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The soft death tune began as Tosca set about her ceremonial, placing the candles each side of his head, the crucifix on his breast, her last pause in the doorway looking back, the roll of distant drums, and the curtain fell.

This time real enthusiasm broke out in the audience, but it was short-lived. Someone hurried out from behind the wings and spoke to Lord Rustonbury. He rose, and after a minute or two's consultation, turned and beckoned to Donald Calthorp, who was an eminent physician. Almost immediately the truth spread through the audience. Something had happened, an accident, someone was badly hurt. One of the singers appeared before the curtain and explained that M, Bréon had unfortunately met with an accident - the opera could not proceed. Again the rumour went round, Bréon had been stabbed, Nazorkoff had lost her head, had lived in her part so completely that she had actually stabbed the man who was acting with her. Lord Leconmere, talking to his ambassador friend, felt a touch on his and turned to look into Blanche Amery's eyes.

"It was not an accident," the girl was saying. "I am sure it was not an accident. Didn't you hear, just before dinner that story he was telling about the gift in Italy? That was Paula Nazorkoff. Just after, she said something at being Russian, and I saw Mr. Cowan look amazed. She may have taken a Russian name, but he knows well enough that she is Italian."

"My dear Blanche," said Lord Leconmere.

"I tell you I am sure of it. She had a picture paper in hr bedroom opened at the page showing M. Bréon in his English country home. She knew before she came down here. I believe she gave something to that poor little Italian man to make him ill."

"But why?" cried Lord Leconmere. "Why?"

"Don't you see? It's the story of Tosca all over again. He wanted her in Italy, but she was faithful to her over, and she went to him to try to get him to save her lover, and he pretended he would. Instead he let him die. And now at last her revenge has come. Didn't you hear the way she hissed " I am Tosca"?And I saw Bréon's face when she said it, he knew then -he recognized her!" In her dressing-room, Paula Nazorkoff sat motionless, a white ermine cloak held round her. There was a knock on the door.

"Come in," said the prima donna.

Elise entered. She was sobbing.

"Madame, madame, he is dead! And - "

"Yes?"

"Madame, how can I tell you? There are two gentlemen of the police there; they want to speak to you." Paula Nazorkoff rose to her full height.

"I will go to them," she said quietly.

She untwisted a collar of pearls from her neck and put them into the French girl's hands.

"Those are for you, Elise, you have been a good girl. I shall not need them now where I am going. You understand, Elise? I shall not sing 'Tosca' again."

She stood a moment by the door, her eyes sweeping over the dressing-room, as though she looked back over the past thirty years of her career.

Then softly between her teeth, she murmured the last line of another opera:

"La commedia e finita!"


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