Читаем The Memoirs of Sherlock Holmes полностью

Holmes glanced reproachfully at me. "So much for afternoon walks!" said he. "Has this gentleman gone, then?"

"Yes, sir."

"Didn't you ask him in?"

"Yes, sir; he came in."

"How long did he wait?"

"Half an hour, sir. He was a very restless gentleman, sir, a-walkin' and a-stampin' all the time he was here. I was waitin' outside the door, sir, and I could hear him. At last he outs into the passage, and he cries, 'Is that man never goin' to come?' Those were his very words, sir. 'You'll only need to wait a little longer,' says I. 'Then I'll wait in the open air, for I feel half choked,' says he. 'I'll be back before long.' And with that he ups and he outs, and all I could say wouldn't hold him back."

"Well, well, you did you best," said Holmes, as we walked into our room.

"It's very annoying, though, Watson. I was badly in need of a case, and this looks, from the man's impatience, as if it were of importance. Hullo! That's not your pipe on the table. He must have left his behind him. A nice old brier with a good long stem of what the tobacconists call amber. I wonder how many real amber mouthpieces there are in London? Some people think that a fly in it is a sign. Well, he must have been disturbed in his mind to leave a pipe behind him which he evidently values highly."

"How do you know that he values it highly?" I asked.

"Well, I should put the original cost of the pipe at seven and sixpence. Now it has, you see, been twice mended, once in the wooden stem and once in the amber. Each of these mends, done, as you observe, with silver bands, must have cost more than the pipe did originally. The man must value the pipe highly when he prefers to patch it up rather than buy a new one with the same money."

"Anything else?" I asked, for Holmes was turning the pipe about in his hand, and staring at it in his peculiar pensive way.

He held it up and tapped on it with his long, thin forefinger, as a professor might who was lecturing on a bone. "Pipes are occasionally of extraordinary interest," said he. "Nothing has more individuality, save perhaps watches and bootlaces. The indications here, however, are neither very marked nor very important. The owner is obviously a muscular man, left-handed, with an excellent set of teeth, careless in his habits, and with no need to practice economy." My friend threw out the information in a very offhand way, but I saw that he cocked his eye at me to see if I had followed his reasoning.

"You think a man must be well-to-do if he smokes a seven-shilling pipe," said I.

"This is Grosvenor mixture at eightpence an ounce," Holmes answered, knocking a little out on his palm. "As he might get an excellent smoke for half the price, he has no need to practice economy."

"And the other points?"

"He has been in the habit of lighting his pipe at lamps and gas-jets. You can see that it is quite charred all down one side. Of course a match could not have done that. Why should a man hold a match to the side of his pipe? But you cannot light it at a lamp without getting the bowl charred. And it is all on the right side of the pipe. From that I gather that he is a left-handed man. You hold your own pipe to the lamp, and see how naturally you, being right-handed, hold the left side to the flame. You might do it once the other way, but not as a constancy. This has always been held so. Then he has bitten through his amber. It takes a muscular, energetic fellow, and one with a good set of teeth, to do that. But if I am not mistaken I hear him upon the stair, so we shall have something more interesting than his pipe to study."

An instant later our door opened, and a tall young man entered the room. He was well but quietly dressed in a dark-gray suit, and carried a brown wide-awake in his hand. I should have put him at about thirty, though he was really some years older.

"I beg your pardon," said he, with some embarrassment; "I suppose I should have knocked. Yes, of course I should have knocked. The fact is that I am a little upset, and you must put it all down to that." He passed his hand over his forehead like a man who is half dazed, and then fell rather than sat down upon a chair.

"I can see that you have not slept for a night or two," said Holmes, in his easy, genial way. "That tries a man's nerves more than work, and more even than pleasure. May I ask how I can help you?"

"I wanted your advice, sir. I don't know what to do and my whole life seems to have gone to pieces."

"You wish to employ me as a consulting detective?"

"Not that only. I want your opinion as a judicious man—as a man of the world. I want to know what I ought to do next. I hope to God you'll be able to tell me." He spoke in little, sharp, jerky outbursts, and it seemed to me that to speak at all was very painful to him, and that his will all through was overriding his inclinations.

"It's a very delicate thing," said he.

Перейти на страницу:

Похожие книги

Смерть дублера
Смерть дублера

Рекс Стаут, создатель знаменитого цикла детективных произведений о Ниро Вулфе, большом гурмане, страстном любителе орхидей и одном из самых великих сыщиков, описанных когда-либо в литературе, на этот раз поручает расследование запутанных преступлений частному детективу Текумсе Фоксу, округ Уэстчестер, штат Нью-Йорк.В уединенном лесном коттедже найдено тело Ридли Торпа, финансиста с незапятнанной репутацией. Энди Грант, накануне убийства посетивший поместье Торпа и первым обнаруживший труп, обвиняется в совершении преступления. Нэнси Грант, сестра Энди, обращается к Текумсе Фоксу, чтобы тот снял с ее брата обвинение в несовершённом убийстве. Фокс принимается за расследование («Смерть дублера»).Очень плохо для бизнеса, когда в банки с качественным продуктом кто-то неизвестный добавляет хинин. Частный детектив Эми Дункан берется за это дело, но вскоре ее отстраняют от расследования. Перед этим машина Эми случайно сталкивается с машиной Фокса – к счастью, без серьезных последствий, – и девушка делится с сыщиком своими подозрениями относительно того, кто виноват в порче продуктов. Виновником Эми считает хозяев фирмы, конкурирующей с компанией ее дяди, Артура Тингли. Девушка отправляется навестить дядю и находит его мертвым в собственном офисе… («Плохо для бизнеса»)Все началось со скрипки. Друг Текумсе Фокса, бывший скрипач, уговаривает частного детектива поучаствовать в благотворительной акции по покупке ценного инструмента для молодого скрипача-виртуоза Яна Тусара. Фокс не поклонник музыки, но вместе с другом он приходит в Карнеги-холл, чтобы послушать выступление Яна. Концерт проходит как назло неудачно, и, похоже, всему виной скрипка. Когда после концерта Фокс с товарищем спешат за кулисы, чтобы утешить Яна, они обнаруживают скрипача мертвым – он застрелился на глазах у свидетелей, а скрипка в суматохе пропала («Разбитая ваза»).

Рекс Тодхантер Стаут

Классический детектив