Moscow Noir

Rattling the chair, which he pushed in front of him like a walker, he headed over to the still smoking bed, took his passport out of his pocket, leafed through it, shook it out upside down, and tossed it aside. The rug seemed to be tilting to the left with the whole bed. It’s going to break where it’s weak, he thought, remembering how yesterday at the registration desk he’d slipped his hotel card between the pages of his passport and how today he’d searched for it in his wallet without knowing what he was looking for. A hot sea seemed to be overflowing its shores inside him. Smiling distractedly, like someone dangling his last cigarette in his fingers, he pictured Lana’s tear-stained face as she sat in front of him, and wondered at this image, at how it already existed on its own, as if it were something outside of him, which meant that the laughing voice he’d just heard in the ether no longer belonged to him. The cuckoo clock on the wall shuddered. A moment later, its chilled steel struck half past 12. The bird’s door didn’t open, it just shook; however, behind the toy mechanism Veltsev heard heavenly thunder. Someone was fiddling with the lock in the front door very carefully. Without looking he picked up his gun, cocked the trigger, and chuckled at the little man on the string: no one had called.

PART II

DEAD SOULS

FIELD OF A THOUSAND CORPSES

BY ALEXANDER ANUCHKIN

Elk Island

Translated by Marian Schwartz

Bogorodskoe Municipality,

Eastern Administrative District, 1996

When Nikolai Petrovich Voronov is sitting there like that and looking like that, expect trouble. Actually, if he’s looking some other way, you should still expect it. Nikolai Petrovich and trouble are twin brothers. Behind his back they call him Banderas, after the Spanish actor who conquered the world with his incredible muscularity and crazy machismo. When you look at the Hollywood Banderas, you can’t believe he actually exists. No one’s really like that. At least, that’s what they say. Me, I haven’t been to the movies for a long time. It’s expensive and pointless. Especially since a real homegrown Banderas is directly in front of me right now and I’m sitting here looking at him.

I realize that meeting a man like this on one’s life journey is tremendous good fortune. Don’t think I’ve got some alternative orientation or I don’t like women. God forbid. It’s just that Nikolai Petrovich is truly magnificent.

He’s forty or so, his hair’s the color of a crow’s wing (as they write in books), he combs it with a side part, but it’s too long. He’s been on duty for more than twenty-four hours but he’s wearing a snow-white shirt without a single wrinkle in it, and his collar, my god, his collar.

He has piercing eyes. Right now, as I write this, I can come up with only one comparison: a movie about sin city. The movies again, damnit, but that’s how it goes. Agent Voronov is top dog in the district of sin, the region of sin, the administrative division of sin. Strictly speaking, he’s sin and its nemesis all rolled into one.

He also has a mustache that droops down to the middle of his chin, deep wrinkles from his temples to the middle of his cheeks, and few teeth. Just the front ones, and those are smoked out, boozed out, brown. When he smiles—no more questions. A cop but an alcoholic. An alcoholic but he can stop. Can but won’t. He’ll kill. Without a second thought.