However, as was the case with the Plastination process in the carriage house, more than the actual acquisition of his chemicals-the majority of which had been either distilled from common household products or stolen barrel by barrel from warehouses that weren’t even locked-the biggest problem for The Sculptor in his cellar lab was always the ventilation. And despite the numerous exhaust vents that he had installed, despite the gas mask that he always wore, after working for long hours in his cramped laboratory The Sculptor would sometimes begin to feel dizzy. And on those rare occasions when he would accidentally touch the epinephrine-highly concentrated
But The Sculptor did not like the change he felt within his body today; nor did he like the emotions bubbling up inside of him when he thought of Dr. Hildy. And as he slid two more plates onto his weight bar, The Sculptor could not help but feel as if the pretty art history professor had betrayed him.
The Sculptor had been smart enough to know from the beginning that Dr. Catherine Hildebrant would be at the very least an unwilling accomplice in his plan. But after all
The Sculptor blasted out six more reps on his bench, and when he returned the bar to the rack, it was as if his mind at once had cleared. And in a flash of insight, The Sculptor suddenly understood the brutal but simple reality that, if indeed it had been Dr. Hildy who had led the FBI to his
And much to his surprise, The Sculptor suddenly felt a lot better.
Chapter 38
“I want to go back to Providence,” said Cathy Hildebrant. She and Sam Markham stood before Burrell’s desk like a pair of high school delinquents in the principal’s office-contrite, fearful, yet defiant.
“I can’t allow it,” said Burrell. “That would be like throwing you to the wolves.”
“I don’t care. I can be more help to you working with Sam on the street.”
“But Cathy, you’ve been watching the television these last couple of weeks-been reading the papers and the news reports online. You know the press is looking for you, is dying to pick your bones.”
“I’m not worried about that. I’ll keep a low profile.”
“But with the murder of your ex, don’t you see that they all blame you? We can’t protect you from them anymore. It’s an entirely different situation now-they don’t want to just talk to you about The Michelangelo Killer, they want to get closer to him through you. I know you’ve been following the news. The press and the public are just waiting for The Sculptor’s next exhibit. They all know what it’s going to be-the goddamn statue of
“I understand that but-”
“I can’t guarantee your safety down there, Cathy,” Burrell said, rising. “Hell, I shouldn’t even have you as a consultant on the case anymore.”
“She’ll be fine with me, Bill,” said Markham. “We can set her up in a room in my building-I’ll be personally responsible for her, twenty-four-seven.”
“Both of you were at the teleconference today, Sam. Both of you understand now what this guy is all about. We can tie him to at least nine murders, including Gabriel Banford and the two policemen. That’s at least nine. Who knows how many of Rachel’s missing prostitutes are his. Who knows how many more there are that we don’t know about-prostitutes, young men, women, children. He doesn’t hunt in one demographic, Sam. He chooses his victims according to some sick plan that parallels the artistic output of Michelangelo. I mean, Christ, what’s to say he won’t come after Cathy next?”
“I can’t stay in hiding all my life,” Cathy said.
“No, but you can goddamn well stay there a little longer.”
An awkward silence fell over the office as the SAC turned his back on them-staring absently out his window to the Boston skyline.