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A sworn enemy of the white man.

And in that moment Bull felt the certainty of it reach the very marrow of him: come the death of Roman Nose, that powerful spirit, that all-consuming hatred of the whiteskins would come to seize control of High-Backed Bull.

Rifle fire suddenly crackled from the creekbanks, increasing to a fiery intensity. It was plain to Bull as he ducked back into the plum brush that the snipers intended to force the white men to keep their heads down under a deadly barrage of lead hail. Still, that roar of the guns could not drown out the growing crescendo of pounding hooves bearing down on that narrow, unprotected mound of river sand and summer-washed gravel in a riverbed the white man called the Arikaree.

Then as suddenly as the rattle of rifle fire from the banks had resumed, it withered away into a frightening, stone-cold silence. No more than a breath later arose the first of the wild cries bursting from the women and old ones gathered on the surrounding hilltops. Another breath and their eerie, keening blood-songs rose in volume, rose to become a swelling death chorus enough to chill the blood of any white man still alive on that island.

Swallowing hard, his mouth gone dry at the mere sight of the oncoming charge, Bull looked back to the oncoming horsemen. Lazy, oily smoke drifting from the silenced Indian rifles wisped in dark clots across the steamy riverbed as row upon row of horsemen followed Roman Nose downstream toward his appointed moment with destiny.

Something told Bull as he watched that advancing phalanx of brown-skinned cavalry that he was seeing history made. Not just the fact that Roman Nose would ride directly into the teeth of those white-man guns … but that no man, white nor red, had ever before seen Dog Soldiers execute an orderly, massed charge. Like the white man’s own yellow-leg cavalry!

They would talk of this day, speak of this moment for generations to come among the Shahiyena.

Then a flicker of movement at the end of the island caught his attention. One of the white men dressed in soldier-blue rose slightly, as if in pain, his pistol in his hand. Turning, he gazed over those huddled in the rifle pits dug in a rough oval along the length of the narrow sandbar.

The white war chief, this one, Bull decided.

He stood above his half-a-hundred and bellowed his order above the thundering approach of the two thousand hooves.

“Now!”

With that command, some forty guns exploded on the island, their muzzles spewing brilliant tongues of yellow and orange-tinted fire.

Their first volley unhorsed but two riders.

On came the rest with even more resolve, racing into the face of those forty guns. Kicking their ponies into a full gallop without slowing for the two who had fallen.

Roman Nose spat back at the white man’s rifle fire with an unearthly war cry, popping his hand against his mouth as he arched his head back, flinging his death curse at the heavens.

In no more than a pounding heartbeat that blood-crazed cry was taken up by the five hundred who rode with him. Above the riverbed charge the hilltops reverberated as the renewed chant thundered from the throats of the women and old ones.

“Again!” the white chief screamed.

A second volley roared from the sandbar. The smoke from all those weapons hung in tatters in the still, breathless air above the white riflemen, staining the pale sky an oily, murky, smutty gray.

“Fire, by damned!” And another white man in soldier-blue had risen to holler his order to the others.

More horsemen spilled this second volley, their riderless ponies coming on with the mass flanks of the rest. The whole of them charged without slowing, heeding not the rifles nor their own fallen. Those throaty cries for blood redoubled now as gaps were ripped open in their ranks—yet every bit as quickly those holes filled anew with warriors surging up from behind. The copper phalanx quickly made solid once more.

Bull’s heart swelled at the sight, burned with pride at the fearless oncoming despite the wavering of their snorting ponies. A few animals stumbled on the uneven river bottom and tumbled into others. But ever onward the slashing hooves pounded, new horsemen and mounts come to take the place of those who went by the wayside. Glittering diamondlike river spray and mica-fine rooster tails of gold dust cascaded heavenward in the high sunlight of this momentous day.

Now!

The first soldier chief’s command had barely escaped his lips before the sandbar ignited for the third volley into the face of the five hundred.

The phalanx surged even closer now. Bull judged it to be something less than two arrow-shots from the end of the island. Certainly killing range for the white man’s big guns. With every one of the white man’s bullets, surely the horsemen had to fall.

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Все книги серии Jonas Hook

Cry of the Hawk
Cry of the Hawk

Forced to serve as a Yankee after his capture at Pea Ridge, Confederate soldier Jonah Hook returns from the war to find his Missouri farm in shambles.From Publishers WeeklySet primarily on the high plains during the 1860s, this novel has the epic sweep of the frontier built into it. Unfortunately, Johnston (the Sons of the Plains trilogy) relies too much on a facile and overfamiliar style. Add to this the overly graphic descriptions of violence, and readers will recognize a genre that seems especially popular these days: the sensational western. The novel opens in the year 1908, with a newspaper reporter Nate Deidecker seeking out Jonah Hook, an aged scout, Indian fighter and buffalo hunter. Deidecker has been writing up firsthand accounts of the Old West and intends to add Hook's to his series. Hook readily agrees, and the narrative moves from its frame to its main canvas. Alas, Hook's story is also conveyed in the third person, thus depriving the reader of the storytelling aspect which, supposedly, Deidecker is privileged to hear. The plot concerns Hook's search for his family--abducted by a marauding band of Mormons--after he serves a tour of duty as a "galvanized" Union soldier (a captured Confederate who joined the Union Army to serve on the frontier). As we follow Hook's bloody adventures, however, the kidnapping becomes almost submerged and is only partially, and all too quickly, resolved in the end. Perhaps Johnston is planning a sequel; certainly the unsatisfying conclusion seems to point in that direction. 

Терри Конрад Джонстон

Вестерн, про индейцев

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Кто я? Что со мной произошло?Ссыльный – всплывает формулировка. За ней следующая: зовут Петр, но последнее время больше Питом звали. Торговал оружием.Нелегально? Или я убил кого? Нет, не могу припомнить за собой никаких преступлений. Но сюда, где я теперь, без криминала не попадают, это я откуда-то совершенно точно знаю. Хотя ощущение, что в памяти до хрена всякого не хватает, как цензура вымарала.Вот еще картинка пришла: суд, читают приговор, дают выбор – тюрьма или сюда. Сюда – это Land of Outlaw, Земля-Вне-Закона, Дикий Запад какой-то, позапрошлый век. А природой на Монтану похоже или на Сибирь Южную. Но как ни назови – зона, каторжный край. Сюда переправляют преступников. Чистят мозги – и вперед. Выживай как хочешь или, точнее, как сможешь.Что ж, попал так попал, и коли пошла такая игра, придется смочь…

Джон Данн Макдональд , Дональд Уэйстлейк , Овидий Горчаков , Эд Макбейн , Элизабет Биварли (Беверли)

Фантастика / Любовные романы / Приключения / Вестерн, про индейцев / Боевая фантастика
Cry of the Hawk
Cry of the Hawk

Forced to serve as a Yankee after his capture at Pea Ridge, Confederate soldier Jonah Hook returns from the war to find his Missouri farm in shambles.From Publishers WeeklySet primarily on the high plains during the 1860s, this novel has the epic sweep of the frontier built into it. Unfortunately, Johnston (the Sons of the Plains trilogy) relies too much on a facile and overfamiliar style. Add to this the overly graphic descriptions of violence, and readers will recognize a genre that seems especially popular these days: the sensational western. The novel opens in the year 1908, with a newspaper reporter Nate Deidecker seeking out Jonah Hook, an aged scout, Indian fighter and buffalo hunter. Deidecker has been writing up firsthand accounts of the Old West and intends to add Hook's to his series. Hook readily agrees, and the narrative moves from its frame to its main canvas. Alas, Hook's story is also conveyed in the third person, thus depriving the reader of the storytelling aspect which, supposedly, Deidecker is privileged to hear. The plot concerns Hook's search for his family--abducted by a marauding band of Mormons--after he serves a tour of duty as a "galvanized" Union soldier (a captured Confederate who joined the Union Army to serve on the frontier). As we follow Hook's bloody adventures, however, the kidnapping becomes almost submerged and is only partially, and all too quickly, resolved in the end. Perhaps Johnston is planning a sequel; certainly the unsatisfying conclusion seems to point in that direction. 

Терри Конрад Джонстон

Вестерн, про индейцев