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Yes, he thought. How he loved gazing upon her skin in the morning, slowly disrobing her, taking her hands and placing them around his own flesh to arouse himself, bring himself to readiness. At long last across these years, he had finally brought her flesh back to a pristine, milky purity by keeping her out of the sun—and the horrendous toll that it took on a woman’s beauty, aging her before her time. Usher had instead stopped the clock, allowing the woman only the shade of a tree, the depths of the shadowy ambulance, or the protection of their oiled tent. With such vigilant protection, she would stay every bit as beautiful as this, for many a year to come.

Her eyes found his as he came in and closed the flaps behind him. Then those same blue eyes crawled to and held the top of the tent. And did not move as he unbuttoned his britches, took her hands, and wrapped the unwilling fingers about his swelling flesh.

Jubilee eagerly set about slowly pulling apart the folds of her sleeping gown, aroused at the pure, unsullied beauty of her.

Truly, this was one woman worthy of him—worthy enough to be the wife of the new Prophet of Zion.

Bull drove the pony relentlessly down into the shallow riverbed, sandy spray glittering like a thousand gold-starred nights in this red-tinged coming of day, galloping to join the rest as they surged down the north bank of the Plum River, completely filling the riverbed, screaming and screeching, their guns barking, iron-tipped arrows snarling in the cool dawn air at the half-a-hundred. Scarlet light played off the ten-foot buffalo lances bedecked with colorful streamers and scalp locks of many hues, every man resplendent in feathers fluttering from rifle barrels brandished overhead as they came on.

Bull was now among them, deep in their throbbing midst, a part of that massive flow like a red tide, a crimson coursing of a heartbeat destined to pound all life right out of the half-a-hundred. The leaders swept close to the sandbar, forcing their wild-eyed cayuses into the river itself, circling north of the island as they dropped to the off side of their ponies, there to hang by nothing more than a heel and wrist clutched in the matted, beribboned manes, from first to last of them firing, yelling, lobbing hissing arrows among what frightened, milling horses the white men had not already killed themselves.

The scene had almost a surreal effect on the young Shahiyena: this great flood of warriors washing over the river valley. Never before had he been part of something so overwhelming, so savage, so undeniable. It not only gave his heart strength for the coming fight, but gave his spirit rebirth for the days to come when he would hunt the one he sought more than any other.

The hundreds had appeared out of the west as if out of nowhere, as if the ground itself sprouted the naked horsemen. Suddenly blooming out of the thickets, up from the streambed itself, they magically appeared at the top of every hill, in every direction as they swarmed toward the helpless whites, every mouth screeching its own irreverent death songs.

There had been no sound when first he had drawn off and stopped to look back on the white men reaching the island—then nothing more than the echo of hammering hooves. But with his next heartbeat, the riverbed flooded with screeching, painted horsemen sweeping past the island. High-Backed Bull had actually felt the breast of the earth tremble beneath his pony’s legs before he urged the animal into that great cavalcade two thousand hooves strong.

Yipping like coyotes out on a bloody spree, waving blankets, firing their bows and rifles, the whole heavy procession became a blurred parade of colors running out in water-strewn streamers of new light seeping into the valley of the Plum River.

As Bull brought his pony about and in a wide sweep to the west once more, to make a second pass along the north end of the island, he caught a glimpse of three of the whites who had not joined the rest among the thrashing carcasses of their horses on the sandbar. While most hurled themselves down in the tall grass and swamp willow, hiding behind the plum brush and the first of the dying horses, there were three who hung back, hugging those murky shadows beneath the low, overhanging riverbank. From there the trio could not be seen by the onrushing warriors until it was too late and the horsemen were directly in the teeth of the white man’s guns.

In the first charge the three had done their greatest damage. As the great red wave split at the western end of the sandbar, the horsemen were forced to veer sharply to drop off the low bank into the dry part of the riverbed. Now a handful of the Shahiyena and Brule already lay in the sand. More fell in their second charge as the three rifles exploded in the face of the red man’s attack, forcing its way down the bank into the very gut of the river itself.

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Все книги серии Jonas Hook

Cry of the Hawk
Cry of the Hawk

Forced to serve as a Yankee after his capture at Pea Ridge, Confederate soldier Jonah Hook returns from the war to find his Missouri farm in shambles.From Publishers WeeklySet primarily on the high plains during the 1860s, this novel has the epic sweep of the frontier built into it. Unfortunately, Johnston (the Sons of the Plains trilogy) relies too much on a facile and overfamiliar style. Add to this the overly graphic descriptions of violence, and readers will recognize a genre that seems especially popular these days: the sensational western. The novel opens in the year 1908, with a newspaper reporter Nate Deidecker seeking out Jonah Hook, an aged scout, Indian fighter and buffalo hunter. Deidecker has been writing up firsthand accounts of the Old West and intends to add Hook's to his series. Hook readily agrees, and the narrative moves from its frame to its main canvas. Alas, Hook's story is also conveyed in the third person, thus depriving the reader of the storytelling aspect which, supposedly, Deidecker is privileged to hear. The plot concerns Hook's search for his family--abducted by a marauding band of Mormons--after he serves a tour of duty as a "galvanized" Union soldier (a captured Confederate who joined the Union Army to serve on the frontier). As we follow Hook's bloody adventures, however, the kidnapping becomes almost submerged and is only partially, and all too quickly, resolved in the end. Perhaps Johnston is planning a sequel; certainly the unsatisfying conclusion seems to point in that direction. 

Терри Конрад Джонстон

Вестерн, про индейцев

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Вне закона
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Кто я? Что со мной произошло?Ссыльный – всплывает формулировка. За ней следующая: зовут Петр, но последнее время больше Питом звали. Торговал оружием.Нелегально? Или я убил кого? Нет, не могу припомнить за собой никаких преступлений. Но сюда, где я теперь, без криминала не попадают, это я откуда-то совершенно точно знаю. Хотя ощущение, что в памяти до хрена всякого не хватает, как цензура вымарала.Вот еще картинка пришла: суд, читают приговор, дают выбор – тюрьма или сюда. Сюда – это Land of Outlaw, Земля-Вне-Закона, Дикий Запад какой-то, позапрошлый век. А природой на Монтану похоже или на Сибирь Южную. Но как ни назови – зона, каторжный край. Сюда переправляют преступников. Чистят мозги – и вперед. Выживай как хочешь или, точнее, как сможешь.Что ж, попал так попал, и коли пошла такая игра, придется смочь…

Джон Данн Макдональд , Дональд Уэйстлейк , Овидий Горчаков , Эд Макбейн , Элизабет Биварли (Беверли)

Фантастика / Любовные романы / Приключения / Вестерн, про индейцев / Боевая фантастика
Cry of the Hawk
Cry of the Hawk

Forced to serve as a Yankee after his capture at Pea Ridge, Confederate soldier Jonah Hook returns from the war to find his Missouri farm in shambles.From Publishers WeeklySet primarily on the high plains during the 1860s, this novel has the epic sweep of the frontier built into it. Unfortunately, Johnston (the Sons of the Plains trilogy) relies too much on a facile and overfamiliar style. Add to this the overly graphic descriptions of violence, and readers will recognize a genre that seems especially popular these days: the sensational western. The novel opens in the year 1908, with a newspaper reporter Nate Deidecker seeking out Jonah Hook, an aged scout, Indian fighter and buffalo hunter. Deidecker has been writing up firsthand accounts of the Old West and intends to add Hook's to his series. Hook readily agrees, and the narrative moves from its frame to its main canvas. Alas, Hook's story is also conveyed in the third person, thus depriving the reader of the storytelling aspect which, supposedly, Deidecker is privileged to hear. The plot concerns Hook's search for his family--abducted by a marauding band of Mormons--after he serves a tour of duty as a "galvanized" Union soldier (a captured Confederate who joined the Union Army to serve on the frontier). As we follow Hook's bloody adventures, however, the kidnapping becomes almost submerged and is only partially, and all too quickly, resolved in the end. Perhaps Johnston is planning a sequel; certainly the unsatisfying conclusion seems to point in that direction. 

Терри Конрад Джонстон

Вестерн, про индейцев