If Loob can do that, he can put right his other, greater, his infinitely tragic interference. And when he does, he and the wretched Tom Perkins will never have been. The world will be back on its true path, the path where there is love and comfort and safety.
It will.
THE HOUSE THAT MADE THE SIXTEEN LOOPS OF TIME
Tamsyn Muir
Tamsyn Muir is a New Zealand writer based in Auckland, where she divides her time between writing, her dogs, and teaching high school English. A graduate of the Clarion Writers’ Workshop 2010, her work has previously appeared in
14 Arden Lane suffered from bad plumbing and magical build-up. There Dr. Rosamund Tilly had raised two children, bred sixteen chinchillas and written her thesis, and because her name was on the deed had become the medium of all the house’s whims and wishes. She liked it, most of the time, but her best friend in all the world liked it less: “Your house is a spoiled brat,” said Danny Tsai, “and I feel inane saying that.”
The house was an old, old two-storey lump, very square and not graceful, made of red brick that had to peep through thick trellises of ivy creeper and a roof that liked shedding tiles. Dr. Tilly knew it was horribly untidy and ran risk of being burnt down by vigilantes from the Neighbourhood Association – only that it was at the end of the road, and hidden by a thick yew hedge. Even then the hedge was never even at the top, and it was her neighbours’ hobby to send letters seeing if they could get her to cut it down.
But Rosamund loved 14 Arden Lane; it had been willed to her by her grandmother, who died conveniently when she was twenty and had needed a house. She had admired it for its slippery wooden floors, its wide stairs and weird chimney, the poky bathrooms and the wheezing refrigerator in the kitchen. She had carefully and thoroughly checked for ants’ nests and termites, following guides. Satisfied, she recklessly painted the walls in unlikely colours like lipstick red, and moved all her coats into the closets that would shelter her coats and later the coats of her daughters. When the house turned out to be magical Rosamund Tilly just accepted this as fact.
Magic built up like a breath waiting to be exhaled. On a bad day, she could touch a coffee mug and have it erupt in delicate little spikes of ceramic, a fretwork of stalactites extending outward as she pulled her hand back. Tap water might avoid her fingers when she turned on the tap. And that was just the house when it was in a
Once Dr. Tilly had grown welts under her arms that burst and released dozens of tiny, transparent crabs, which made Danny nauseated and her daughters shriek. She had finally swept the crabs into a dustpan and let them go outside, where they crept into the bushes. Rosamund had been more disturbed than afraid, and good at choking down things that made her disturbed: her daughters Snowdrop and Sparrow were disturbed, afraid and disquieted, but in rebellion from being named Snowdrop and Sparrow they were creatures of logic who’d always despaired of the house and dreamt of air-conditioned flats. At that point she hadn’t really blamed them.
Daniel, though, had bore up well. He’d only once really lost his temper, when her kitchen parsley bit his fingers: “Why can’t you have a normal house instead of— this stupid, temperamental Disney
But with Daniel, any annoyance he demonstrated was usually awkwardness, and under the staid curtness of his day-to-day chartered stockbroker face he liked chinchillas as well as laptops. They were two people who understood each other completely: she understood his irritability, his privacy, his inability to be serious with her when he was serious all day with everyone else. He understood just about everything with her, including a lot of things she wished he didn’t. They were as devoted to each other as two people could be, and every lunchtime when he was at his office desk and she was marking university papers they would ring up to ask what the other was eating. Accepting her magical house was a small issue.
Anyway, anything 14 Arden Lane did never lasted; when the house felt it had made its point, it stopped. Usually. One of the chinchillas had been purple forever.