Panic!

“The morning after that first night with Kelly, I was sick at what I had done and I thought for a while about taking sleeping pills or cutting my wrists, but I couldn’t bring myself to do it. I thought about a psychiatrist but I couldn’t call one, I couldn’t tell anyone what I’d done, and then Kelly came and I didn’t want to let her in but something made me let her in and she was contrite, she said she was sorry, she said she had been a lesbian for a long time and she hadn’t been able to control herself and then she told me that she loved me, she said it just like that, ‘I love you, Jana,’ she said, and suddenly I couldn’t hate her any more, I didn’t want her to go away, I wanted her to stay with me, and we made love that night and a lot of nights afterward and I woke up one morning and looked at myself in the mirror and I thought: You’re a lesbian now, too, you’re turning into a lesbian just like Kelly. Then I went and vomited in the toilet, because I don’t want to be a lesbian, I want to be normal, but I liked it with Kelly, I liked it every time, I liked it as much as I liked making love with Don. I knew I had to do something, I knew I had to stop myself before it was too late, divorce myself from Kelly and from New York, from everything that was turning me into what I didn’t want to be turned into. I had to be alone, I had to have time to think, I had to plan for the future—just me, just Jana, keeping her mind occupied with things, and maybe if enough time goes by I’ll be all right again, maybe if I don’t let myself get involved with anyone, not with anyone, because I think I’m a lesbian now and if I am I’ll reject any man, I’ll be frigid with any man who tries to make love to me and if I have anything to do with a woman no matter how casual maybe I’ll try to seduce her or maybe I’ll let her seduce me, and then I’ll know for sure, I’ll know, and I can’t face it yet, maybe not ever. I’ve got to be alone, I’ve got to be alone ...”

The tape had run out now, and Jana’s eyes lost some of their glassy quality. Lennox shook her again, less sharply this time, and when he was sure his words would penetrate, he said, “Jana, listen to me, you’re all right now, don’t you see that? You’re free now. You broke away, and that proves—”

“It proves nothing. It’s not Kelly and it’s not New York any more. It’s me I’m afraid of, it’s me I can’t face.” She began to tremble, violently, and the cold wind was only a small part of the cause; her teeth chattered with little hollow clicking sounds. “It’s me, it’s me, it’s me ...”

Lennox put his arms all the way around her, drawing her close. “Jana,” he said, “Jana.”

She could feel the warmth of him, the solidity of him, she could feel his breath against her hair, the way his hands moved on her arms and her back, she could hear his soft, gentle voice. The tremoring began to subside, slowly, but there was something else now, a sensation, a curious inner quivering. “No,” she said. “Oh no.”

“It’s all right,” Lennox whispered. “Jana, it’s all right.”

“Oh my God, no, no.”

Caressing, warm, solid, male, touching her, holding her, no, no, the thought there in her mind, growing, spreading, beginning to command, no no no, and the embers stirring and the fires sparking, a tightness in her chest, a catch to her breathing, a flowing warmth in her loins, oh no oh no, and she wants to pull free of his arms, she doesn’t want this to happen, she can’t let it happen, but he is so warm, his touch is so gentle, she is safe but no, no! she can’t let it happen, she can’t know, but it is happening, does that in itself mean something and is that enough, it is happening inside her, she is letting it happen, she wants it, she wants him, she wants him, him, him, him

and Lennox holds her, rocking, whispering, and he has never known a tenderness like the one which he feels for this girl, this victim, this kin, her body is soft against his and she is still trembling but it is a different kind of trembling now, somehow he senses that and he holds her tighter and she says, “No, oh please,” and her arms go around him and she is holding onto him now, too, she is pressing against him and moving against him and they fall sideways into the dust and fit their bodies tightly to one another, clinging, clinging

and Jana presses her face to the side of his neck, not wanting to press her face there, his pulse beat is soft and irregular against her ear, and she moves her hands along his back, not wanting to move them, and moves her hips against him, not wanting to move them, I don’t want this, she thinks, I don’t want this, and her loins are hungry and eager for the first sign of his arousal