Mythical beings give themselves away by the noises they make (they whistle, laugh, clap their hands, etc.). If a human catches their attention, certain mythical creatures will repeat the human’s words over and over, like an echo. Baba Yaga uses repetitious phrases and can be recognised by her remarkable wheezing breath: ‘Oof… oof… oof.’ Many of those attributes – specifically ‘noisiness’, hand-clapping, whistling, repeating words (echolalia) – could be put down to autism, while simple infirmity, difficulties with walking, blindness and dementia were due to sheer old age. In folklore, however, such longevity has been crowned with a mythic halo. This is why it is believed that witches live ‘for a very long time indeed’, longer than mere mortals, and ‘give up the ghost’ only with great difficulty. Baba Yaga herself is about a hundred years old. There is a folk belief that witches continue to do evil after they are dead. Therefore, when a witch dies, ‘it is worth slitting the tendons at their ankles and under their knees with a black-handled knife so that she will not return home from the grave and do people harm’.[23]
In some areas of Slavic folklore, Baba Yaga is considered to be the ‘aunt of all witches’; elsewhere she is seen as the ‘mistress of all witches’, or even as ‘the devil’s sister’, while in Belarus, she has a difficult role to play: death delivers the souls of the deceased to Baba Yaga, and she and her underling witches have to feed these souls until they gain the requisite feathery lightness.
Now we come to the first, and completely random, correspondences between your author’s manuscript and Baba Yaga. It is not without significance that the author gave one of her heroines, Pupa, a medical vocation: gynaecology. Midwives, sorceresses, healers, ‘witches’ all had an important and irreplaceable role in childbirth.
Although the physical appearance of your author’s heroines has no link with the aforementioned signs for recognising witches – otherwise every older woman could be a witch – let us mention some details anyway. The author’s mother wears a wig and often lets out a sort of groaning noise – uh-hu-uh-hu! Baba Yaga is well known for her puffing: Oof, oof, oof! Pupa has a beak-like nose, she is uncommonly thin, half-blind and highly sensitive to smells. Kukla has big feet. Beba has conspicuously large breasts and the little girl Wawa has eyebrows that meet in the middle.
By the way, in not-so-far-off times, all middle-aged women were bound to look like ‘witches’. Our own time is char ac terised by panic over ageing, obsessive efforts to delay and disguise the onset of old age. Fear of ageing is one of the strongest phobias among contemporary women, and increasingly among men as well. This very fear gives powerful impetus to the cosmetics industry. Naturally, the ‘anti-Baba Yaga’ industry feeds this fear and lives off and by it.
Hair removers help to keep our skin smooth: they lift the hairs from joined-up eyebrows, moustaches, whiskers from our chins, armpits and legs (no more
To end with, let us just add – as solace for witches! – that a negligible minority of humankind (let’s call them ‘vampires’) still drinks the blood of the majority of humankind (let’s call them ‘donors’), and does it so ‘innocently’, through a clear plastic tube, just as if they were sucking juice through a humble straw.
THE HUT
‘The fence around the hut is made of human bones, skulls with eyes intact are stuck on the posts: instead of bolts on the gate – human legs; instead of a latch on the door – a hand; instead of a lock – a mouth full of sharp teeth.’