Stride two. Breathe out.
Stride three. He exhales. The breath freezes on his face. The water on his tongue, the tears in the corners of his eyes are boiling.
Four. Abena Asamoah streaks ahead of him. Her skin is grey with frost.
Five. His eyes are freezing. He daren’t blink. Eyelids would freeze shut. Blink is blind, blind is dead. He fixes on the lock, ringed with blue navigation lights. The skinny Vorontsov boy passes him. He runs like a madman.
Six. His heart is panicking, fighting, burning. Abena Asamoah throws herself into the lock, looks around as she reaches for the mask. Her eyes go wide, she sees something behind Lucasinho. Her mouth opens in a silent cry.
Seven. He looks over his shoulder. Kojo Asamoah is down, tumbling, rolling. Kojo Asamoah is drowning in the oceans of the moon.
Eight. As he lunges towards the blue lock lights, Lucasinho throws his arms out and breaks his headlong flight.
Nine. Kojo Asamoah struggles to find his feet but he’s blind, dust frozen to his eyeballs. He waves his hands, lurches, stumbles forward. Lucasinho grabs an arm. Up. Up!
Ten. The red pulses in his eyes: a circle of light and consciousness focused on the circle of the entry lock. A circle closing in with every pulse of the red in his disintegrating brain. Breathe! his lungs shriek. Breathe! Up. Up. The lock is full of arms and faces. Lucasinho throws himself at the circle of reaching arms. His blood is boiling. Gas bubbles in his veins; each bubble a white-hot ball bearing. His strength is failing. His mind is dying but he doesn’t let go of Kojo’s arm. He hauls that arm, hauls that boy; agonised, burning. He feels a shock, hears a shriek of blast-pressurisation
In the tiny circle of sight he has left he sees a tangle of limbs, skins, asses and bellies, dripping with condensation and sweat. He hears gasps turn to laughs, sobs to insane giggling. The bodies quiver with crazy laughing. We did the moon-run. We beat Lady Moon.
Another flash of vision: a splatter of red on the centreline of the outlock door: weird red on white. He fixes on it, a red bull’s-eye that draws all his awareness into a line between him and it. As his consciousness slips into the dark he understands what the red spot is. Blood. The outlock door has slammed shut on Kojo Asamoah’s left big toe, smashing it to a smear of flesh.
Dark now.
The winged woman soars out of the top of the thermal. Early light turns her to gold. She scrapes the very roof of the world, then arches her back, tucks in her arms, flicks her feet and stoops into a swallow dive. One hundred, two hundred metres she plummets, a black dot hurtling out of the false dawn, past factories and apartments, windows and balconies, cableways and elevators, walkways and bridges. At the last instant she flexes her fingers, spreads nanofibre primary feathers and pulls out of the dive. And up, sweeping high, her wings flashing in the brightening light. In three wing-beats she is a kilometre away, a fleck of gold against Orion Quadra’s monumental canyon-scape.
‘Bitch,’ Marina Calzaghe whispers. She hates the flying woman’s freedom, her athleticism, her perfect skin and tight, gymnastic body. Most of all she hates that the woman has breath to waste on recreation and Marina must fight for every sip of air. Marina has dialled down her breathing reflex. The chib on her eyeball shows Marina’s increasing oxygen debt. Every lungful costs. She is overdrawn at the breath-bank. She remembers the feeling of panic when she first tried to blink the new chib out of her eye. It wouldn’t go. She prodded it with a finger. It remained bonded to her eye.
‘Everyone wears one,’ the LDC Induction and Acclimatisation agent had said. ‘Whether you’re a Joe Moonbeam straight off the cycler or the Eagle himself.’
The status bars for her Four Elementals had ticked into life: water, space, data, air account status. From that moment they measured and charged every sip and sleep, every thought and breath.
By the time she gets to the top of the staircase her head is swimming. She leans against the low railing and fights for breath. Before her, the terrifying, crowded void, brilliant with thousands of lights. Meridian’s quadras are dug a kilometre deep and obey an inverted social order: the rich live low, the poor live high. Ultraviolet, cosmic rays, charged particles from solar flares bombard the naked face of the moon. The radiation is readily absorbed by a few metres of lunar regolith, but high-energy cosmic rays spark off a firework cascade of secondary particles from the soil that can damage human DNA. So human habitats dig deep and citizens live as far from the surface as they can afford. Only the industrial levels are higher than Marina Calzaghe and they are almost completely automated.
Up against the false sky bobs a single silver child’s balloon, trapped.