Эрик Сати

–. Erik Satie. Paris, 1997.

Жизнь и музыка Эрика Сати

Adams Courtney. ‘Erik Satie and Golden Section Analysis’ // Music and Letters, lxxvii (1996). Р. 242–252.

Apollinaire Guillaume. ‘„Parade“ et l’esprit nouveau’ // L’Excelsior (11 May 1917). Р. 5.

Axsom Richard. Parade: Cubism as Theater. New York, 1979.

Blom Eric. ‘Erik Satie (1866–1925)’ // Musical News and Herald, 69 (18 July 1925). Р. 53.

Bois Jules. Les petites religions de Paris. Paris, 1894.

Bredel Marc. Erik Satie. Paris, 1982.

Brown Frederick. An Impersonation of Angels: A Biography of Jean Cocteau. New York, 1968.

Cate Phillip Dennis and Shaw Mary, eds. The Spirit of Montmartre: Cabarets, Humor, and the Avant-Garde, 1875–1905. New Brunswick, NJ, 1996.

Cocteau Jean. ‘„Parade“: Ballet réaliste, in which Four Modern Artists Had a Hand’ // Vanity Fair (September 1917). Р. 37.

–. ‘Fragments d’une conférence sur Eric [sic] Satie (1920)’ // Revue musicale, v (March 1924). Р. 222.

–. Portraits-Souvenirs, 1900–14 (Paris, 1935); перевод на английский язык: Browner Jesse. Souvenir Portraits: Paris in the Belle Epoque. London, 1991.

–. Erik Satie. Liége, 1957.

Collaer Paul. La musique modern. Brussels, 1955; перевод на английский язык: Abeles Sally. A History of Modern Music. Cleveland, 1961.

Contamine de Latour J.P. ‘Erik Satie intime: Souvenirs de jeunesse’ // Comoedia, 3, 5 and 6 August 1925.

Cooper Douglas. Picasso Theater. New York, 1987.

Crosby Gaige. Footlights and Highlights. New York, 1948.

Davis Mary E. Classic Chic: Music, Fashion, and Modernism. Berkeley, CA, 2006.

–. ‘Modernity à la mode: Popular Culture and Avant-gardism in Erik Satie’s Sports et divertissements’ // Musical Quarterly, 83 (Fall 1999). Р. 430–473.

Donnay Maurice. Autour du Chat Noir. Paris, 1926, переиздание 1996.

Ecorcheville Jules. ‘Erik Satie’ // Revue musicale S.I.M., 7 (15 March 1911). Р. 29–40.

Erik Satie à Montmartre (каталог выставки), Musée de Montmartre, Paris 1982.

Gignoux Régis. ‘Courrier des théâtres – avant-premiére’ // Le Figaro (18 May 1917). Р. 5.

Gillmor Alan. Erik Satie. Boston, MA, 1988.

Gold Arthur and Fitzdale Rober. Misia: The Life of Misia Sert. New York, 1980.

Gowers Patrick. ‘Satie’s Rose-Croix Music (1891–1895)’ // Proceedings of the Royal Music Association, xcii (1965–6). Р. 1–25.

–. ‘Erik Satie: His Studies, Notebooks, and Critics,’ PhD dissertation, University of Cambridge, 1966.

Hand Maria H. ‘Carlos Schwabe’s Poster for the Salon Rose + Croix: A Herald of the Ideal in Art’, Art Journal, xliv/1 (Spring 1984). Р. 40–45.

Harding James. Erik Satie. New York, 1975.

Hugo Valentine. ‘Le Socrate que j’ai connu’ // Revue musicale, 214 (June 1952). Р. 139–145.

Kahan Sylvia. Music’s Modern Muse: A Life of Winnaretta Singer, Princesse de Polignac. Rochester, NY, 2003.

Jean-Aubry Georges. French Music of Today / trans. Edwin Evans. London, 1919.

Kostelanetz Richard, ed. John Cage. New York, 1970.

Klüver Billy and Martin Julie. Kiki’s Paris: Artists and Lovers, 1900–1930. New York, 1989.

Lajoinie Vincent. Erik Satie. Lausanne, 1985.

Leroi Pierre. ‘Festival Erik Satie’ // Le Courrier musical (August – September 1920). Р. 233.

Marks Martin. ‘The Well-Furnished Film: Satie’s Score for Entr’acte’ // Canadian University Music Review, 4 (1983). Р. 245–277.

Massot Pierre de. ‘Vingt-cinq minutes avec: Erik Satie’ // Paris-Journal, 30 May 1924. Р. 2.

Messing Scott. Neoclassicism in Music: From the Genesis of the Concept through the Schoenberg/Stravinsky Polemic. Ann Arbor, MI, 1988.

Milhaud Darius. Notes without Music: An Autobiography / trans. Donald Evans. New York, 1953.

Myers Rollo. Erik Satie. London, 1948, reprinted New York, 1969.

Nichols Roger. The Harlequin Years: Music in Paris, 1917–1929. Berkeley, СА,2003.

Orledge Robert. Satie the Composer. Cambridge, 1990.