Bird box

Malorie hears something so astonishing that she is halted midway across the floor.

Olympia is gnawing at something. She knows it’s the child’s cord.

Her stomach turns. She keeps her eyes closed tight. She’s going to throw up.

“Can I see her?” Malorie manages to ask.

“Here. Here!” Olympia says. “Look at her. Look at her!”

At last, Malorie’s hands are on Olympia’s baby. It’s a girl.

Olympia stands up. It sounds like she steps in a rain puddle. It’s blood, Malorie knows. Afterbirth, sweat, and blood.

“Thank you,” Malorie whispers. “Thank you, Olympia.”

This action, this handing off of her child, will always shine to Malorie. The moment Olympia did right by her child despite having lost her mind.

Malorie ties the second piece of towel around the baby’s eyes.

Olympia shuffles toward the draped window. To where Gary stands.

The thing waits behind Malorie and is still.

Malorie grips both babies, shielding their eyes even more with her bloody, wet fingers. Both babies cry.

And suddenly Olympia is struggling with something, sliding something.

Like she’s climbing now.

“Olympia?”

It sounds like Olympia is setting something up.

“Olympia? What are you doing, Olympia? Gary, stop her. Please, Gary.”

Her words are useless. Gary is the maddest of all.

“I’m going outside, sir,” Olympia says to Gary, who must be near. “I’ve been inside a long time.”

“Olympia, stop.”

“I’m going to step OUTSIDE,” she says, her voice at once like a child and a centenarian on her deathbed.

“Olympia!”

It’s too late. Malorie hears the glass of the attic window shatter. Something bangs against the house.

Silence. From downstairs. From the attic. Then Gary speaks.

“She hangs! She hangs by her cord!”

Don’t. Please, God, don’t let this man describe it to me.

“She hangs by her cord! The most incredible thing I’ve ever seen! She hangs by her cord!”

There is laughter, joy in his voice.

The thing moves behind her. Malorie is at the epicenter of all this madness. Old madness. The kind people used to get from war, divorce, poverty, and things like knowing that your friend is—

“Hanging by her cord! By her cord!”

“Shut up!” Malorie screams blindly. “Shut up!”

But her words are choked, as she feels the thing behind her is leaning in. A part of it (its face?) moves near her lips.

Malorie only breathes. She does not move. The attic is silent.

She can feel the warmth, the heat, of the thing beside her.

Shannon, she thinks, look at the clouds. They look like us. You and I.

She tightens her grip over the babies’ eyes.

She hears the thing behind her retract. It sounds as if it’s moving away from her. Farther.

It pauses. Stops.

When she hears the wooden stairs creaking, and when she’s sure it is the sound of someone descending, she releases a sob deeper than any she’s ever known.

The steps grow quiet. Quieter. Then, they are gone.

“It’s left us,” she tells the babies.

Now she hears Gary move.

“Don’t come near us!” she screams with her eyes closed. “Don’t you touch us!”

He doesn’t touch her. He passes by, and the stairs creak again.

He’s gone downstairs. He’s going to see who made it. Who didn’t.

She heaves, aches from exhaustion. From blood loss. Her body tells her to sleep, sleep. They are alone in the attic, Malorie and the babies. She begins to lie back. She needs to. Instead, she waits. She listens. She rests.

How much time is passing? How long have I held these babies?

But a new sound fractures her reprieve. It’s coming from downstairs. It’s a noise that was made often in the old world.

Olympia hangs (so he said so he said) from the attic window.

Her body thumps against the house in the wind.

And now something rings from below.

It’s the telephone. The telephone is ringing.

Malorie is almost mesmerized by the sound. How long has it been since she’s heard something like it?

Someone is calling them.

Someone is calling back.

Malorie turns herself, sliding in the afterbirth. She places the girl in her lap, then gently covers her with her shirt. Using her empty hand, she feels for the head of the ladder stairs. They are steep. They are old. No woman who just gave birth should have to negotiate them at all.

But the phone is ringing. Someone is calling back. And Malorie is going to answer it.

Riiiiiiiiiiing

Despite their towel blindfolds, she tells the babies to keep their eyes closed.

This command will be the most common thing she says to them over the next four years. And nothing will stop her from saying it, whether or not they’re too young to understand her.

Riiiiiiiiiiiiiing

She slides her ass to the edge of the floor and swings her legs over to rest her feet on the first step. Her body screams at her to stop.

But she continues down.