The Triggerman Dance

"Let's call him Puma, for right now," said Weinstein. "He's a family man. See? He's married, with a twenty-two-year-old son just graduating from Stanford, and an eighteen-year-old daughter at the University of California, in Irvine. There they are, up in Palo Alto for the commencement."

On screen, the photographic portrait gave way to what looked like home-video footage of Puma with his wife and children. They are outside. The son is dressed in gown and mortarboard for a graduation. The daughter wears a white dress. The wife is in pink, smiling widely, and Puma himself has his arms around all three of them, scrunching them in toward him, his tan, lined face smiling and quite obviously proud. He tips the mortarboard down onto his son's face, and his wife rearranges it, revealing the young man's grin.

"Call the son Patrick," said Weinstein. "The daughter Valerie, the mother Carolyn."

John watched. Some of it was videotape, some were stills.

The family on the steps of the Mormon Temple in Salt Lake City The family—years earlier—at the beach. Patrick fast-breaking down the Stanford court. Valerie graduating from what must have been high school. Carolyn giving baths to a litter of wriggling puppies in a back yard toddler's pool. Puma kneeling alone on a vast white boulder, the body of a ram before him and that ram's head and enormous horns resting on his lap. Patrick, Valerie and Puma walking a gully in what looked to John like the Sand Hills of Nebraska, shotguns in their arms and a pair of springers working out in front of them. The pheasants come up the camera jostles to frame them; the pops of guns send two o the cock pheasants plummeting to the ground. Then a sequence in which the daughter commands a springer during a field-trial retrieve—hand signals only—directing the eager dog into a river across it, then left into a dense stand of cattails from which the dog emerges with a pigeon. Then Valerie kneeling beside her dog and a trophy.

"Now," said Weinstein. "August, five years ago. The day it all changed."

The video now showed what could only be police footage The scene is outside a fast food restaurant and the atmosphere is one of disaster. There is a perimeter of tape set up, and beside it dozens of people, mostly youths, mostly Latino in appearance stare in glum acceptance toward the restaurant. When the scene shifts inside, two bodies are heaped beneath a table next to a window pocked with holes.

"August fourth," said Weinstein. "These are the facts. Patrick was shot dead. Twenty-two years old, just out of Stanfon with a degree in history, engaged to be married in the Salt Lake City Temple the following spring. His mother, Carolyn, was injured, shot in the head. The bullet went through her son first likely because he saw what was going down and tried to cover her. She lived, sort of. She's been paralyzed from the waist down for five years, bedridden and brain-damaged. She talks, though not well. Collateral damage was three wounded, one seriously Depending on your beliefs, one of two things happened. One version is that an innocent person was murdered in cold blood and another paralyzed for life by a racist punk, simply for being white, and for being where they shouldn't have been. A hate crime, with all the special penalties hate crimes carry. That's what the DA tried to go with, at first. The other version was that ; decent young Latino boy had defended his aunt from a man who had raped and beaten her the week before and who he feared had come back to do it again. That's what he was doing when he took out Patrick through the window of the fast food place. Carolyn, in this scenario, was a tragic accident. That the boy's aunt had been beaten and likely raped was established—bruises, cuts, vaginal abrasions. But she didn't report it until after her son had shot Patrick. She was afraid of being deported. The public defender struggled to establish that Patrick had committed the rape, but couldn't get far—no fluids, no blood—nothing but Teresa Descanso's word and a dead accused. During the trial, in this land of orange blossoms, rolling surf and Mickey Mouse, you defined your soul by what version you believed. You wanted the shooter's blood, or you thought he was a hero. It was ugly and divisive and unnecessary. But then, a lot of life is, it seems."

"I read about it," said Menden.

Next were still shots of the funeral, several showing the demolished countenance of Puma, his hair unkempt and his eyes swollen. Valerie's face looked like that of someone who had seen something she would never be able to unsee again.

The video ended. Weinstein used the remote to hit rewind. Silence filled the little room.

Weinstein took a hearty sip of water. His big Adam's apple bobbed with the swallow. "The alleged shooter was a boy of fifteen—good student, no gang involvement—a minor Latino activist of sorts. He'd written some rather . . . what, Sharon, vehement articles?"

"Childish articles."