On that day, he returns to Mrs. McTeague's boardinghouse in the evening, goes to his room, and finds a large man snoring in the upper bunk. A lot of clothing and equipment is scattered about the place, emanating sulfurous reek.
The man sleeps for two days and then comes down late for breakfast one morning, peering around the room with Atabrine yellow eyes. He introduces himself as Smith. His oddly familiar accent is not made any easier to understand by the fact that his teeth are chattering violently. He doesn't seem especially bothered by this. He sits down and paws an Irish linen napkin into his lap with a hand that is stiff and raw. Mrs. McTeague fusses over him to the extent that all of the men at the table must resist the impulse to slug her. She pours him tea with plenty of milk and sugar. He takes a few sips, then excuses himself and goes to the WC, where he crisply and politely vomits. He comes back, eats a soft-boiled egg from a bone china egg cup, turns green, leans back in his chair, and closes his eyes for about ten minutes.
When Waterhouse returns from work that evening, he blunders into the parlor and interrupts Mrs. McTeague having tea with a young lady.
The young lady's name is Mary Smith; she is the cousin of Waterhouse's roommate, who is upstairs shivering and sweating in his bunk bed.
Mary stands up to be introduced, which is not technically necessary; but she is a girl from the outback and has no use for effete refinement. She is a petite girl dressed in a uniform.
She is the only woman Waterhouse has ever seen. She is the only other human being in the universe actually, and when she stands up to shake his hand, his peripheral vision shuts down as if he has been sucking on a tailpipe. Black curtains converge across a silver cyclorama, shuttering down his cosmos to a vertical shaft of carbon-arc glory, a pillar of light, a heavenly follow-spot targeted upon Her.
Mrs. McTeague, knowing the score, bids him sit down.
Mary is a tiny, white-skinned, red-headed person who is often seized by little fits of self-consciousness. When this happens she averts her eyes from his and swallows, and when she swallows there is a certain cord in her white neck, rounding the concavity from shoulder to ear, that stands out for a moment. It draws attention both to her vulnerability and to the white flesh of her neck, which is not white in a pallid sick way but in another way that Waterhouse could never have understood until recently: viz., from his little stint in New Guinea, where everything is either dead and decaying, or bright and threatening, or unobtrusive and invisible, Waterhouse knows that anything this tender and translucent is too vulnerable and tempting to hold its own in a world of violently competing destroyers, that it can only be sustained for a moment (let alone years) by the life force within. In the South Pacific where the forces of Death are so powerful, it leaves him vaguely intimidated. Her skin, as unmarked as clear water, is an extravagant display of vibrant animal power. He wants his tongue on it. The whole curve of her neck, from collarbone to earlobe, would make a perfect cradle for his face.
She sees him looking at her, and swallows again. The cord flexes, stretching the living skin of her neck out for just a moment, and then relaxes, leaving nothing but smoothness and calm. She may just as well have caved his head in with a stone and tied his penis round a hitching-rail. The effect must be calculated. But apparently she has not ever done it to anyone else, or there would be a band of gold round her pale left ring finger.
Mary Smith is beginning to get annoyed with him. She lifts the teacup to her lips. She has turned so that the light is grazing her neck in a new way, and this time when she swallows he can see her Adam's apple moving up. Then it comes down like a pile driver on what is left of his good judgment.
There is a thumping noise upstairs; her cousin has just regained consciousness. "Excuse me," she says, and she's gone, leaving only Mrs. McTeague's bone china as a reminder.
Chapter 58 CONSPIRACY