I brought my focus down and, in childish tantrum, began to stab at various massifs left in her innards, a kind of mechanical up-down of arm, fist, and knife point, and I could feel the thing bucking into various and sundry structures left aboard. Then my rage exited the excavation proper and moved to skin unopened and unflayed on abdomen and pubis; I stabbed, I stabbed, I stabbed, again feeling point overcome the tensile elasticity of the skin and give way to the subcutaneous tissue beneath, and I further felt that human aspic split and sunder to my enraged energies. Suddenly, I was spent.
I looked at what I had wrought. The face was ruined, a seething mass of dappled black in the lightlessness of the square. It required color to express its truest, purest horror, but it would be the coppers who got the benefit of that display, not me. I would not let myself view the body. I was not squeamish. How could a squeamish man author such an atrocity? I suppose I was still in shock and suddenly, as well, became aware of the passage of time, and knew I had other appointments to keep. I rose, secured the blade in my belt, peeled off my sodden gloves and pocketed them, made sure the apron – so important – was still in my frock coat pocket and Judy’s sweetbreads in the other, rose, and pivoted without a sound.
I crossed the square, clinging to shadow. I didn’t want to leave the same way I had entered, by the opening to Mitre Street, because that copper might have circled on his beat and been headed down Mitre Street even now, and I’d hate to run into him as I exited the square. I turned in to the blackness where I’d seen him, finding it a narrow brick lane between two buildings, and rushed down it. I heard the harsh, overpropelled pitch of the police whistle and realized that constable or another had just discovered the body. Another close-run thing! I continued unabated until the passage delivered me to a dark street leading on the right to Aldgate, on the left to more darkness. This had to be Duke, from which I had seen my thrush emerging a few minutes ago. I took the darker option and came shortly thereupon – insane! – another Duke Street. I was therefore at the corner of Duke and Duke, and despite the bloody business of the evening, I could not suppress a grin at the absurdity of such a thing and the centuries of confusion it must have engendered. Soon I was beyond Houndsditch and moving at a comfortable pace toward the next duty of the evening. As for what was going on in that little chunk of London I had left behind, I neither knew nor cared.
CHAPTER SIXTEEN
Jeb’s Memoir
All this is ascribable to the higher level of proficiency of the City of London Police over their much more intellectually impoverished brethren of the Met’s H Division. They ran a far cleaner crime scene: no crazed wandering this way or that in rogue hope of encountering something even they would recognize as a “clue,” such as a note saying, “I am the murderer and I reside at 15 Cutthroat Terrace, W3.” Whichever executive was calling the directives gave each man a zone that was his and his alone, and the man crawled it, touching, feeling, looking. They brought in, first thing, a large supply of bull’s-eye lamps, as all the constables carried, and dim as they were, lighting and placing them about brightened the scene considerably. The Met’s rozzers never would had thought of such a thing. Most astonishing of all was how they treated we Johnnies of the press.
“I’m Jeb, the
“Yes, sir,” said the constable. “Now, if the gentleman will follow me, I’ll lead him to the gallery where we’re asking reporters to collect until we’ve throughly examined the scene. It shan’t be a long wait, and Inspector Collard will speak with you directly as soon as his duties allow him. Our police surgeon, Dr. Brown—”
“Full name?”
“Yes, sir, Dr. Frederick Gordon Brown, will arrive shortly and supervise the removal of the body to the mortuary.”
“May we see it?”
“Inspector Collard will make that decision, sir, but our policy has been to cooperate with you lads in order to get the best information out to the public.”
“If you know my reputation, Constable, you’ll know I don’t make mistakes.”
“Yes, sir, as you say, sir.”