Читаем The Sculptor полностью

Sam Markham, however, did not let go of Cathy’s hand.

“I’ll be flying off to Washington tomorrow,” he said, parking in front of the Polks’ house. “Official business and to gather the rest of my things-will be back Monday morning. We’ve still got people looking after you, but I want you to call me if you need anything. Even if you just want to talk. Okay, Cathy?”

“Only if you promise to do the same.”

Markham smiled.

“I promise.”

“Okay. I promise, too.”

Then Cathy did something she had never done before in her life: unsolicited and of her own accord, she leaned over and kissed a man on the cheek.

“Thank you, Sam,” she said, and was gone.

Only when she was safe inside the Polks’ kitchen, only when Janet asked her how her day had gone, did Cathy realize what she had done. And just as the shy art history professor began to giggle, back on the road Markham checked his face in the rearview mirror.

He was still blushing.

<p>Chapter 21</p>

“Shake off your slumber, O son of God.”

Why is Papa speaking English?

The seventeen-year-old runaway from Virginia Beach smiled-happy to be home again. But for some reason his bed was cold and hard this morning, and he could feel his heart pounding in his back and in his side against-

The bus station floor. I fell asleep again at the bus station.

Paul Jimenez cracked his eyes-a bright ball of light stinging them to slits.

No, he thought. Something else. I can’t wake up.

“Bad shit,” he heard himself whisper. “Eliot, you motherfuck-”

But then Paul Jimenez remembered that he didn’t talk to Eliot anymore-had not even seen him in over six months, ever since the pigs picked him up for stealing those checks. And Paul never used that shit like Eliot did-never used that shit at all anymore. He had been lucky with that, had been warned about that shit almost a year ago on his first day in town by the guy he met at the Boston Public Library; the guy who smiled a big gold-tooth smile when Paul said he was clean; the guy who told him about the big bucks a kid like Paul could make on Arlington Street as long as he stayed clean.

“You start taking that shit, though,” the guy had said, “and you’re done, son. Hawks ain’t gonna drop that kinda coin for a junkie. Fresh and clean. Remember that.”

Paul’s eyes fluttered wide, and amidst a bright white haze the young man suddenly understood that he was not on the bus station floor; he was not even on the floor at Brian’s-that cold hardwood floor on which he had been crashing with his friends for the last couple of months, and on which a roach tried to crawl in his ear. But he was lying down-yes, could feel something steel-hard on his back and buttocks. And he was groggy, felt like he couldn’t move-had to be doped up on something. Yet at the same time he felt his veins pumping with energy, with the light above him, with the heart pounding beat of-

Music? Somebody slip me shit at the club? Some bathroom floor in Chinatown?

For a moment Paul thought he could see the dance floor, the lights flashing on the college boys-some looking for it for free, some looking to make some extra money to get their Abercrombie & Fitch fix. All the same.

Roofie motherfuckers.

“That’s it,” said the man’s voice-a voice that Paul recognized from someplace. “Come forth from the stone.”

Paul tried to speak, but his throat hurt-felt like he had swallowed a glass full of needles. Then he felt a dull prick, a tug on his forearm. His heart was racing-even more so than when he confessed to Papa that he liked boys; even more so than when Papa shut him in the hotel room with that prostitute hoping that he would come out a man; even more so than when Papa drove him to the Greyhound station, bought him a bus ticket to Boston, and told him never to come home again. But this was a different kind of heartbeat-harder, more painful-a heartbeat that he could feel all the way down to his fingers and toes, the tips of which felt like they wanted to pop.

“Where am I?” Paul asked, his voice cracking. The edges of the light before him solidified into a white rectangle-

Must be the Strand, he thought-the shit-bag movie theatre where, as “Jim,” he used to meet his clients in the back row for a quick swallow or no swallow-ten percent of either going to the theatre manager, of course. But that was before he started using the computer at the library; that was before he set himself up in business online-where the real money was. Yeah, he still worked Arlington Street sometimes, but only in a pinch; only when-

No, Paul thought. It ain’t the Strand-screen was too sharp, too close to his face in the darkness. And then Paul’s senses, Paul’s memory came back to him in one big rush-the images in his beating blood filling his brain like water in a balloon.

The man in the car. The big man in the suit. Chris. Was going well. Was buying Jim’s innocent act. Then he spit at me-no, pinched me in the neck; smiled at me when I-

Перейти на страницу:

Похожие книги

Синева небес
Синева небес

В японской литературе появился серийный убийца — персонаж, совершающий многочисленные злодеяния без видимых причин. Ему неведомо раскаяние или представление о грехе. Он не испытывает чувства вины и легко оправдывает содеянное: «Я всегда делаю что-то без особых причин. Вот и людей тоже убивал без особых на то причин. Это похоже на легкую влюбленность, когда маешься от безделья и не знаешь, куда себя деть. Люди очень подвержены такому состоянию». Такова психология этого необычного для японской литературы персонажа, художественное исследование которой представлено в романе «Синева небес» (1990).Соно Аяко (род. в 1931 г.) — одна из наиболее известных писательниц современной Японии. За 50 лет она опубликовала более 40 романов и эссе, переведенных почти на все европейские языки. Творчество ее отмечено многими премиями и наградами, в том числе наградой Ватикана (1979). Будучи убежденной католичкой, Соно Аяко принадлежит к немногочисленной группе японцев, которые, живя в буддийской стране, должны соотносить национальные ценности с христианскими. В «Синеве небес» эта особенность проявилась в безжалостном психологическом анализе, которому подвергнуты главные герои романа.

Аяко Соно , Соно Аяко

Детективы / Про маньяков / Проза / Маньяки / Современная проза