The next morning Mrs. Brind scrutinized Marlee for signs of distress or abuse, but she cheerfully scrunched her way through a bowl of Frosties, a cereal outlawed in David Lastingham's muesli-inclined household. Marlee followed the Frosties with a slippery fried egg that was served up with a stiff strip of streaky bacon and a single obscene-looking sausage. Jackson imagined getting up in the morning in France, wandering down to a village bakery for a warm baguette, making one of those little espresso pots of freshly ground coffee. For now he had to make do with a cup of acrid instant coffee and a couple of Nurofen because he'd run out of Co-codamol. He wasn't really sure what hurt anymore, whether it was his tooth, his head, the punch David Lastingham had surpris-ingly
"Yes, Daddy."
He pulled up on a garage forecourt and filled up the Punto. breathing in the comforting smell of petrol. There were buckets of flowers arranged outside the shop, but there wasn't much in the way of choice. There were big pink daisies that looked artificial, some brightly colored dahlias, and lots of carnations. He recalled the heartfelt testimonial of one of Theo's divorce clients.
Jackson hadn't visited the cemetery for ten years, but he knew exactly where to go, there was a map that had been burned into his memory a long time ago. There had been a time when he came here nearly every day, long ago when the dead were the only people who loved him. "This is where my mother's buried," he said to Marlee. "My grandma?" she checked, and he said, "Yes, your grandma." She stood respectfully in front of a headstone that looked more weather-beaten than it should have been after thirty-three years and he wondered if his father had ordered a cheap sandstone for his wife's memorial. Jackson didn't feel much when he looked at it. He found it hard to conjure up many memories of his mother. They walked on and Marlee worried that he hadn't left the flowers on his mother's grave and Jackson said, "They're not for her, sweetheart."
Chapter 20. CASE HISTORY NO. 4 1971
Jackson never thought much about anything before his mother started to die. He was just a boy, he did things boys did. He was in a gang that had a den in a disused warehouse, they played on the banks of the canal, they pilfered sweets from Woolworth's, they cycled out to the country and swung on branches across the river and rolled down hills, they bribed older boys to buy them cigarettes and they smoked and drank themselves sick on cider in their den or in the town cemetery, to which they gained entry at night via a hole in the wall that only they and a pack of feral dogs knew about. He did things his mother (and probably his father) would have been horrified by, but when he looked back on it in later life it seemed a healthy, harmless sort of boyhood.
He was the baby of the family. His sister, Niamh, was seventeen and his brother, Francis, was eighteen and had just finished serving his time as an apprentice welder with the Coal Board. His father always told both his sons not to follow him down the pit, but it was hard to get away from mining when it was the only industry in town. Jackson never considered the future but he thought being a miner looked okay, the comradeship, the drinking – like being in a grown-up gang really, but his father said it was a job that you wouldn't make a dog do, and this was a man who hated dogs. Everyone voted Labour, men and women, but they weren't socialists. They "craved the fruits of capitalism" more than anyone, that's what his father said. His father was a socialist, the bitter, chip-on-the-shoulder Scottish kind that attributed everything that had gone wrong with his life to someone else but particularly "capitalist bosses."