‘I’m insulted. Would I really do something like that?’ The ship does have a point. I have been stepping around the memories like they were eggshells, and yes, perhaps a part of that is because in spite of myself, I’m having fun.
‘That, my friend, is in the past. Allowing such things to cloud my thinking would be more than dangerous in this profession.’
‘As much as I enjoy your company, the sooner I can get back to the things I do best, the happier I’ll be. Speaking of which – I could use some peace and quiet. I’m trying to think about breaking into the land of the dead.’ I lean back in my chair, close my eyes and cover my face with the newspaper to hide from the sun and the ship.
*
Mieli feels tired. Her body is in the process of checking and rebooting its systems. She hasn’t had her period for years, but vaguely remembers that this is what it felt like. When they return from the meeting with the tzaddikim, all she wants is to lie down in her room, play gentle Oortian songs and drift to sleep. But the pellegrini is waiting for her. The goddess is wearing a deep blue evening gown. Her hair is done up, and she is wearing long black silk gloves.
‘Dear child,’ she says, planting a scented kiss on Mieli’s cheek. ‘That was
Mieli blinks. ‘I thought we were going to let the thief—’
‘Of course, but there are limits. A few vasilevs here and there, that is one thing, but there are aspects of this place that we do have to consider in the context of the Great Common Task. The cryptarchs are one of them: a balance that we do not want to upset just now, for a variety of reasons.’
‘We are not going to … destroy them?’
‘Of course not. You are going to
‘Now, child, I think our thief is going to talk to you about his new ideas. Do humour him. Ciao.’
Mieli touches Sydän’s jewel, just to remember why she is doing this. Then she lies down to wait for the knock on the door.
12
THE DETECTIVE AND CARPE DIEM
On the evening of the carpe diem party, the garden has the hushed tone of a performer holding his breath, muttering his lines.
There are tables with champagne glasses in orderly rows, little pavilions for more exotic offworld vices, and foglet fireflies still unlit. A Quiet orchestra test their instruments – parts of their body – creating a gentle brass cacophony. A fireworks expert, wearing a tall hat, is laying out multicoloured rockets in a device that looks like a miniature pipe organ.
‘So, what do you think, M. Detective?’ Unruh asks. He is dressed as Sol Jovis, the last day of the Darian calendar week. The colours of the long-lost gas giant blaze across the fabric of his tunic. In the shadows of the trees, it glows faintly in hues of bright red and white.
‘It looks like one of the old Kingdom parties,’ Isidore says.
‘Ha. Yes. Not a bad way to spend a few hundred mega-seconds, in any case,’ Unruh says. He holds up his Watch, attached with a chain to his waistcoat, surprisingly plain: a black disc with a single golden dial. ‘When do you think I will be robbed?’
‘We are as prepared as we can be. Le Flambeur or not, we will make him work hard for his loot.’
In the end, the security arrangements consist of a few carefully placed agoras and additional Quiet servants hired from the Voice by Odette – assault anti-phoboi Quiet with a variety of specialised sensors and weapons. Isidore hopes it will be enough. He considered a variety of more elaborate options involving black market tech, but in the end, he concluded that they would introduce more vulnerabilities than strengths.
‘That’s the spirit,’ Unruh says, patting Isidore on the shoulder. ‘You know, we never discussed the matter of your fee.’
‘M. Unruh, I assure you that—’