The Mammoth Book of Modern Ghost Stories

It might be simply that Miss Clytie’s wits were all leaving her, said the ladies standing in the door to feel the cool, the way her sisters had left her; and she would just wait there to be told to go home. She would have to wring out everything she had on – the waist and the jumper skirt, and the long black stockings. On her head was one of the straw hats from the furnishing store, with an old black satin ribbon pinned to it to make it a better hat, and tied under the chin. Now, under the force of the rain, while the ladies watched, the hat slowly began to sag down on each side until it looked even more absurd and done for, like an old bonnet on a horse. And indeed it was with the patience almost of a beast that Miss Clytie stood there in the rain and stuck her long empty arms out a little from her sides, as if she were waiting for something to come along the road and drive her to shelter.

In a little while there was a clap of thunder.

“Miss Clytie! Go in out of the rain, Miss Clytie!” someone called.

The old maid did not look around, but clenched her hands and drew them up under her armpits, and sticking out her elbows like hen wings, she ran out of the street, her poor hat creaking and beating about her ears.

“Well, there goes Miss Clytie,” the ladies said, and one of them had a premonition about her.

Through the rushing water in the sunken path under the four wet black cedars, which smelled bitter as smoke, she ran to the house.

“Where the devil have you been?” called the older sister, Octavia, from an upper window.

Clytie looked up in time to see the curtain fall back.

She went inside, into the hall, and waited, shivering. It was very dark and bare. The only light was falling on the white sheet which covered the solitary piece of furniture, an organ. The red curtains over the parlour door, held back by ivory hands, were still as tree trunks in the airless house. Every window was closed, and every shade was down, though behind them the rain could still be heard.

Clytie took a match and advanced to the stair-post, where the bronze cast of Hermes was holding up a gas fixture; and at once above this, lighted up, but quite still, like one of the unmovable relics of the house, Octavia stood waiting on the stairs.

She stood solidly before the violet-and-lemon-coloured glass of the window on the landing, and her wrinkled, unresting fingers took hold of the diamond cornucopia she always wore in the bosom of her long black dress. It was an unwithered grand gesture of hers, fondling the cornucopia.

“It is not enough that we are waiting here – hungry,” Octavia was saying, while Clytie waited below. “But you must sneak away and not answer when I call you. Go off and wander about the streets. Common – common—!”

“Never mind, Sister,” Clytie managed to say.

“But you always return.”

“Of course. . . .”

“Gerald is awake now, and so is Papa,” said Octavia, in the same vindictive voice – a loud voice, for she was usually calling.

Clytie went to the kitchen and lighted the kindling in the wood stove. As if she were freezing cold in June, she stood before its open door, and soon a look of interest and pleasure lighted her face, which had in the last years grown weather-beaten in spite of the straw hat. Now some dream was resumed. In the street she had been thinking about the face of a child she had just seen. The child, playing with another of the same age, chasing it with a toy pistol, had looked at her with such an open, serene, trusting expression as she passed by! With this small, peaceful face still in her mind, rosy like these flames, like an inspiration which drives all other thoughts away, Clytie had forgotten herself and had been obliged to stand where she was in the middle of the road. But the rain had come down, and someone had shouted at her, and she had not been able to reach the end of her meditations.

It had been a long time now, since Clytie had first begun to watch faces, and to think about them.