself a man of very humble origin, he had climbed to the top of his profession, and had consorted on equal terms with dukes and princes, and the fact never failed to gratify him. Yet, since his retirement to this old-world English spot, he had known discontent. He missed the life of adulation and applause, and the English county had not been as prompt to recognize him as he thought they should have been. So he was greatly flattered and charmed by Lady Rustonbury's request.
"I will do my poor best," he said, smiling. "As you know, I have not sung in public for a long time now. I do not even take pupils, only one or two as a great favour. But there - since Signor Roscari is unfortunately indisposed -
"It was a terrible blow," said Lady Rustonbury.
"Not that he is really a singer," said Bréon.
He told her at some length why this was so. There had been, it seemed, no baritone of distinction since Edouard Bréon retired.
"Mme. Nazorkoff is singing 'Tosca,'" said Lady Rustonbury. "You know her, I dare say?"
"I have never met her," said Bréon. "I heard her sing once in New York. A great artist - she has a sense of drama."
Lady Rustonbury felt relieved - one never knew with these singers - they had such queer jealousies and antipathies.
She re-entered the hall at the castle some twenty minutes later waving a triumphant hand.
"I have got him," she cried, laughing. "Dear M. Bréon has really been too kind. I shall never forget it." Everyone crowded round the Frenchman, and their gratitude and appreciation were as incense to him. Edouard Bréon, though now close on sixty, was still a fine-looking man, big and dark, with a magnetic personality.
"Let me see," said Lady Rustonbury. "Where is Madame - ? Oh! There she is." Paula Nazorkoff had taken no part in the general welcoming of the Frenchman. She had remained quietly sitting in a high oak chair in the shadow of the fireplace. There was, of course, no fire, for the evening was a warm one and the singer was slowly fanning herself with an immense palm-leaf fan. So aloof and detached was she, that Lady Rustonbury feared she had taken offence.
"M. Bréon." She led him up to the singer. "You have never yet met Madame Nazorkoff, you say." With a last wave, almost a flourish, of the palm leaf, Paula Nazorkoff laid it down and stretched out her hand to the Frenchman. He took it and bowed low over it, and a faint sigh escaped from the prima donna's lips.
"Madame," said Bréon, "we have never sung together. That is the penalty of my age! But Fate has been kind to me, and come to my rescue."
Paula laughed softly.
"You are too kind, M. Bréon. When I was still but a poor little unknown singer, I have sat at your feet. Your 'Rigoletto' - what art, what perfection! No one could touch you."
"Alas!" said Bréon, pretending to sigh. "My day is over. Scarpia, Rigoletto, Radams, Sharpless, how many times have I not sung them, and now - no more!"
"Yes - tonight."
"True, madame - I forgot. Tonight."
"You have sung with many 'Tosca's," said Nazorkoff arrogantly, "but never with
"It will be an honour," he said softly. "It is a great part, madame."
"It needs not only a singer, but an actress," put in Lady Rustonbury.
"That is true," Bréon agreed. "I remember when I was a young man in Italy, going to a little out-of-theway theatre in Milan. My seat cost me only a couple of lira, but I heard as good singing that night as I have heard in the Metropolitan Opera House in New York. Quite a young girl sang 'Tosca'; she sang it like an angel. Never shall I forget her voice in 'Vissi D'Arte,' the clearness of it, the purity. But the dramatic force, that was lacking."
Nazorkoff nodded.
"That comes later," she said quietly.
"True. This young girl - Bianca Capelli her name was - I interested myself in her career. Through me she had the chance of big engagements, but she was foolish - regrettably foolish." He shrugged his shoulders.
"How was she foolish?"
It was Lady Rustonbury's twenty-four-year-old daughter, Blanche Amery, who spoke - a slender girl with wide blue eyes.
The Frenchrnan turned to her at once politely.
"Alas! Mademoiselle, she had embroiled herself with some low fellow, a ruffian, a member of the Camorra. He got into trouble with the police, was condemned to death; she came to me begging me to do something to save her lover."
Blanche Amery was staring at him.
"And did you?" she asked breathlessly.
"Me, mademoiselle, what could I do? A stranger in the country."
"You might have had influence?" suggested Nazorkoff in her low, vibrant voice.