Читаем Vanity Fair (illustrated) полностью

How is this? some carping reader exclaims. How is it that Amelia, who had such a number of friends at school, and was so beloved there, comes out into the world and is spurned by her discriminating sex? My dear sir, there were no men at Miss Pinkerton’s establishment except the old dancing-master; and you would not have had the girls fall out about HIM? When George, their handsome brother, ran off directly after breakfast, and dined from home half-a-dozen times a week, no wonder the neglected sisters felt a little vexation. When young Bullock (of the firm of Hulker, Bullock amp; Co., Bankers, Lombard Street), who had been making up to Miss Maria the last two seasons, actually asked Amelia to dance the cotillon, could you expect that the former young lady should be pleased? And yet she said she was, like an artless forgiving creature. “I’m so delighted you like dear Amelia,” she said quite eagerly to Mr. Bullock after the dance. “She’s engaged to my brother George; there’s not much in her, but she’s the best-natured and most unaffected young creature: at home we’re all so fond of her.” Dear girl! who can calculate the depth of affection expressed in that enthusiastic SO?

Miss Wirt and these two affectionate young women so earnestly and frequently impressed upon George Osborne’s mind the enormity of the sacrifice he was making, and his romantic generosity in throwing himself away upon Amelia, that I’m not sure but that he really thought he was one of the most deserving characters in the British army, and gave himself up to be loved with a good deal of easy resignation.

Somehow, although he left home every morning, as was stated, and dined abroad six days in the week, when his sisters believed the infatuated youth to be at Miss Sedley’s apron-strings: he was NOT always with Amelia, whilst the world supposed him at her feet. Certain it is that on more occasions than one, when Captain Dobbin called to look for his friend, Miss Osborne (who was very attentive to the Captain, and anxious to hear his military stories, and to know about the health of his dear Mamma), would laughingly point to the opposite side of the square, and say, “Oh, you must go to the Sedleys’ to ask for George; WE never see him from morning till night.” At which kind of speech the Captain would laugh in rather an absurd constrained manner, and turn off the conversation, like a consummate man of the world, to some topic of general interest, such as the Opera, the Prince’s last ball at Carlton House, or the weather - that blessing to society.

“What an innocent it is, that pet of yours,” Miss Maria would then say to Miss Jane, upon the Captain’s departure. “Did you see how he blushed at the mention of poor George on duty?”

“It’s a pity Frederick Bullock hadn’t some of his modesty, Maria,” replies the elder sister, with a toss of he head.

“Modesty! Awkwardness you mean, Jane. I don’t want Frederick to trample a hole in my muslin frock, as Captain Dobbin did in yours at Mrs. Perkins’.”

“In YOUR frock, he, he! How could he? Wasn’t he dancing with Amelia?”

The fact is, when Captain Dobbin blushed so, and looked so awkward, he remembered a circumstance of which he did not think it was necessary to inform the young ladies, viz., that he had been calling at Mr. Sedley’s house already, on the pretence of seeing George, of course, and George wasn’t there, only poor little Amelia, with rather a sad wistful face, seated near the drawing-room window, who, after some very trifling stupid talk, ventured to ask, was there any truth in the report that the regiment was soon to be ordered abroad; and had Captain Dobbin seen Mr. Osborne that day?

The regiment was not ordered abroad as yet; and Captain Dobbin had not seen George. “He was with his sister, most likely,” the Captain said. “Should he go and fetch the truant?” So she gave him her hand kindly and gratefully: and he crossed the square; and she waited and waited, but George never came.

Poor little tender heart! and so it goes on hoping and beating, and longing and trusting. You see it is not much of a life to describe. There is not much of what you call incident in it. Only one feeling all day - when will he come? only one thought to sleep and wake upon. I believe George was playing billiards with Captain Cannon in Swallow Street at the time when Amelia was asking Captain Dobbin about him; for George was a jolly sociable fellow, and excellent in all games of skill.

Перейти на страницу:

Похожие книги

Шедевры юмора. 100 лучших юмористических историй
Шедевры юмора. 100 лучших юмористических историй

«Шедевры юмора. 100 лучших юмористических историй» — это очень веселая книга, содержащая цвет зарубежной и отечественной юмористической прозы 19–21 века.Тут есть замечательные произведения, созданные такими «королями смеха» как Аркадий Аверченко, Саша Черный, Влас Дорошевич, Антон Чехов, Илья Ильф, Джером Клапка Джером, О. Генри и др.◦Не менее веселыми и задорными, нежели у классиков, являются включенные в книгу рассказы современных авторов — Михаила Блехмана и Семена Каминского. Также в сборник вошли смешные истории от «серьезных» писателей, к примеру Федора Достоевского и Леонида Андреева, чьи юмористические произведения остались практически неизвестны современному читателю.Тематика книги очень разнообразна: она включает массу комических случаев, приключившихся с деятелями культуры и журналистами, детишками и барышнями, бандитами, военными и бизнесменами, а также с простыми скромными обывателями. Читатель вволю посмеется над потешными инструкциями и советами, обучающими его искусству рекламы, пения и воспитанию подрастающего поколения.

Вацлав Вацлавович Воровский , Всеволод Михайлович Гаршин , Ефим Давидович Зозуля , Михаил Блехман , Михаил Евграфович Салтыков-Щедрин

Проза / Классическая проза / Юмор / Юмористическая проза / Прочий юмор
Лира Орфея
Лира Орфея

Робертсон Дэвис — крупнейший канадский писатель, мастер сюжетных хитросплетений и загадок, один из лучших рассказчиков англоязычной литературы. Он попадал в шорт-лист Букера, под конец жизни чуть было не получил Нобелевскую премию, но, даже навеки оставшись в числе кандидатов, завоевал статус мирового классика. Его ставшая началом «канадского прорыва» в мировой литературе «Дептфордская трилогия» («Пятый персонаж», «Мантикора», «Мир чудес») уже хорошо известна российскому читателю, а теперь настал черед и «Корнишской трилогии». Открыли ее «Мятежные ангелы», продолжил роман «Что в костях заложено» (дошедший до букеровского короткого списка), а завершает «Лира Орфея».Под руководством Артура Корниша и его прекрасной жены Марии Магдалины Феотоки Фонд Корниша решается на небывало амбициозный проект: завершить неоконченную оперу Э. Т. А. Гофмана «Артур Британский, или Великодушный рогоносец». Великая сила искусства — или заложенных в самом сюжете архетипов — такова, что жизнь Марии, Артура и всех причастных к проекту начинает подражать событиям оперы. А из чистилища за всем этим наблюдает сам Гофман, в свое время написавший: «Лира Орфея открывает двери подземного мира», и наблюдает отнюдь не с праздным интересом…

Геннадий Николаевич Скобликов , Робертсон Дэвис

Проза / Классическая проза / Советская классическая проза