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“When a man moves his hand with the will of God—then he of rights will be called the Prophet of our beloved Church!” Jubilee had told them. “But … when that man fails time and time again to raise his hand against the Gentiles who caused to suffer the Christ our Lord—the very Gentiles who persecuted and hanged Joseph Smith and his brother Hyrum—then that man no longer carries the will of God mantled about his shoulders!”

“Brigham Young has failed, Colonel!”

He had smiled when that voice raised itself out of the firelit darkness, row upon row of the tight crescent of his faithful gathered at the flaps of his tent. He moved again among them, touching, anointing their heads from the carved clay bottle, blessing them every one, praising them for their good, godly works of terror and bloodletting among the Gentiles, telling each of the place carved out for him in the land of immortal spirits as reward for his defense of the Kingdom against the heathens in this wicked, temporal land of America.

To a man they had willingly pledged themselves to him anew. Impassioned, pledging their service, they would give their lives up for his, so that he might one day right the path of the one true Church for all time and the glory of God’s plan on earth. Their flesh was all any one of them had to offer now that they vowed to abandon the circle of family and friends they would leave behind in the land of Deseret controlled by the crazed and jealous, power-hungry Brigham Young.

“Let Young’s most dangerous fear now become his greatest undoing!” Jubilee had roared at them, his eyes finding those of George, the Negro manservant who dutifully stood nearby, outside the wall tent where the woman lay.

He knew George did not believe in the way of the Church, yet steadfastly believed nonetheless in Jubilee Usher. It did not matter, Usher had decided long ago. For, after all, for those of color—the black African, the red-skinned Indian, and the yellow-hued Oriental—the feet of none were yet taking the right path. None but the white man had been blessed by the Christ and his mighty angels come to visit ancient America. From time to time people of color were placed in Usher’s path to serve him and the greater good Jubilee was to play in this life on earth.

Still grappling with the dog, with one hand now he reached behind him and found the plate of bones George had collected at last night’s supper. Seizing the biggest his fingers could blindly determine, Usher presented his favorite hound a dilemma. Slowly he brought the big bone up before the animal’s eyes, where it could plainly see the temptation. All the while the dog never loosened its tension on the bone held perilously between it and its master’s jaws. Jubilee watched the eyes, glorying in that instantaneous indecision he caused the animal. He saw the first flicker of bestial desire flame into jealousy, then the moment of action as the hound opened its great, salivating jaws and lunged for the bone Usher held in his hand.

As quickly Usher flicked away the temptation.

Rather than chase down the new treat, the hound immediately lunged back for the bone it had been tussling with its master for—yet it too was gone. Usher had risen. All of it in smooth, seemingly orchestrated movements, calculated precisely. Knowing animals the way he did, perhaps Usher was able to read eyes the way he did better than any man he knew—to act before others had time to react.

The menacing growl rumbled from the animal’s throat as it rocked farther back on its legs, as if ready to spring with its teeth exposed, staring up at its master now in anger, robbed of not just one, but both the bones.

“You’d love to gnaw on my flesh, wouldn’t you, Alexander?” he said, reaching out to pat the top of the great head.

The hound snapped at the hand. And as quickly that huge, manicured hand batted the dog’s head aside with a ringing snap. It lay whimpering a moment, sprawled in the grass, then picked itself up, a totally different being from what it had been a moment before: now contrite and pleading for its master’s beneficence. Usher stroked its neck, presenting the hound the bone.

“Go on now, Alexander. There are more where that came from.”

Jubilee straightened and held his hands out before him. George hurried up, a china bowl cradled between his ebony paws like a pale offering of a full moon in the blackness of the firmament, a crisp hand towel draped over one forearm. Usher washed hands and face, dabbed them dry, then dropped the towel over the Negro’s shoulder.

“Time I should awake the woman,” he told no one in particular, as those who had gathered began to move off of their own accord, back to the breaking of camp, the loading of the wagons, and the saddling of horses brought in from the good grass down by the river where they had been hobbled of last night.

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Все книги серии Jonas Hook

Cry of the Hawk
Cry of the Hawk

Forced to serve as a Yankee after his capture at Pea Ridge, Confederate soldier Jonah Hook returns from the war to find his Missouri farm in shambles.From Publishers WeeklySet primarily on the high plains during the 1860s, this novel has the epic sweep of the frontier built into it. Unfortunately, Johnston (the Sons of the Plains trilogy) relies too much on a facile and overfamiliar style. Add to this the overly graphic descriptions of violence, and readers will recognize a genre that seems especially popular these days: the sensational western. The novel opens in the year 1908, with a newspaper reporter Nate Deidecker seeking out Jonah Hook, an aged scout, Indian fighter and buffalo hunter. Deidecker has been writing up firsthand accounts of the Old West and intends to add Hook's to his series. Hook readily agrees, and the narrative moves from its frame to its main canvas. Alas, Hook's story is also conveyed in the third person, thus depriving the reader of the storytelling aspect which, supposedly, Deidecker is privileged to hear. The plot concerns Hook's search for his family--abducted by a marauding band of Mormons--after he serves a tour of duty as a "galvanized" Union soldier (a captured Confederate who joined the Union Army to serve on the frontier). As we follow Hook's bloody adventures, however, the kidnapping becomes almost submerged and is only partially, and all too quickly, resolved in the end. Perhaps Johnston is planning a sequel; certainly the unsatisfying conclusion seems to point in that direction. 

Терри Конрад Джонстон

Вестерн, про индейцев

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Кто я? Что со мной произошло?Ссыльный – всплывает формулировка. За ней следующая: зовут Петр, но последнее время больше Питом звали. Торговал оружием.Нелегально? Или я убил кого? Нет, не могу припомнить за собой никаких преступлений. Но сюда, где я теперь, без криминала не попадают, это я откуда-то совершенно точно знаю. Хотя ощущение, что в памяти до хрена всякого не хватает, как цензура вымарала.Вот еще картинка пришла: суд, читают приговор, дают выбор – тюрьма или сюда. Сюда – это Land of Outlaw, Земля-Вне-Закона, Дикий Запад какой-то, позапрошлый век. А природой на Монтану похоже или на Сибирь Южную. Но как ни назови – зона, каторжный край. Сюда переправляют преступников. Чистят мозги – и вперед. Выживай как хочешь или, точнее, как сможешь.Что ж, попал так попал, и коли пошла такая игра, придется смочь…

Джон Данн Макдональд , Дональд Уэйстлейк , Овидий Горчаков , Эд Макбейн , Элизабет Биварли (Беверли)

Фантастика / Любовные романы / Приключения / Вестерн, про индейцев / Боевая фантастика
Cry of the Hawk
Cry of the Hawk

Forced to serve as a Yankee after his capture at Pea Ridge, Confederate soldier Jonah Hook returns from the war to find his Missouri farm in shambles.From Publishers WeeklySet primarily on the high plains during the 1860s, this novel has the epic sweep of the frontier built into it. Unfortunately, Johnston (the Sons of the Plains trilogy) relies too much on a facile and overfamiliar style. Add to this the overly graphic descriptions of violence, and readers will recognize a genre that seems especially popular these days: the sensational western. The novel opens in the year 1908, with a newspaper reporter Nate Deidecker seeking out Jonah Hook, an aged scout, Indian fighter and buffalo hunter. Deidecker has been writing up firsthand accounts of the Old West and intends to add Hook's to his series. Hook readily agrees, and the narrative moves from its frame to its main canvas. Alas, Hook's story is also conveyed in the third person, thus depriving the reader of the storytelling aspect which, supposedly, Deidecker is privileged to hear. The plot concerns Hook's search for his family--abducted by a marauding band of Mormons--after he serves a tour of duty as a "galvanized" Union soldier (a captured Confederate who joined the Union Army to serve on the frontier). As we follow Hook's bloody adventures, however, the kidnapping becomes almost submerged and is only partially, and all too quickly, resolved in the end. Perhaps Johnston is planning a sequel; certainly the unsatisfying conclusion seems to point in that direction. 

Терри Конрад Джонстон

Вестерн, про индейцев