Читаем The Sculptor полностью

Had Laurie Wenick known at that moment exactly what had happened to her son; had she known on that cool September afternoon that her little Michael had been spared the terror, the brutality of The Sculptor’s plans for him back at the carriage house, she most likely would not have been comforted. Indeed, as she stared down at the jar of Smucker’s jelly in her hands, the pretty young nurse felt all at once as if the ordeal of the last seven months was suddenly tumbling down on her. She began to hyperventilate, to tremble, and nearly dropped the jar of jelly before she fumbled it onto the counter.

Something had happened. Something was wrong.

Laurie could feel it.

She had not turned on the television since before going to bed that morning-had been sleeping her vampire’s sleep when the news of Tommy Campbell made the headlines. And so it happened that, as she stood shivering with panic in the kitchen, Laurie Wenick was entirely unaware that the star Rebel’s corpse had been discovered down at Watch Hill. Even if she had been watching TV when the story broke; even if she had learned that another body had been found along with Campbell’s, Laurie would not have made the connection with her son-for the state police, the FBI had long ago ruled out any link between the disappearance of Tommy Campbell and that of little Michael Wenick. In fact, the authorities had insisted on just the opposite, and even though she was more than willing to believe them, in the months following the wide receiver’s disappearance Laurie began to resent the constant media attention given to the case-a case that completely overshadowed her own. Indeed, the Campbell case made Laurie feel as if her son had been abducted all over again-even if it was only from the minds of her fellow Rhode Islanders.

On any other day, had Laurie Wenick not reached for the jar of jelly, had she gone instead for her coffee and settled herself in front of the television as she usually did before work, the press conference that was beginning on the steps of the Westerly Police station might have actually come as a relief to her-for now, with the discovery of Tommy Campbell, the authorities and the media would once again focus on the search for her son. Today, however, in the wake of her panic, in the wake of her premonition, had she had time to get to the remote before the doorbell rang-despite what the authorities had told her in the past, despite all the assurances that the disappearances of Tommy Campbell and her son were not related-Laurie Wenick would have understood at once that the unidentified body of which the FBI Agent was speaking was her son Michael.

Instead, Laurie stood frozen before the refrigerator as the doorbell dinged a second time-the chimes from the other room clanging in her ears like church bells. And like an egg, Laurie’s mind suddenly cracked with the numb realization that it could not be her father-that it was too early for him to have returned from hunting crows in Connecticut with her uncle.

Here again was the zombie-her movements not her own, watching herself as she made her way to the front door. Through the peephole, she saw two men-serious looking men with short hair and blue jackets. Laurie did not recognize them-had never met them before-but knew them nonetheless; had seen many others like them in the last seven months. A voice somewhere in the back of her mind assured her that the storm door was locked just in case (for her father taught her always to lock the storm door) and Laurie watched herself-that woman in the bathrobe, that woman who looks so tired and hollow-turn the dead bolt.

“Yes?”

The man on the front steps held up his ID. His lips were moving but Laurie could not hear him through the glass; for upon the sight of those three little letters-FBI-Laurie Wenick went deaf with the overwhelming terror of understanding.

No, little Michael Wenick’s mother did not need the FBI, the press conference in Westerly to tell her why she had reached for the jar of jelly. She would have been unable to hear them anyway; for just as her fragile eggshell mind cracked again under the weight of her anguish, the once pretty young nurse watched herself collapse into the black.

Yes, all at once Laurie Wenick fainted, for all at once she knew that her son was dead.

<p>Chapter 12</p>
Перейти на страницу:

Похожие книги

Синева небес
Синева небес

В японской литературе появился серийный убийца — персонаж, совершающий многочисленные злодеяния без видимых причин. Ему неведомо раскаяние или представление о грехе. Он не испытывает чувства вины и легко оправдывает содеянное: «Я всегда делаю что-то без особых причин. Вот и людей тоже убивал без особых на то причин. Это похоже на легкую влюбленность, когда маешься от безделья и не знаешь, куда себя деть. Люди очень подвержены такому состоянию». Такова психология этого необычного для японской литературы персонажа, художественное исследование которой представлено в романе «Синева небес» (1990).Соно Аяко (род. в 1931 г.) — одна из наиболее известных писательниц современной Японии. За 50 лет она опубликовала более 40 романов и эссе, переведенных почти на все европейские языки. Творчество ее отмечено многими премиями и наградами, в том числе наградой Ватикана (1979). Будучи убежденной католичкой, Соно Аяко принадлежит к немногочисленной группе японцев, которые, живя в буддийской стране, должны соотносить национальные ценности с христианскими. В «Синеве небес» эта особенность проявилась в безжалостном психологическом анализе, которому подвергнуты главные герои романа.

Аяко Соно , Соно Аяко

Детективы / Про маньяков / Проза / Маньяки / Современная проза