Загадка народа-сфинкса. Рассказы о крестьянах и их социокультурные функции в Российской империи до отмены крепостного права

Horbatsch K. Die russischen und ukrainischen Volkserzählungen von Marko Vovčok. Frankfurt am Main, 1978.

Ilchuk Y. Nikolai Gogol: Performing Hybrid Identity. Toronto, 2020.

Inwood M. J. A Hegel Dictionary. Oxford, 1993.

Jaeschke W. Die gedoppelte Schönheit. Idee des Schönen oder Selbstbewusstsein des Geistes? // Gebrochene Schönheit: Hegels Ästhetik – Kontexte und Rezeptionen / Hrsg. von J. Zovko, G. Kruck, A. Arndt. Berlin, 2014. S. 17–29.

Jameson F. Antinomies of Realism. London, 2011.

Jameson F. The Political Unconscious: Narrative as a Socially Symbolic Act. Ithaca, NY, 1982.

Jenkins M. Pisemsky’s Bitter Fate. The First Outstanding Drama of Russian Peasant Life // Canadian Slavonic Papers. 1958. № 3. P. 76–88.

Julien E. The Extroverted African Novel // The Novel. Vols 1–2 / Ed. by F. Moretti. Princeton, 2006. Vol. 1. P. 667–700.

Kahn A., Lipovetsky M., Reyfman I., Sandler S. A History of Russian Literature. Oxford, 2018.

Klenin E. On the Ideological Sources of Čto delat’?: Sand, Družinin, Leroux // Zeitschrift für slavische Philologie. 1991. Bd. 51. № 2. S. 385–397.

Kliger I. Genre and Actuality in Belinskii, Herzen, and Goncharov: Toward a Genealogy of the Tragic Pattern in Russian Realism // Slavic Review. Vol. 70. № 1. Р. 45–66.

Kliger I. Hegel’s Political Philosophy and the Social Imaginary of Early Russian Realism // Studies in East European Thought. 2013. Vol. 65. № 3/4. P. 189–199.

Knight N. Science, Empire and Nationality: Ethnography in the Russian Geographical Society, 1845–1855 // Imperial Russia: New Histories for the Empire / Ed. by J. Burbank, D. L. Ransel. Bloomington, 1998.

Koropeckyj R. Desire and Procreation in the Ukrainian Tales of Hryhorii Kvitka-Osnov’ianenko // Canadian Slavonic Papers. 2002. Vol. 44. № 3–4. P. 165–173.

Lane B. George Sand, «ethnographe» et utopiste: rhétorique de l’imaginaire // Revue des sciences humaines. 1992. Vol. 26. P. 135–160.

Lauster M. Sketches of the Nineteenth Century: European Journalism and Its Physiologies, 1830–50. N. Y., 2007.

Leech G., Short M. Style in Fiction. A Linguistic Introduction to English Fictional Prose. Pearson, Longman, 2001.

Lincoln W. B. In the Vanguard of Reform. Russia’s Enlightened Bureaucrats, 1825–1861. DeKalb, 1982.

Lounsbery A. Life Is Elsewhere. Symbolic Geography in the Russian Provinces. Ithaca, 2019.

Lovell S. Stenography and the Public Sphere in Modern Russia // Cahiers du Monde russe. 2015. Vol. 56. № 2/3. Avril – septembre. P. 291–325.

Lucey C. Love for Sale: Representing Prostitution in Imperial Russia. Ithaca, 2021.

Lyons M. Readers and Society in Nineteenth-Century France: Workers, Women, Peasants. London, 2001.

Maiorova O. From the Shadow of Empire: Defining the Russian Nation through Cultural Mythology, 1855–1870s. Madison, 2010.

Martynenko A. What is Russian Elegy? Computational Study of a Nineteenth-Century Poetic Genre // CEUR Workshop Proceedings. 2021. № 2865. P. 98–107.

Masing-Delic I. Philosophy, Myth and Art in Turgenev’s Sketches from a Hunter’s Album // The Russian Review. 1991. Vol. 50. № 4. P. 437–450.

McGushin E. Foucault’s theory and practice of subjectivity // Michel Foucault: Key Concepts / Ed. by D. Taylor. Durham, 2011. P. 130–134.

McWilliam N. Pierre Leroux and the Aesthetics of Humanité // Idem. Dreams of Happiness. Social Art and the French Left, 1830–1850. Princeton, 1993. P. 160–181.

Melcher E. The life and times of Henry Monnier. Cambridge, MA, 1950.

Moon D. Russian Peasants and Tsarist Legislation on the Eve of Reform: Interaction Between Peasantry and Officialdom, 1825–1855. Houndmills, 1992.

Moon D. The Russian Peasantry 1600–1930: The World the Peasant Made. London; N. Y., 1999.

Moretti F. Graphs, Maps, Trees. Abstract Models for Literary History. London, 2005.

Moretti F. Signs Taken for Wonders: Essays in the Sociology of Literary Forms / Transl. by S. Fischer, D. Forgacs, D. Miller. London, 1997.

Moretti F. The Way of the World. The Bildungsroman in European Culture. New ed. London; N. Y., 2000.

Morgan P. The Critical Idyll: Traditional Values and the French Revolution in Goethe’s Hermann und Dorothea. N. Y., 1990.

Mozet N. George Sand. Écrivain de romans. Saint-Cyr-sur-Loire, 1997.

Newlin T. Peasant Dreams, Peasant Nightmares: On Tolstoy and Cross-Dressing // The Russian Review. 2019. Vol. 78. № 4. P. 595–618.

Norris S. M. A War of Images: Russian Popular Prints, Wartime Culture, and National Identity, 1812–1945. DeKalb, 2006.

Novak D. A. Realism, Photography, and Nineteenth-Century Fiction. Cambridge, 2008.