White Oleander

Already I've made new fast friends. For instance, the delightful Dan Wiley, #M143522, a strong-arm robber serving twelve years at San Quenttn. Dan the Man, as he calls himself, writes almost daily, a series of rough-trade fantasies in which I am the starring player. The best to date is one in which he sodomites me on the hood of his '32 Mustang while watching the sun go down over Malibu. Doesn't that sound romantic? Did it have a hood ornament that year?

 

A woman just had the Collected Anne Sexton sent. Hallelujah. Finally something else to read. The only books in the prison library without heaving bodices on the covers are a large-print edition of War and Peace and a tattered Jack London. Arf. Arf.

 

Of course, this admirer also had to send a sheaf of the most dreadfulpo-e-tree for my approval. She lives on a farm in Wisconsin, some sort of aged hippie commune, where she spins her own sheep. How could anyone who loves Sexton produce work so unrelievedly bad? I am Womannn, hear me Roarrr. So just roar, please, it would be far less embarrassing for all concerned.

 

However, she believes me to be a prisoner of the patriarchy, a martyr in my own small way. So long as her solidarity includes gifts —power to the people. Free Huey! Free Ingrid Magnussen.

 

Not one word about me. How are you, Astrid? Are you happy? I miss you. It seemed like years since she'd considered the possibility of losing me. I'd returned to the shadows. My job once again was to share in her triumphs, to snicker at her unfortunate admirers with her, a sort of pocket mirror and studio audience. I realized I was exactly where she wanted me, safely unhappy with Marvel Turlock, a prisoner in turquoise, brewing into an artist, someone she might want to know someday. When all I wanted was for her to see me now, the way she saw me that day at the prison. To want to know me, what I thought, how I felt.

 

I wrote to her about Olivia, about another way to be in the world. I inserted drawings of Olivia, lying on the couch pulling magic out of the air. You're not the only beauty in the world, Mother. There is burnished teak as well as alabaster, rippling mahogany as well as silk. And a world of satisfaction where you found only fury and desire. The world parts for Olivia, it lies down at her feet, where you hack through it like a thorn forest.

 

MARVEL MADE ME sit the kids at the park in the long dull summer afternoons, sometimes not picking us up until dinnertime. I was supposed to buy their snacks and help them on the slides, adjudicate their sandbox wars, push them on the swings. Mostly I sat on the rim of the sandbox with the mothers, who ignored me, each in her own way — the Latina teen mothers importantly, proud of their strollers and made up as formally as Kabuki actors, and the older Anglo moms, plain as pancakes, smoking cigarettes and talking about car trouble, man trouble, son trouble. I sketched the women talking, their heads together and apart. They looked like mourners crouched around the foot of the Cross.

 

One of those afternoons, I smelled marijuana on the sluggish air and looked around the playground for the source. Over by the parking lot a group of boys sat on a yellow car, doors cocked, their music piercing the dullness of the day. What I wouldn't give to get high. To be mellow and sympathetic, not jagged and spiteful and ready to smack Justin in the head with his shovel if he whined to me one more time about some kid throwing sand or pushing him off the bars. He was relentless, just like his mother. I tried to remind myself he was only four, but after a while it didn't seem like any excuse.