The Vivero Letter

I looked towards the hut where we had made our stand and saw it was crushed and smashed under the weight of a big tree whose roots pointed skywards incongruously. Twigs cracked underfoot as I picked my way towards it and, as I got near, a brightly coloured bird flew out of the wreckage with a nutter of wings that momentarily alarmed me.

I prowled around, then stepped inside, climbing with difficulty over branches as thick as my own body. Somewhere among this lot were the spare scuba bottles I needed to bring Katherine to surface.

And somewhere among this lot was Fallon!

I found two machetes lying crossed as though someone had laid them down for sword dancing and took one to cut away at the smaller branches near where I would expect to find Fallon. After ten minutes of chopping I disclosed a hand and an arm outflung in death, but a few more cuts revealed the blood-smeared face of Smith. I tried again a little further along the line of the wall and this time I found him.

He was pinned to the ground by the branch that had struck him down, and when I put my hand on his arm I found, to my astonishment, that he was still warm. Quickly, I felt the pulse at his wrist and detected the faintest pulsation. Fallon was still alive! He had died neither by the hand of Gatt nor of the ancient enemy, but, incredibly, was still alive in spite of the violence of nature that had crashed a whole tree on to the hut.

I swung the machete and began to chop him free, which was not too difficult because he lay in the angle between floor and wall which had protected him from the tree in the first place, and I was soon able to drag him free and to put him in better comfort out of the sun. When I had done that he was still unconscious but his colour had improved and there didn't seem much wrong with him apart from the dark bruise on the side of his head. I thought he would presently regain consciousness naturally, so I left him for more important work.

The compressor parts had been hidden in a hole near the hut and covered with earth, but the whole area was covered with torn tree branches and other debris, including whole tree trunks. I wondered momentarily where they had come from and looked across the cenote to the hillside behind, and the sight of it took my breath in sharply. The ridge had been wiped clean of vegetation as if Rudetsky's gang had worked on it with power saw and flame-thrower.

There had been a wind -- a big wind -- that had assaulted the shallow-rooted forest trees and torn them clean out. I turned to look again at the hut and saw that the tree whose roots stuck up so ridiculously into the air must have been hurled from high on the hillside to strike downwards like some strange spear. And that was why the whole camp area, as far as I could see, was a wreck of timber and leafage.

The hillside was scraped clean to reveal the bare rock that had been hidden beneath the thin soil and, on top of the ridge, the temple of Yum Chac stood proudly against the sky very much as it must have looked when Vivero first saw it. I stepped back to get a better view of the whole ridge and looked past the ruined hut, and a great feeling of awe came upon me.

Because I saw Vivero's sign written in burning gold in the side of the ridge. I am not, in any sense, a religious man, but my legs turned to water and I sank down upon my knees and tears came to my eyes. The sceptic, of course, would write it off as a mere trick of the sun, of light and shade, and would point to parallels in other parts of the world where some natural rock formations are famous and well known. But that sceptic would not have gone through what I had gone through that day.

It may have been a trick of light and shade, but it was undeniably real -- as real as if carved by a master sculptor. The setting sun, shining fitfully through scudding clouds, shed a lurid yellow light along the ridge and illuminated a great figure of Christ Crucified, The arms, spread along the ridge, showed every tortured muscle, and the nail heads in the palms of the hands cast deep shadows. The broad-chested torso shrank to a hollow stomach at the foot of the ridge, and there was a gaping hole in the side, just under the rib cage, which a sceptic would have dismissed as a mere cave. All the rib structure showed as clearly as in an anatomical drawing, as though that mighty chest was gasping for breath.

But it was the face that drew the attention. The great head lolled on one side against a shoulder and an outcrop of spiky rocks formed the crown of thorns against the darkening sky. Deep shadows drew harsh lines of pain from the nose to the corners of the mouth; the hooded eyes, crow-footed at the corners, stared across Quintana Roo; and the lips seemed about to part as though to bellow in a great voice of stone, 'Eloi! Eloi, Lama Sabacthani!'