Читаем Winter Rain полностью

Its echo floated downstream toward the island. Looking now at the trees near the mouth of that ravine at the great bend in the riverbed, he found he could not see anything to give him the faintest clue what Roman Nose and the other chiefs were doing with the hundreds of horsemen who had disappeared from view what seemed like a long, long time ago.

From the corner of his eye, Bull caught the movement against the pale sky and turned to see a handful of feathered war chiefs crowning a nearby hill, all of them gazing at the sandbar, as if studying the defenders on the island. Then, as suddenly as they had appeared, they too slipped out of sight.

“I think they want to see how many of these white men can still hold a rifle,” he told no one but himself.

Something would spring loose soon, he prayed, now that Roman Nose had come. Then his heart sank. Of all the emotions Bull felt at that moment in the brush beside the island—anger, desperation, hate, even some fear—it was sadness that most filled his heart as his thoughts hung on Roman Nose, the way his legging fringe would catch on brambles, or snag on cockleburs. Sadness that Roman Nose had finally come to lead these warriors—when it meant his own death.

A part of him grappled with that—not wanting to believe, as Roman Nose believed, in the power of an old Lakota woman’s iron fork. Surely the might of Roman Nose would prove stronger!

Yet if the war chief’s water spirits had told him—it must be.

Bull’s heart sank again as his eyes peered across the riverbed to the far side. On both sides the banks rose slightly higher than the sandy island itself, giving the Lakota and Shahiyena snipers an ideal field of fire. All morning long they had forced the white men to stay hidden for the most part, down in their pits and low behind the bodies of their dead animals.

“That place where the white men burrow like mice will soon reek of rotting horses,” he said to himself in what little shade he had found in the brush as the sun rose directly overhead. And in saying it, he hoped the white men would all be killed long before the big carcasses began to bloat and stink.

He saw a few of the whites momentarily poke their heads from their rifle pits, staring upstream beneath shading hands flat against their brows. At almost the same moment, Bull felt it beneath him—sensed it in his legs: the electrifying pulsations trembling up from the ground into his own body. He felt them coming before he had even heard them.

The thunder of more than two thousand hooves.

He heard them scant heartbeats before he saw them.

Slowly rising to his feet there in the brush, Bull found the sight hard to believe, felt more joy than he sensed his heart could hold. Of all the pony raids, and scalp hunts, and revenge raids they had made on the frontier settlements … still nothing had prepared the young warrior for what it was that galloped around the far bend in the wide riverbed.

From bank to bank the front row of horsemen stretched some sixty warriors strong. Directly behind them came row upon galloping row of riders. Eagle feathers fluttered on the hot breeze. Scalp locks of many hues, tied to rifle muzzles, caught the morning’s wind. Their loose and braided and roached hair was plastered with grease, some standing as a provocative challenge to any would-be scalp-taker, all danced with the rhythm of the charge.

Even at this great distance Bull could see every pony had been painted with potent symbols. Still more many-colored scalp locks hung pendant from lower jaws, every tail was snubbed—tied up for war in red ribbon or trade cloth. Their bows, along with old Springfield muzzle loaders and a scattering of repeaters, were all brandished aloft as the horsemen came on in a splashy cavalcade, held in check by the only man on the northern plains who could hold these warriors in such an orderly, massed charge.

“Roman Nose!” Bull whispered in awe as his eyes found the tall war chief at the center of that front row.

He knew him instantly, not only by the horned headdress and the brilliant scarlet silk sash tied at the waist, but by the great gobs of red paint the war chief had used to encircle that summer’s pale pucker-scars fresh from the sun dance held on the banks of the Beaver River. On his face he had painted the patterns prescribed by the spirit helpers in the war chief’s visions: great streaks of ox blood across his eyes, yellow-ocher brushed across his cheeks, a black smear painted down his chin. Bright, unmistakable colors he had worn into so many battles. And this was to be his last.

“Aiyeee-yi-yi-yi!” Bull cried at the advancing front of copper-skinned bodies, choking on the sentiment he felt for the valiant war chief.

More so he raised his voice in salute to the one who rode to his death. Proudly. Bravely. A leader of his people to the last. A man who had refused to take a wife, to have his own family—believing instead that the entire tribe was his own to watch over and protect.

Перейти на страницу:

Все книги серии Jonas Hook

Cry of the Hawk
Cry of the Hawk

Forced to serve as a Yankee after his capture at Pea Ridge, Confederate soldier Jonah Hook returns from the war to find his Missouri farm in shambles.From Publishers WeeklySet primarily on the high plains during the 1860s, this novel has the epic sweep of the frontier built into it. Unfortunately, Johnston (the Sons of the Plains trilogy) relies too much on a facile and overfamiliar style. Add to this the overly graphic descriptions of violence, and readers will recognize a genre that seems especially popular these days: the sensational western. The novel opens in the year 1908, with a newspaper reporter Nate Deidecker seeking out Jonah Hook, an aged scout, Indian fighter and buffalo hunter. Deidecker has been writing up firsthand accounts of the Old West and intends to add Hook's to his series. Hook readily agrees, and the narrative moves from its frame to its main canvas. Alas, Hook's story is also conveyed in the third person, thus depriving the reader of the storytelling aspect which, supposedly, Deidecker is privileged to hear. The plot concerns Hook's search for his family--abducted by a marauding band of Mormons--after he serves a tour of duty as a "galvanized" Union soldier (a captured Confederate who joined the Union Army to serve on the frontier). As we follow Hook's bloody adventures, however, the kidnapping becomes almost submerged and is only partially, and all too quickly, resolved in the end. Perhaps Johnston is planning a sequel; certainly the unsatisfying conclusion seems to point in that direction. 

Терри Конрад Джонстон

Вестерн, про индейцев

Похожие книги

Вне закона
Вне закона

Кто я? Что со мной произошло?Ссыльный – всплывает формулировка. За ней следующая: зовут Петр, но последнее время больше Питом звали. Торговал оружием.Нелегально? Или я убил кого? Нет, не могу припомнить за собой никаких преступлений. Но сюда, где я теперь, без криминала не попадают, это я откуда-то совершенно точно знаю. Хотя ощущение, что в памяти до хрена всякого не хватает, как цензура вымарала.Вот еще картинка пришла: суд, читают приговор, дают выбор – тюрьма или сюда. Сюда – это Land of Outlaw, Земля-Вне-Закона, Дикий Запад какой-то, позапрошлый век. А природой на Монтану похоже или на Сибирь Южную. Но как ни назови – зона, каторжный край. Сюда переправляют преступников. Чистят мозги – и вперед. Выживай как хочешь или, точнее, как сможешь.Что ж, попал так попал, и коли пошла такая игра, придется смочь…

Джон Данн Макдональд , Дональд Уэйстлейк , Овидий Горчаков , Эд Макбейн , Элизабет Биварли (Беверли)

Фантастика / Любовные романы / Приключения / Вестерн, про индейцев / Боевая фантастика
Cry of the Hawk
Cry of the Hawk

Forced to serve as a Yankee after his capture at Pea Ridge, Confederate soldier Jonah Hook returns from the war to find his Missouri farm in shambles.From Publishers WeeklySet primarily on the high plains during the 1860s, this novel has the epic sweep of the frontier built into it. Unfortunately, Johnston (the Sons of the Plains trilogy) relies too much on a facile and overfamiliar style. Add to this the overly graphic descriptions of violence, and readers will recognize a genre that seems especially popular these days: the sensational western. The novel opens in the year 1908, with a newspaper reporter Nate Deidecker seeking out Jonah Hook, an aged scout, Indian fighter and buffalo hunter. Deidecker has been writing up firsthand accounts of the Old West and intends to add Hook's to his series. Hook readily agrees, and the narrative moves from its frame to its main canvas. Alas, Hook's story is also conveyed in the third person, thus depriving the reader of the storytelling aspect which, supposedly, Deidecker is privileged to hear. The plot concerns Hook's search for his family--abducted by a marauding band of Mormons--after he serves a tour of duty as a "galvanized" Union soldier (a captured Confederate who joined the Union Army to serve on the frontier). As we follow Hook's bloody adventures, however, the kidnapping becomes almost submerged and is only partially, and all too quickly, resolved in the end. Perhaps Johnston is planning a sequel; certainly the unsatisfying conclusion seems to point in that direction. 

Терри Конрад Джонстон

Вестерн, про индейцев