Eternity is divided into sections, each associated with a particular century of human history. To go from one section to another, an Eternal rides the kettle: the arrangement feels like stacked floors in a tall skyscraper. Best not to look too closely at the workings. “The laws of the ordinary universe just don’t apply to the kettle shafts!” Between Time and Eternity is a boundary or barrier—an “immaterial” divider—likewise best not examined too closely: “He paused again at the infinitely thin curtain of non-Space and non-Time which separated him from Eternity in one way and from ordinary Time in another.” Eternity seems to adjoin the “real” universe anywhere and everywhere. Anyway, transportation from place to place never seems to be a problem. Is Eternity in the fourth dimension? Asimov doesn’t bother with the fourth dimension. That’s old news. He does tip his hat to the uncertainty principle of quantum mechanics:
The barrier that separated Eternity from Time was dark with the darkness of primeval chaos, and its velvety non-light was characteristically specked with the flitting points of light that mirrored sub-microscopic imperfections of the fabric that could not be eradicated while the Uncertainty Principle existed.
Like Wells not-quite-describing his time machine, Asimov is using his literary wiles to help readers think they are visualizing something that can’t be visualized because, after all, it’s nonsensical. “Velvety non-light.” An artful dodge.*4
And nice touch, the uncertainty principle decorating the primeval darkness with specks of light.Now comes a problem of narrative. People live in Eternity, and they do things, one after another, in order to give the story a plot, and before long the fact of narrative makes it impossible to avoid noticing that they (the Eternals), too, operate
Since this Eternity is created not by theologians but by technocrats, it does have a beginning and an end. It begins in the twenty-seventh century, after the development of the necessary machinery (“temporal fields” and whatnot), and ends in the “unplumbable entropy death ahead.” In the meantime, what fun they have, playing god! The Sociologists profile societies and suggest “reality changes” to fork their history. The Life Plotters diagram the affected lives. The Computers work out the “psycho-mathematics.” The Observers go into Time to get data, and the Technicians do the dirty work—e.g., jam the clutch on a vehicle and start a chain of events that prevents a war. When a Technician goes into action, a new branch of possibility becomes real. Then the old branch never happened. It becomes an alternative remembered only in the archives of Eternity.
They believe they are do-gooders.
We work to plot out all the details of everywhen [explains Technician Harlan] from the beginning of Eternity to where Earth is empty, and we try to plot out all the infinite possibilities of all the might-have-beens and pick out a might-have-been that is better than what is and decide where in Time we can make a tiny little change to twist the is to the might-be and we have a new is and look for a new might-be, forever, and forever.
So, for example, Harlan gets out of his kettle, enters Time, and shifts a container from one shelf to another. (He has found the office supplies, apparently.) As a result, a man overlooks something he needs, gets angry, makes a bad decision, a meeting is canceled, a death is postponed—change ripples outward, and some years later what would have been a busy spaceport has vanished from existence. Mission accomplished. If some people must die so that others might live, so be it. You can’t make an omelet without breaking eggs, the Eternals have learned. It isn’t easy, being responsible for “the happiness of all the human beings who were or ever would be.”