Читаем Baba Yaga Laid an Egg полностью

Mythical beings give themselves away by the noises they make (they whistle, laugh, clap their hands, etc.). If a human catches their attention, certain mythical creatures will repeat the human’s words over and over, like an echo. Baba Yaga uses repetitious phrases and can be recognised by her remarkable wheezing breath: ‘Oof… oof… oof.’ Many of those attributes – specifically ‘noisiness’, hand-clapping, whistling, repeating words (echolalia) – could be put down to autism, while simple infirmity, difficulties with walking, blindness and dementia were due to sheer old age. In folklore, however, such longevity has been crowned with a mythic halo. This is why it is believed that witches live ‘for a very long time indeed’, longer than mere mortals, and ‘give up the ghost’ only with great difficulty. Baba Yaga herself is about a hundred years old. There is a folk belief that witches continue to do evil after they are dead. Therefore, when a witch dies, ‘it is worth slitting the tendons at their ankles and under their knees with a black-handled knife so that she will not return home from the grave and do people harm’.[23]

In some areas of Slavic folklore, Baba Yaga is considered to be the ‘aunt of all witches’; elsewhere she is seen as the ‘mistress of all witches’, or even as ‘the devil’s sister’, while in Belarus, she has a difficult role to play: death delivers the souls of the deceased to Baba Yaga, and she and her underling witches have to feed these souls until they gain the requisite feathery lightness.

Remarks

Now we come to the first, and completely random, correspondences between your author’s manuscript and Baba Yaga. It is not without significance that the author gave one of her heroines, Pupa, a medical vocation: gynaecology. Midwives, sorceresses, healers, ‘witches’ all had an important and irreplaceable role in childbirth.

Although the physical appearance of your author’s heroines has no link with the aforementioned signs for recognising witches – otherwise every older woman could be a witch – let us mention some details anyway. The author’s mother wears a wig and often lets out a sort of groaning noise – uh-hu-uh-hu! Baba Yaga is well known for her puffing: Oof, oof, oof! Pupa has a beak-like nose, she is uncommonly thin, half-blind and highly sensitive to smells. Kukla has big feet. Beba has conspicuously large breasts and the little girl Wawa has eyebrows that meet in the middle.

By the way, in not-so-far-off times, all middle-aged women were bound to look like ‘witches’. Our own time is char ac terised by panic over ageing, obsessive efforts to delay and disguise the onset of old age. Fear of ageing is one of the strongest phobias among contemporary women, and increasingly among men as well. This very fear gives powerful impetus to the cosmetics industry. Naturally, the ‘anti-Baba Yaga’ industry feeds this fear and lives off and by it.

Hair removers help to keep our skin smooth: they lift the hairs from joined-up eyebrows, moustaches, whiskers from our chins, armpits and legs (no more shaggy thighs!), and the latest fashion is not only for removing the shameful hair but for styling it. Wigs, hair restoration and transplants have practically done away with female baldness. Dental implants have put a stop to toothlessness, and if they had been invented in the times when artists’ canvas overflowed with portraits of lovely ladies, their faces would have stretched in beaming grins; instead, they all had pursed lips or wore an enigmatic smile like the Mona Lisa. The cosmetics industry, the growth of plastic surgery, along with its increasing affordability: all this is changing the physical appearance of the inhabitants of the richer portions of the globe. The recent achievement of the first face transplant may stimulate a new appetite: for a total makeover, the transform ation of mortal ‘frogs’ into deathless ‘princesses’. The age-old belief that witches drink blood has turned, today, into the real and highly profitable practice of blood transfusion or replacement, a therapy that is widely believed to rejuvenate the organism and prolong life. Only rich people can indulge in such treatments, which they do in exclusive private clinics. The Astana cycling team from Kazakhstan and its star Aleksandr Vinokurov were asked to withdraw from the Tour de France in 2007 after Vinokurov tested positive for using blood transfusions as doping.

To end with, let us just add – as solace for witches! – that a negligible minority of humankind (let’s call them ‘vampires’) still drinks the blood of the majority of humankind (let’s call them ‘donors’), and does it so ‘innocently’, through a clear plastic tube, just as if they were sucking juice through a humble straw.

THE HUT

‘The fence around the hut is made of human bones, skulls with eyes intact are stuck on the posts: instead of bolts on the gate – human legs; instead of a latch on the door – a hand; instead of a lock – a mouth full of sharp teeth.’

* * *

Перейти на страницу:

Похожие книги

Текст
Текст

«Текст» – первый реалистический роман Дмитрия Глуховского, автора «Метро», «Будущего» и «Сумерек». Эта книга на стыке триллера, романа-нуар и драмы, история о столкновении поколений, о невозможной любви и бесполезном возмездии. Действие разворачивается в сегодняшней Москве и ее пригородах.Телефон стал для души резервным хранилищем. В нем самые яркие наши воспоминания: мы храним свой смех в фотографиях и минуты счастья – в видео. В почте – наставления от матери и деловая подноготная. В истории браузеров – всё, что нам интересно на самом деле. В чатах – признания в любви и прощания, снимки соблазнов и свидетельства грехов, слезы и обиды. Такое время.Картинки, видео, текст. Телефон – это и есть я. Тот, кто получит мой телефон, для остальных станет мной. Когда заметят, будет уже слишком поздно. Для всех.

Дмитрий Алексеевич Глуховский , Дмитрий Глуховский , Святослав Владимирович Логинов

Детективы / Современная русская и зарубежная проза / Социально-психологическая фантастика / Триллеры
Жизнь за жильё. Книга вторая
Жизнь за жильё. Книга вторая

Холодное лето 1994 года. Засекреченный сотрудник уголовного розыска внедряется в бокситогорскую преступную группировку. Лейтенант милиции решает захватить с помощью бандитов новые торговые точки в Питере, а затем кинуть братву под жернова правосудия и вместе с друзьями занять освободившееся место под солнцем.Возникает конфликт интересов, в который втягивается тамбовская группировка. Вскоре в городе появляется мощное охранное предприятие, которое станет известным, как «ментовская крыша»…События и имена придуманы автором, некоторые вещи приукрашены, некоторые преувеличены. Бокситогорск — прекрасный тихий городок Ленинградской области.И многое хорошее из воспоминаний детства и юности «лихих 90-х» поможет нам сегодня найти опору в свалившейся вдруг социальной депрессии экономического кризиса эпохи коронавируса…

Роман Тагиров

Современная русская и зарубежная проза