At the beginning of this love affair, Catherine had three allies. One was Hanbury-Williams; the others were Bestuzhev and Lev Naryshkin. The chancellor made clear that he was willing to befriend Poniatowski on Catherine’s behalf. Naryshkin quickly stepped into the same role of friend, sponsor, and guide for the new favorite that he had performed during Catherine’s affair with Saltykov. When Lev was in bed with fever, he sent Catherine several elegantly written letters. The subjects were trivial—pleas for fruit and preserves—but they were written with a style that quickly told Catherine that Lev himself was not the author. Later, Lev admitted that the letters were written by his new friend Count Poniatowski. Catherine realized that, for all his travels and apparent sophistication, Stanislaus was still a shy, sentimental young man. But he was Polish and romantic, and here was a young woman isolated and trapped in a miserable marriage. It was enough to capture him.
This is how Catherine appeared in his eyes :
She was twenty-five, that perfect moment when a woman who has any claim to beauty is at her loveliest. She had black hair, a complexion of dazzling whiteness, large, round, blue, expressive eyes, long, dark eyelashes, a Grecian nose, a mouth that seemed to ask for kisses, perfect shoulders, arms, and hands, a tall, slim figure, and a bearing which was graceful, supple, and yet of the most dignified nobility, a soft and agreeable voice, and a laugh as merry as her temperament. One moment she would be reveling in the wildest and most childish of games; a little later she would be seated at her desk, coping with the most complicated affairs of finance and politics.
Several months were to pass before the unpracticed lover gathered sufficient courage to act. Even then, but for the persistence of his new friend Lev, the reluctant suitor might have been content to worship from a distance. Eventually, however, Lev deliberately placed Stanislaus in a situation from which the Pole could not retreat without risking embarrassment to the grand duchess. Unaware of what had been arranged, he was led to the door to her private apartment. The door was ajar. Catherine was waiting inside. Years later, Poniatowski remembered, “I cannot deny myself the pleasure of recalling the clothes I found her in that day: a little gown of white satin with a light trimming of lace, threaded with a pink ribbon for its only ornament.” From that moment, Poniatowski later wrote, “my whole life was devoted to her.”
Catherine’s new lover proved to be free of the smiling self-confidence that had led her to capitulate to Saltykov. In this matter, Catherine was dealing with a boy—charming, well traveled, and well spoken, but still a boy. She knew what needed to be done, and, once his hesitation was overcome, she guided the handsome, virginal Pole into manhood.
A Dead Rat, an Absent Lover, and a Risky Proposal
REMARKABLE DIPLOMATIC CHANGES were occurring in Europe, but within the small, closed world of Catherine and Peter’s marriage, the arrangements and antagonisms that had marked their lives for ten years continued. Catherine had found a new, supportive lover in Stanislaus Poniatowski; Peter ricocheted among Catherine’s maids of honor, making first one and then another the object of his attention. The married couple had extravagantly different tastes and enthusiasms: Peter’s were soldiers, dogs, and drink; Catherine’s were reading, conversation, dancing, and riding.
In the winter of 1755, most of Peter’s Holstein soldiers had been sent home, and Catherine and Peter returned from Oranienbaum to St. Petersburg to resume their separate lives. With the city deep in snow and the Neva River locked under a sheet of ice, Peter’s military obsession moved indoors. His soldiers now were toys, made of wood, lead, papier-mâché, and wax. He lined up these figures on so many narrow tables that he could scarcely squeeze between them. Strips of brass with strings attached were nailed to the tables, and when the strings were pulled, the brass strips vibrated and made a noise that, Peter informed Catherine, resembled the rolling fire of musketry. In this room, Peter presided over a daily changing of the guard ceremony in which a fresh detachment of toy soldiers, assigned to mount guard, replaced those who were relieved of duty and removed from the tables. Peter always appeared at this ceremony in full Holstein dress uniform, with top boots, spurs, high collar, and scarf. The servants participating in this exercise were also required to wear Holstein uniforms.