The #4 subway train to Martín Carrera. The #6 to Villa Basilica. Thread through the religious souvenir stands. The knockoff merchants. The lame. The halt. Pickpockets.
Traffic, street noise, the kind of density of people and vehicles you never see in Havana. Motorcycles, scooters, ice cream vendors, big cars, small cars, trucks.
The stalls are there to cure you of piety. Jesus pictures with eyes that move. Gaudy life-size statues of María. A photographer who will take a picture of your kid and produce a print of him sitting on Christ’s lap in a shady dell. The tip of the iceberg as you get closer to the Basilica of Our Lady. Crosses of every type, María pics, holy water, holy blood, holy dust. Hundreds of icon merchants and thousands of people buying stuff. Worry beads, rosaries, postcards.
Everywhere the sick, the old, the young, parties of school children, pilgrim tourists from all over Latin America, Europe, the United States.
The hill of Cerro Tepeyac.
Here, five centuries ago, the Aztec nobleman Cuauhtaoctzin saw the Holy Virgin. The bishop demands proof. An image of
Dad never believed in any of that stuff, nor Ricky, and Mom believes too much. Her ghosts and goblins are another inoculation against a moment of revelation.
The plaza of the basilica.
An old church, earthquake-damaged, being held up by scaffolding. Side churches and temples. The new church, which looks for all the world like an unfinished terminal at José Martí Airport. But this is where the pilgrims are going-this is where María haunts the building. I’m now wearing a black beret to cover the bandage above my ear. I take it off when I go inside.
Midnight mass, but only a few empty seats in the swooping basilica.
I am unaccustomed to religious services and the thing is still in Latin despite Vatican II. Men and women beside me, kneeling, standing up, reciting the rosary. I copy them. Stand when they stand. Kneel when they kneel.
Where is the María?
What is it that they have come to see?
A girl comes by with a collection plate. I throw in a few pesos and am given a picture of the dark-skinned Virgin. I realize that it is the double of a big picture behind the altar. The focus of the church. The mother of Jesus, the goddess protector of all Mexicans, of all women.
For many Cubans, of course, the dark Virgin is Ochún, the sensuous Santería goddess of love and protection.
When the ceremony is over, I light a candle and place it as close to the image as I am permitted.
I bow my face.
“Accept this candle on behalf of another,” I whisper.
The Virgin sees. Understands.
A moving walkway means that no one is allowed to remain directly under the image. It seems like a joke, but it isn’t. The devout are in tears. Mothers are showing the Virgin barren wombs, deformed babies, terminal cancers.
Crying, candle smoke, prayers.
Too much.
I back away and run outside.
Take a breath.
My head hurts. It’s a reminder. A centimeter to the left and that.270 round would have smashed my skull. A centimeter to the right and it would have been a clean miss and Briggs would have gone for a chest shot before I’d even heard the crack of the first.
A policeman asks me if I am ok.
“Fine. Too many people,” I tell him.
“You should have seen it last week, the holy day of Guadalupe is December twelfth.” He waves at the plaza. “There were two million out here.”
The subway.
Basilica to Martín Carrera to Consulado to the airport.
My plane is at four.
The airport. The special Cuban line. The ticket.
A delay. Newsstand. A headline in the December 18
The plane. Cubana flight 131. Take off over the glittering city. Circle to gain altitude, and already the lights are lost beneath the nighttime haze; only the beacons on Popocatépetl and Iztaccíhuatl peeking through the dark.
East across the forests of Yucatán.
I take out the image of the Virgin María. For a while we shared a name, you and I.
I rest my eyes, even sleep a little.
I feel the plane descend and a stewardess asks me to return my seat to the upright position.
I open the window shade.